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Snow White by the Brothers Grimm explores the theme of insecurity which can be defined as one’s subjective evaluation of his or her own self. The fairytale is a story about a Queen who seeks to be the prettiest by constantly asking her mirror “Mirror, Mirror, on the wall, who’s the fairest of them all?.” Initially it was always her; however, as the story progresses and as her stepdaughter Snow White matures, the mirror states that Snow White is the fairest. This causes the step-mother to try to kill Snow White through a huntsman, using a comb, a corset, and finally an apple. This mirror phrase seems to raise more and more anger the more it is asked. One could assume that the mirror is the judging factor in the phrase, but after a closer look on a psychological level, the …show more content…
The comb is an example of having beautiful long hair in a female which is often classified with femininity. When the queen brushes Snow White’s hair she states “there my beauty” and “beauty wears at a good price.” This shows that the queen possibly acknowledges and identifies Snow White as her “beauty” which could support the statement that Snow White is just a figurative metaphor for the queen’s life and past beauty. It is further asserted when she says “Beauty wears at a good price” which suggests that her beauty is fading and price means aging and becoming a queen. The corset further alludes the theme of the queen’s insecurities but now implies that she might have lost not only her beauty but her youthful figure. The corset is seen as tool of beauty and the perfect figure; therefore, by using it as a way to kill Snow White, it shows that her youthful body has disappeared along with her beauty. The objects used to kill Snow White further alludes to the idea that the queen is feeling vulnerable and fragile in this fairytale as she continues to age. This provides a further insight into the queen’s
The differences between Grimm’s version of “Snow White” and Anne Sexton’s poem, “Snow White and the Seven Dwarfs,” reflects how society sees women. To start, in Anne Sexton’s version the step-mother is the “fairest of us all” until Snow White turns 13. Then, in stanza 2 line 19 Snow White is “fairer than you [the step-mother],” whereas before Snow White is “no more important than a dust mouse under the bed” (stanza 4 line 6). In Grimm’s version of “Snow White,” Snow White’s mother declares her beauty while she is young; Snow White is “as white as snow, as red as blood, and as black as the wood of the window-frame” (pg. 124). The difference in stories shows the significance of women becoming valuable around the time they hit puberty, which supports
The snow woman, a short story written by Norah Burke, brings the reader into the lives
This creates sinister predators within her short stories through the use of empowering and dangerous women. in ‘The Snow Child’, the use of subversion turns the traditional fable of Snow White’s existence from maternal desire into a child who is the product of paternal desire and sexual fantasy. The original tale of Snow White explores a queen who is driven by her desire for beauty and youth, this is similar within ‘The Snow Child’ as the Countess becomes jealous of the child as the Count begins to favour her. The countess and the child are portrayed as binary opposites throughout the story; as one is clothed, the other is naked. This could reflect the importance of appearance within society, and explain the Countess’ antagonistic response to the child and acts of neglect due to her jealousy of the child’s beauty. Carter’s description of the Countess’ clothing leaves the reader with an idea of her dangerous nature; she wears “pelts of black foxes”, an association suggesting a predatory and cunning nature. She also wears “scarlet heels, and spurs” and it may be that the colour of the heels comes from the actions of the spurs, which adds to this idea of violence. We see this nature when she is threatened by the child regarding the Count’s affections, “wife” becoming “the Countess” in a shift emphasised by finally having her own thoughts and feelings in the
In “Ashputtle”, the main ‘Cinderella’ character, Ashputtle, decides immediately she wants to go to a ball which the prince is throwing. She makes every effort to do so. She prepares her stepsisters while pleading with her stepmother for permission to attend. She secretly calls upon magical animals which she controls, namely birds, to perform her assigned work. When all of this fails to get her to the ball, she resorts to the use of magic again, this time to produce a stunning gown. Upon her arrival, the prince is immediately enamored with Ashputtle. Though the prince is perhaps not the brightest man, he a valuable and powerful asset for any poorer woman to be associated with. After placing the prince under the spell of her beauty and charming , Ashputtle fearlessly uses magic to inform the prince he has retrieved the wrong bride.
Through use of literary devices such as repetition and symbolism, the Grimm Brothers are able to effectively reveal the moral of Little Snow-White to a young audience.
As the poem begins, Sexton starts with how the Prince and Cinderella are living happily ever after, but compromising the original naïve direction, she gives the poem a modern context bringing the reader back to reality. While it is obvious to the audience the discrepancies in Sexton’s version, it brings out many jealousies many of us struggle with, such as wealth and everlasting happiness. Sexton makes her audience notice early on many of the pre-conceived notions and expectations we bring to fairy tales. Sexton knows that real life gives no reason to be perceived as happiness, because why learn something that will never amount to use in reality? This tale is Sexton’s answer to her audiences of the “happ...
This characterization of the woman shows how she overpowers her husband, as opposed to the first wife (Snow White’s mother) who is characterized as being obedient and “sitting and sewing by a window with a black ebony frame” (Grimm 249). This characterization contrasts starkly with the dominant woman who plays the archetype of the evil stepmother. The original mother’s wishes came true as she wished for “a child as white as snow, as red as blood, and as black as the wood of the window frame” (Grimm 249). In this imagery, we are given a color palette that represents a beautiful woman (pale white skin, red rosy cheeks and black ebony hair). Anne Sexton never offers a description of Snow White’s real mother, perhaps showing the reader how it is less important whether the mother is evil or good, but rather how the stepmother and daughter relationship became muddled by the fear the stepmother had to have beauty surpass her own.
In the first opening scene, Snow White is referred to as a “lovely little princess.” In her first appearance, she is cleaning and looks as though she is in despair waiting to be saved. Snow White is portrayed as young, virginal, pretty, obedient and incapable of helping herself. This movie having been released in 1937, conveys what the “proper” gender roles of the time were. In Snow White and the Seven Dwarfs, power is segregated between genders and even to this day, the stereotypical gender roles seen in this movie still hold some weight in our society.
The stepmother poisons an apple, Snow White eats it and then dies. After this, Gaiman’s version strays significantly from the fairy tale happy ending. As did the Queen’s and Snow White’s character change, so did the Prince’s. In Snow White and the Seven Dwarfs, the prince kisses the princess and breaks the curse. In the Grimm brothers version, which is more like Gaiman’s, the piece of poisoned apple is dislodged from her throat and she comes back to life. In “Snow, Glass, Apples”, the prince’s true motives are uncovered. “He bade me remove my shift, and made me stand in front of the opened window, far from the fire, until my skin was chilled stone-cold. Then he asked me to lie upon my back, with my hands folded across my breasts, my eyes wide open – but staring only at the beams above. He told me not to move, and to breathe as little as possible. He implored me to say nothing”(Gaiman 342). The prince’s requests are strange and uncommon but the Queen complys. The prince is trying to make the Queen seem dead. This reveals the prince to be a necrophiliac, which is why he shows great interest when he first discovers Snow White’s body. He is willing to give the dwarfs anything in turn for Snow White’s corpse. They give it to him and while he is having his way with it, the piece of apple that is lodged in her throat becomes loosened and she comes back to life. Snow White stayed cold and always looked as if death was upon her, so the prince’s desire for her was not diminished when she awakened. The prince is not the valiant savior he is thought to be, but a lust driven necrophiliac in search of
Roses are red, violets are blue, Snow White has changed, everything’s new. This is a different beginning than the original story of Little Snow White by the Grimm Brothers and retold by the director Rupert Sanders, in the movie Snow White and the Huntsman. The original story portrays Snow White as a beautiful, but naive, young woman, leading up to her eating a poisoned apple from the evil queen. The evil queen has been jealous of Snow White after she has grown up and become more beautiful. Although in both the story and the movie, Snow White eats a poisoned apple, Snow White in Snow White and the Huntsman is portrayed as more brave and courageous, even after she wakes up from the poisoned apple. In the end, both the story and the movie show that Snow White’s triumphs out rules all, no matter what is thrown at her, but the difference is in how. While there are many common motifs across the story and the movie; Gender roles have changed over time, as shown in the
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Over the years, Snow White’s story has been told in numerous different versions then its original version in 1812 by the Grimm Brothers. The main basis of the story has remained the same. Only a few minor tweaks to the story have changed. The three versions of the story that are going to be analyzed are the original story “Little Snow White” by the Brothers Grimm, “Snow White and the Seven Dwarfs” by Disney, and “Mirror, Mirror” by Disney also. They each were created in very different times and the original story has changed over the years to appeal to the audience of that time. No matter how many versions there are Snow White is considered, one of the most cherished fairy tales of all time. They each use different methods to get their story across by using different colors, word usage, and scenes.
In Donald Barthelme’s novel Snow White, the main character Snow White contradicts the traits of a stereotypical 1960’s housewife. These traits, given to her by the author, differ from a typical 1960s housewife in appearance, demeanor, and priorities. The purpose of Barthelme’s presentation of Snow White in this manner is to expose the limitations of society’s gender roles rampant in the 1960s.
Snow White is a representation of fake beauty because she is just another young princess with red lips, black hair, white skin, skinny body, and a beautiful face. This is a great example that exhibits how a women should typically be, but that is not reality. Even the mirror describes her as the girl with “lips red as the rose, hair black as ebony, skin white as snow” (Snow White and the Seven Dwarfs, 1937). Disney always uses the same type of characters. The same scenario repeats itself constantly: a young lady who is or becomes a princess waiting for her dream man to rescue her and marry her. According to “Poer To The Princess” (Bridget Whelan, 1998) “Disney’s first animated feature, Snow White and the Seven Dwarfs (1937), set a high standard for full-length animation and established a pattern for later Disney heroines to follow.” All of the princesses in the Disney animation films look innocent and show femininity because of their gentleness. Disney girls are incomplete without a man. They constantly need to be rescued by the man of their dreams and enter their prince’s life instead of creating their own. The idea of females being incapable to live without having a man in their lives might affect young girls because it emphasizes the idea that women are weak and that they should get married to find true happiness. Most importantly every single princess in Disney ends up marrying the love of her dreams. This is not reality because it is not always applicable to everyone. Everyone has their own way of living and not all of them will have a fairytale ending because not all women end up getting married. Snow White always longs for her man to find her and this is emphasized when she sings “I’m wishing for the one I love to find me”(Snow White and the Seven Dwarfes,
The narrator says this to further the idea that the character of Cinderella evolves during the entire tale. She begins being this beautiful girl to this bottom-feeder only bossed around by her own family. This is significant when the stepmother takes “her beautiful clothes away” and dresses Cinderella “in an old gray smock” with “wooden shoes” (Grimm 1). This change makes the character more vulnerable in which it can make the other characters push her around more. The taking away of beauty can also show the true colors of the other characters because it shows that they are insecure. They are scared of Cinderella and by changing a simple look, it can give them the confidence to rule over her. Another personality trait that Cinderella has is the “damsel in distress” princess. This was very common in older princesses like The Little Mermaid, Snow White, Sleeping Beauty, and Rapunzel. All of these characters engulf this idea that princesses are passive, naive, innocent, easy targets, and always wanting to be rescued. For example, Cinderella never speaks up to her stepmother. Many older princesses were commonly known for doing nothing and letting stuff happen around them. As a result, the quote illustrates certain personality traits that are common in