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The role of gender in fiction
Pop culture and gender
Gender in popular culture
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Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism. Since they are formally known as princess movies, people tend to focus more on the feminist issues and a blind-eye is directed towards the masculinity issues; nonetheless this does not confirm their absence, even in recent Disney films. In the first Disney Princess film, the men (Prince Charming and the dwarves) were always the ones to do the saving, implying the strength of men. Strength and masculinity always come hand in hand with Disney films to this date. In Mulan, there is an entire song about what it means to be a man. Allegedly, what it means to be a man is to be as “swift as a coursing river”, with the “force of a great typhoon”, and have the “strength of a raging fire”. Even in their most recent Disney princess film, Kristoff is in the business, which requires him to move the ice around a lot. Ice is a hard and heavy substance and Kristoff’s ability to move... ... middle of paper ... ...in the film who took up more time than Tianna herself proving Disney’s “blatant racism and white [centralism]”. White centralism in these films can encourage it in the children who watch it as well, leading to further racial discrimination in society. Works Cited http://romancenovelsforfeminists.blogspot.ca/2013/01/ranking-feminism-or-ranking-race.html http://www.bustle.com/articles/17264-7-problematic-lessons-disney-movies-teach-boys-about-masculinity https://www.youtube.com/watch?v=8CWMCt35oFY http://theorizingmasculinity.blogspot.ca/2014/03/sexism-strength-and-dominance.html http://disneyforprincesses.tumblr.com/post/30365386014/the-problem-with-lottie-and-tianas-friendship https://www.youtube.com/watch?v=jHyzAbV6nuM https://medium.com/disney-and-animation/7c0bbc7252ef http://likefeminismneverhappened.tumblr.com/post/13126810215/brave-new-pixar-world
This means that these women have less privileges than black males, because even though both of them share the same race, male as a gender is generally ranked higher than women. Similarly, black men have less privileges than white men, because the white race is ranked higher in society. These universalizing assumptions rely on the essentialist way of thinking, therefore blocking the fact that women’s lives are much more diverse, as each woman has different, multiple life experiences and personality traits. This idea of the power-dominated group of society is known to be rooted from the other oppressive structures such as Eurocentrism, heterosexism, transphobia, and ableism. For example, Eurocentrism is “a view that Europe is the centre of the world and “civilization”, and everything must be measured against this standard.” (56). This ideal standard is creating oppression towards members of society who are not necessarily white, male or heterosexual, thus, allowing inequality to take place and unearned privilege towards this group of “power-dominated” people. From children’s Disney movies, kids witness masculine and feminine stereotypes from a very young age. These reinforced stereotypes teach children how men and women should act, look and behave. For example, in the movie “Hercules”, a delicate and gentle princess finds love with the big, muscular, and ‘manly’ hero named Hercules. As these films describe that men are the complete opposites of
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
Sixteen years after premiering as Disney’s thirty-third animated film, Pocahontas still incites excitement and wonder within those who wish for nothing more than to be a Disney princess. As Disney’s most notable attempt at political correctness, Pocahontas was created to entertain while attempting to maintain authenticity in regards to historical accuracy and in its fairness of depicting Native American culture. Jacquelyn Kilpatrick, the author of “Disney’s ‘Politically Correct’ Pocahontas”, feels the movie not only failed at being historically accurate but that it fell far short of being politically correct. The article, which appeared in the Fall, 1995 issue of Cineaste, contends the Disney production was duty bound in preserving the integrity of the Pocahontas legend and being both multiculturally and socially inoffensive. However, if being politically correct and constantly factual within any version of media made for entertainment were the standard, we would be left with documentaries and non-fiction. Artistic license allows for a literal account of events to become an engaging, accessible production.
When we typically think of racial tropes in popular culture, we often don’t look towards animated G-rated movies. The film The Princess and the Frog released by Walt Disney Animated Classics in 2009 created by John Musker, Ron Clements and Rob Edwards is a perfect contemporary example of a film that shows images of pre-constructed racial tropes. Though Disney has produced multiple films based on past fairy tales, The Princess and the Frog was the first animated Disney princess film that featured an African American woman in a leading role. Often times regarded as a turning point in Disney’s movie production career, the film’s representation of African Americans proves to be regressive of racist politics surrounding the 21st century. The design
Your sparkling eyes gazed at the television, reading the word “Cinderella” by Disney. You had all your Cinderella toys lined up, ready to grab whenever necessary. Your Cinderella pajamas on, and your tea set is all prepared.Your mom adored your love for princesses. Didn’t we all love to sing along to the Disney movies about princesses and true love? Peggy Orenstein sure didn’t. Peggy Orenstein, the author of Cinderella Ate My Daughter has a sharp opinion about how a “pretty and pink” culture is influencing girls in a negative way. The author proves this argument by discussing gender colorization, dolls, and princesses.
From a young age, princess culture has impacted the lives of numerous people. Some individuals may have spent their childhood parading around in the attire of their favorite Disney princess while they put on their best rendition of the character they admired most. Ohers may have only seen a few Disney princess movies here and there and went seemingly unfazed by the phenomenon. With Disney’s debut of Snow White and the Seven Dwarfs, princess movies would provide the defining factor of the Disney entertainment empire for years to come. From this, fairy tales embarked into a territory that would touch the lives of many individuals
What images come to mind as one reflects upon his or her childhood? Playgrounds, blackboards, and soccer balls may be among the fondest of memories. Yet, for many, mermaids swim their thoughts, princesses get swept off their feet, and lions roar to their royal place in the animal kingdom. Disney films have captivated the American culture for years and have become a pivotal part of popular culture as well as a form of education. However, these films have devoured the youth of America and, in the process; have perpetuated an institutionally racist society based on harsh stereotypes. Minorities are often underrepresented, and even completely left out, of many Disney films such as Dumbo (1941), The Lion King (1994), Aladdin (1992), and Pocahontas (1995). As students enter the doors of schools, they bring with them the notion that white characters and people are superior to blacks or other minorities because that is how they are depicted in Disney films. However, is the “magical world of Disney” a true depiction of the world? Or is it more of an extremely limited perception?
...aves Princess Jasmine multiple times and falling in love at first sight. They also live happily ever-after together, just as every other Disney prince and princess in every other Disney movie. Parents should be aware of the subliminal messages that their children view in the Disney movies they are watching, and grow up to believe that is how life goes. The children that are growing up watching Disney movies with such strong gender stereotypes are learning things they may factor into their own futures, and think that acting the way of the Disney roles is the only way for them to live their life in a happy manner. The way Disney animated films assign gender roles to their characters effect young children’s views of right and wrong in society. It is wrong, and they should not be exposed to such material growing up because it is harmful to their future expectations.
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Princess films are centered around a female character who meets the love of her life and, like in other fairy tales, ends with their wedding (Ross 4). Initially, the Disney princesses’ have portrayed a typical female role in the film, showing the expected gender roles in American society (England Descartes Collier-Meek 563). These gender-based stereotypes are influenced by the time period they were made in, but also originating from old fairytales made centuries ago. “Society’s increasing reliance on the use of television and videos to occupy children warrants continued investigation of how exposure to media may affect children. Given that media portrayals like those in the animated movies of Walt Disney often reinforce societal stereotypes related to gender, ethnicity, and culture, parents may consider a more thoughtful approach to the use of television and videos” (Disney Movies 1).
Considering that, by viewing a Walt Disney film, they will alter their perspective as a result of identifying themselves as being similar to a princess. The unrealistic tale of Walt Disney films motivates children to act in a different way. In these issues we tend to investigate the perception of children towards viewing the films. As well as identifying themselves with specific fictional characters shown in Walt Disney films. Furthermore, we can discern the different emotions of female children within viewing it.
Like most young girls, I grew up watching Disney movies. I remember the desire to be and act like almost anything that I watched. I wanted expensive things and a prince that would sweep me off my feet. But I never thought about the negativity that came from watching these movies until I was old enough to realize how they affected my image, behavior, and expectation of love. Most parents are not getting this either!
Many parents in today’s society seek out to Disney for their children’s entertainment. Perhaps it’s because it’s been around for many generations or because it assures parents that there isn’t anything to worry about with the images being shown to their children. Many children grew up loving each new disney princess that was made every so often. But as times past, society is starting to see that Disney princesses may not after all be the best role models for young girl’s. A new study at Brigham Young University looked at different behaviors from 198 preschoolers and studied on how familiar they were with disney’s princess culture.
Strong or Weak Princesses The Inspiration The coloring books, the endless amounts of toys, the movies, the shows, the dress up clothes, the places. Disney has provided endless amounts of entertainment for all ages for a long time. Between the special surprise trips to one of the happiest places on earth to the simple movie nights with the family.
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for