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Disney movies feminist criticism
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The definition of a 'fairy tale' could be described in the loosest of terms. From the dictionary of Merriam-Webster, it is defined as “...a simple children's story about magical creatures, or a false story that is meant to trick people. (Merrium-Webster 2014)” Some people would say that it is an ‘unrealistic and possibly untrue story,’ which highlights the need of society to deconstruct and put meaning to every tidbit of information that is presented to them. This need to understand the so called transformation and changing mindset of ideas, and the concepts of gender equality and inequality as the tides of society change, is seen as quite prevalent in relation to the stories of The Snow Queen and Frozen - its new age counterpart; more so, with the deconstruction of Frozen, the inequality of the female character(s) and independence, is rather rampant. Though several relatively strong ideas found in The Snow Queen, have transcended the pages of time to be found in Frozen, a good majority of what makes The Snow Queen to be a strong story of female independence, empowerment, and equality to the male archetype, is lost.
Disney has made many notable classic fairytales into so called 'digital classics' through the last few decades - Beauty and The Beast, The Little Mermaid, and Cinderella, to name a few; the most recent fairytale that they have ‘adapted,’ is the tale of The Snow Queen by Hans Christian Andersen a.k.a. what we now know as the blockbuster movie entitled Frozen.
In the Andersen version of the tale, The Snow Queen, the relationship between two childhood friends, Kai and Gerda, is the main focus; however, Gerda takes the cake as the main protagonists. In the fairytale, an evil mirror is sent down to Earth by a Troll and hi...
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...; in media, literature, magazines, posters, billboards, etc. Very rarely, is there a tale told that deals with the ideologies of female empowerment, strength, and independence; however, The Snow Queen, has these strengths. With Gerda’s transition from frightened child, to strong heroine, she is able to realize her inner strength; this helps her to succeed on her quest as well as set a great example for individual’s young and old alike. Gerda brings to light the idea that girls can be the hero of their own stories. That they can be independent, intelligent, and strong, and be feminine while still being the hero or completing a hero’s journey. That there is no one standard to acclimate to, even if living in a male dominated world. Frozen, with its modern day quims, ‘spunky’ undeveloped princesses, and giant budget fall short of this; and that, is the cold, hard truth.
Of course, this could be justified by the target audience, as it is a Disney princess film after all. However, this relationship between two sisters is special enough to be analysed. Indeed, female friendship is often depicted as conflictive, in films such as Bride Wars for instance, whereas male friendship is made more valuable, as seen in most Seth Rodgen films. Here, the feminine solidarity is the core of the plot in Frozen, which motivates each protagonist’s designs and solves central issues of the
When analyzing a classic fairytale such as, Snow White, by the Brothers Grimm through a feminist lens, it is clear that it is a phallocentric fairytale that includes stereotypes, gender roles, the male gaze, and paternalism.
Have you ever seen snow before? That white fluffy stuff that covers the ground completely. Well if you have, I am sure you have overcome an obstacle in your life and have reached something “irreplaceable and beautiful” (102). Just like Sister Zoe had said when she saw that snow falling from the sky. This story was very enlightening because the way the author brought in herself and portrayed herself through the character Yolanda was very intriguing. She brought the subject to life in many ways. However, the author of “Snow” uses two specific elements, its symbolism and its character to prove how overtime one individual will be able to overcome obstacles. Not only does theses elements point this out but the narrator also makes an impact of the reader as well.
The generation I am viewing for my final research project is "Snow White and the Seven dwarfs" which was produced and filmed by Walt Disney in 1937. "Snow White and the Seven dwarfs" changed history because it was the first full-length animated movie to be made in full color. The Movie has been continuously watched by kids, and still has been since it was released. Even though "Snow white and the seven dwarfs" was incredibly popular in the mainstream public, the movie has many hidden representations in it that many people do not know about--representations that might change a person's perspective of the film.
Miller, Jennifer L. "No sex in Narnia? How Hans Christian Andersen's 'Snow Queen' problematizes C. S. Lewis's The Chronicles of Narnia." Mythlore 28.1-2 (2009): 113+. Literature Resources from Gale. Web. 21 Jan. 2014.
Merida is the tomboy archetype who refuses to be “princess-like.” She is skilled in combat and rejects all the normal conventions of being a “lady” and does not acknowledge her duty to the kingdom – marrying. She is strong-willed and wants to remain free of any constraints – whether it be a husband or a strict mother who forbids her to engage in the activities that she loves (archery and horseback riding). Anna is a happy-go-lucky upbeat girl who takes matters into her own hands without the need to heavily rely on princes. She bravely goes in search of her sister in dangerous conditions and does so of her own will to protect her sister. Elsa is an anti-hero who has no qualms in killing others in order to fulfill her heightened sense of self-preservation. It is constantly shown that she suffers from mental illnesses that stem from her seclusion and fear of her own powers instilled by her father. In these respects, one sees that Disney has presented viewers with a more progressive set of lead characters with their own agency that stray from the convention of submissive and seemingly flawless princesses who embody all the traditional female
In end, it is unfortunate that fairy tales stories skew and degrade the moral standards and values of youth in this day in age. Pushing for change of these stories will ultimately cause uproar. People will fear the criticism they will get for being nonconformists and be criticized for changing stories that exist. It is unfair for feminists and people who believe that equality is important in society. For the fact that gender roles are not interchanged in these stories are unfortunate evidence that gender inequality exists today and is being taught to children even until this day. Dworking says,
Fairy Tales have been around for generations and generations. Our parents have told us these stories and we will eventually pass them down to ours. In this time of age the most common fairytales are Cinderella, Snow White, Sleeping Beauty, Beauty and The Beast and many more. Children idolize their favorite character and pretend to be them by mimicking everything they do in the stories. The character’s behavior is what is viewed as appropriate in society. These fairy tales show a girl and a boy fall in love and live “happily ever after”. The tales in many people’s eyes resemble a dream life that they would want to have of their own. However, have you ever really looked at what makes up a fairy tale? Many things are unrealistic but the most unflattering aspect of these tales is how women are depicted in them. Fairy tales give an unrealistic view to how women should look and behave in real life.
This causes Elsa to isolate herself for many years in case she hurts anyone else. Elsa once again loses control of her powers and puts herself and her kingdom into an eternal winter and flees. The outcast, Elsa loses control of her powers when she gets crowned queen of Arendelle, at that moment her emotions become strong and overwhelming. The hero Anna and Prince Hans ask for her blessing, it became too much for her to handle, as Anna pressured her more it caused Elsa to expose her ice powers to all of Arendelle. As she runs away because of her panicked mind, the kingdom is also in shock because of her unusual origin, she ends up sending Arendelle into a deep freeze.
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Over the years, Snow White’s story has been told in numerous different versions then its original version in 1812 by the Grimm Brothers. The main basis of the story has remained the same. Only a few minor tweaks to the story have changed. The three versions of the story that are going to be analyzed are the original story “Little Snow White” by the Brothers Grimm, “Snow White and the Seven Dwarfs” by Disney, and “Mirror, Mirror” by Disney also. They each were created in very different times and the original story has changed over the years to appeal to the audience of that time. No matter how many versions there are Snow White is considered, one of the most cherished fairy tales of all time. They each use different methods to get their story across by using different colors, word usage, and scenes.
Snow White is a representation of fake beauty because she is just another young princess with red lips, black hair, white skin, skinny body, and a beautiful face. This is a great example that exhibits how a women should typically be, but that is not reality. Even the mirror describes her as the girl with “lips red as the rose, hair black as ebony, skin white as snow” (Snow White and the Seven Dwarfs, 1937). Disney always uses the same type of characters. The same scenario repeats itself constantly: a young lady who is or becomes a princess waiting for her dream man to rescue her and marry her. According to “Poer To The Princess” (Bridget Whelan, 1998) “Disney’s first animated feature, Snow White and the Seven Dwarfs (1937), set a high standard for full-length animation and established a pattern for later Disney heroines to follow.” All of the princesses in the Disney animation films look innocent and show femininity because of their gentleness. Disney girls are incomplete without a man. They constantly need to be rescued by the man of their dreams and enter their prince’s life instead of creating their own. The idea of females being incapable to live without having a man in their lives might affect young girls because it emphasizes the idea that women are weak and that they should get married to find true happiness. Most importantly every single princess in Disney ends up marrying the love of her dreams. This is not reality because it is not always applicable to everyone. Everyone has their own way of living and not all of them will have a fairytale ending because not all women end up getting married. Snow White always longs for her man to find her and this is emphasized when she sings “I’m wishing for the one I love to find me”(Snow White and the Seven Dwarfes,
Snow White by the Brothers Grimm explores the theme of insecurity which can be defined as one’s subjective evaluation of his or her own self. The fairytale is a story about a Queen who seeks to be the prettiest by constantly asking her mirror “Mirror, Mirror, on the wall, who’s the fairest of them all?.” Initially it was always her; however, as the story progresses and as her stepdaughter Snow White matures, the mirror states that Snow White is the fairest. This causes the step-mother to try to kill Snow White through a huntsman, using a comb, a corset, and finally an apple. This mirror phrase seems to raise more and more anger the more it is asked. One could assume that the mirror is the judging factor in the phrase, but after a closer look on a psychological level, the
By exposing the role of fairy tales in the cultural struggle over gender, feminism transformed fairy-tale studies and sparked a debate that would change the way society thinks about fairy tales and the words. “Fairy Tales and Feminism.” Project MUSE -, https://muse.jhu.edu/book/31411.
There are many fairy tales that have been discussed in this class. The most interesting stories to me are Snow White by Brother Grimm and Ever After: A Cinderella Story directed by Andy Tennant based on Cinderella by Charles Perrault. There are many different versions of Snow White and Cinderella from numerous cultures. In every version, both stories are known as children bed time stories. In addition, the purpose of both stories is to give a life lesson to the children about overcoming evil to attain happiness. At first, every fairy tale has to deal with evil that threatens the protagonist, but in the end, good must always win. In the same way, both of the fairy tales have a similar scenario of a character that is beautiful and has an equally sweet disposition, but is thwarted by an antagonist