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Gender stereotypes in popular disney movies
Feminism in disney movies
Feminism in disney movies
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Disney films have always been a huge part of the pop culture. They featured instantly recognizable characters among every age group. These characters, especially the princesses, have been very influential, more precisely on young girls, from Belle to Frozen. However, the majority of these films revolve around the same plot with minor differences: it is always a tale about finding romantic love, a prince charming who saves the princess from a danger and they live happily ever after. However, in 2012, Disney and Pixar produced Brave, a movie that challenged the types of Disney movies we were used to. It favors feminism and gives girls a nontraditional princess model. Brave stars a strong female protagonist, Merida, and an influential plot that …show more content…
She performs many things traditionally associated with male characters. She rejects these patriarchal views which makes her father, the king, proud. This clearly shows when she goes against her gender role when, instead of allowing young males to compete to win her hand for marriage in the archery contest, she boldly declares “I’ll be shooting for my own hand,” and beats them in the competition. Clearly, Merida bravely and regularly does “inappropriate” actions and activities for a princess specifically and a woman generally despite the disapproval of those around her, and in doing so, she acts as a strong model for others who do not fit into society’s narrow concepts of gender. Merida is not the only character featured in Brave that takes a stand against gender stereotypes. Elinor, Merida’s mother, also defies the patriarchal and stereotypical concept of women being second to men. It seems in the movie that Elinor is quite as powerful as her husband, the king, in the kingdom. This is clearly illustrated when everyone begins fighting in the castle hall and Elinor is able to end the entire fight simply by walking calmly through the hall and insisting on her husband and three clan leaders to behave …show more content…
The three young men who were asking for Merida’s hand in the purpose of marriage play negligible roles in the film and are used primarily to add comedic value. The princess has no romantic interests and she is perfectly happy with that. She has other ambitions not including love, and insists on finding love when she is ready, and at one point mentions that she may never be ready. Indeed, in the movie, Merida says to her mother: “You can just tell the lords the princess is not ready for this. In fact she might not ever be ready for this”. By stating this, Merida sends directly an important feminist message to all girls who are likely to consider princesses as role models and always think that finding love and getting married is the essence of their lives. It shows that it is perfectly fine if love and marriage do not go with women’s current or future plans and that they are allowed and at liberty to go after the goals they choose, rather than be restricted to the traditional roles of housewives and
But even through a gap of almost 1,200 years, we see in We Have Always Lived in the Castle, written in the 1960’s, that the views of women having a say in the community is a minority, and not everyone agrees. Yes, there has been some sort of progress in women’s right, from 800 AD, alike in Beowulf, a person who wants revenge on her son’s death, is considered a hell-bride, but in the mid 1900’s, it would receive a little bit of a less negative reaction. But in both in Beowulf and We Have Always Lived in the Castle men are considered the ruler of them family, well at least until Merricat kills everybody. In my opinion, Merricat’s way of looking the hierarchy of gender, is different of having women in control, that symbolizes that idea that began as a minute topic in the time period of the 1960’s, and has expanded into the situation of women’s role of
“Lanval” was written by a female poet and therefore enlists a somewhat feminist perspective on the idea of patriarchy. In this poem, a beautiful woman asks a knight to keep their love a secret: “I command and beg you, do not let any man know about this. I shall tell you why: you would lose me for good” (144-46), and “He answered that he would do exactly as she commanded” (151-52). Here, the gender roles are swapped and the female figure holds the social power to command instead of the male, clearly subverting patriarchy. In a patriarchal theme, the knight would command the woman and she would obey his command without hesitation. The same idea can be seen when the Queen asks the King to punish Lanval after she claims that he insulted her. She said she would never “get up unless the king gave her satisfaction for the offense against her” (301-10), and the king obeyed her, deciding to hold a trial. If this text were patriarchal, the King would have punished Lanval on his own terms rather than doing it for the Queen. It seems as if the Queen is being treated as an equal ruler to the King by being allowed to hold the political power in this
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
It is apparent in ancient society that women were seen as lesser than men, that their value was based off of who they were married to or who their father was. There was no way for a woman to have her own power, they could not do anything alone. The series Game of Thrones is set to be in medieval times, though not in our universe. It very blatantly shows themes of the time period, which are still seen in society today to a point. Blatant misogyny is shown throughout the series as the stronger female leads have to deal with this prejudice as they grow.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
As a female knight, her occupation alone explodes all gender norms. She constantly faces scrutiny for being either too feminine to be a knight or too masculine to be a woman. Without fitting in a certain part of society doesn’t limit her, rather it allows to be the most moral character in the series. Brienne of Tarth places honor above everything. She could have easily turned in both the Stark girls in order to gain favor with the crown, but instead she kept to her word and protected them both. During episode 1 of season six, Brienne saves Sansa from Ramsay’s men and pledges her allegiance. She is determine to maintain her vows she made to Catelyn Stark. Game of Thrones’ characterization of Brienne assists in her breaking gender roles by her appearance and wardrobe. She does not wear the traditional dresses of a lady of her status, but rather a suit of
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
Media plays a large role in creating communal measures including news, publishing, radio, computer, television, and film, at this moment is almost everywhere in modern culture. Gender aspects, as an example, survive solely because civilization as a whole chooses to accept them, but they are maintained by the media. Noteworthy viewers must be conscious of what the media is presenting to them, and make sure they are not operatively partaking in a culture of unjust impositions or restraints. Even on young children, gender roles are being pushed through cartoons.
Deeply influenced by her time’s stereotypes of women, some of which she shared, Elizabeth I worked hard to avoid the mistakes of her female predecessors. Perceiving herself as a king at heart (Doc.12), Elizabeth distanced herself from what were thought to be the innate traits of women. Responding to the commonly held beliefs that women were dangerous and inequitable as rulers, yet weak and subservient by nature, Elizabeth strove to be a fair and loyal leader, played up her feminine traits for political gain, and refused to tolerate any form of dissent.
...f gender; that of the misogynistic patriarchal society, and that of a young woman trying to break free from the forceful bonds of the ever-superior male” (Koci), although there is an obvious difference in power between man and woman. Titania is a much weaker character than Oberon, which was normal back in the day. From the very beginning, the female was characterized as an obedient one to man in every way, with no say in anything. But over the years, with the changes in our society, women have been given the same rights and freedom as men; therefore changing the tradition of the weak woman to the one just as powerful as a man.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
Going back to her prologue, The Wife seems to be criticized for something different she does by each of her husband 's. She can easily be seen as violent, demanding, too controlling, too lustful, and many other qualities. The Wife argues that no matter what women do or don’t do, they will always be criticized, “Thou seyst that som folk desiren us for richesse,/ Somme for oure shape, comme for oure fairnesse/ And som for she kan synge and daunce/ And som for gentillesse and som for/ daliaunce,/ som for hir handes and hir armes smale” (lines 257-262). While she makes a great point, she interjects these opinion’s during her tale as well. Interrupting the flow of her story to display her opinions in this way can lose the audience 's focus of the true meaning of the story. The story itself does a great job of bringing the role femininity into play without The Wife’s interjections. In the beginning of the tale, right after the queen orders the knight to go on his quest she gives him some hints. “Somme seyde wommen loven bset richesse;/ Somme seyde honour, somme seyde jolynesse,/ Somme rich array. Somme seyden lust/ abedde/ And oftetyme to be wydwe and weedde” (lines 925-928). This shows that women want more than materialistic things, contrary to popular belief. While these things aren’t bad to have, it means nothing if they do not have the power over their significant
Brave offers a new kind of artifact from a feminist perspective. A popular film that fights back patriarchy as brave does can have an influence on young audience 's knowledge, about femininity and gender roles. Children learn about gender roles from what the observe in their environment and from the films they watch. Many of this gender roles presented on the media are inimical. Instead of viewing women that personify the feminine values of self determination children see numerous examples of princesse who are passive, anxious, dependent upon men and subordinate. Brave is an important replacement to the complicated portrayal of women presented in most of children’s movie and it is a great example of how to represent
In the 16th century, women and men were defined as having specific and contrasting roles within society. Men were defined as being powerful and dominant while women were defined as being submissive and meek. These ideals can be seen across cultures and throughout time. With these definitions of gender roles in place, the text suggests that gender is a social construct therefore qualities of femininity and masculinity are subjective. This is shown when Portia cross dresses as the lawyer Balthazar (IV) and when the truths of the rings are discovered by the two women (V). The strong female characters in the play exemplify that women are not confined to their social construct as they manipulate the male characters. During the 16th century only
Brave is a 2012 American computer-animated Disney film produced by Pixar Animation Studios and released by Walt Disney Pictures. Mark Andrews and Brenda Chapman directed and Steve Purcell co-directed this film. The film Brave took place in ancient Scotland in the 10th century. The protagonist was a Scottish princess named Merida in the Kingdom of Dunbroch, whose interests include archery and horse riding, was told by her mother that her practices of interests were not what a princess should have and that she had to marry. The expectations or notions of Merida’s mother were examples of societal gender norms back in the 10th century in Scotland. However, Merida chose to defy her mother and had an argument with her mother that determined Merida