Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Comic book history and influence
Superheroes and comics effect on society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Comic book history and influence
The super-genre of what collectively can be called ‘comics’ represents a cultural phenomenon which has exploded in the last fifty-plus years onto the public scene. Evolving from newspaper strip comics to superhero stories in paperback periodicals, the world of comics spread further and further into public appeal. With the publication of Art Spiegelman’s Maus, however, comics opened the door onto a world of possibilities. After Maus received high acclaim, despite its academic taboo as a medium, many more historical-commentary graphic novels found their way into the public eye: Marjane Satrapi’s Persepolis, Alison Bechdel’s Fun Home, Keiji Nakazawa’s Barefoot Gen, and a legion of others. Taken together, this new sub-genre of the super-genre provides a personal glimpse into many historically tragic, enlightening, or revolutionary events. These historic-autobiographic stories can effectively introduce people, whether students in a classroom or a curious independent reader searching for truth, to history, because of the format, the popularity of the historical events they encircle, the relatable personal perspective, and the groundbreaking, attention-amassing approval they enjoy.
While graphic novels such as Maus, Persepolis, Fun Home, and Barefoot Gen may differ greatly in content, the format of conveying a story of novel-length complexity through sequential art consolidates all these titles into one sub-genre. These graphic novels would effectively represent history in a classroom setting (besides a personal, individual enjoyment) due to the changed demographic of students in high schools and colleges in the United States (if not throughout the world). With the advent of the Internet and the popularity of the television and video...
... middle of paper ...
...tting within significant historical periods, and relatable, personal point of view, historic-autobiographic novels effectively represent historical events. The next step toward gaining academic respect requires proving their efficacy to scholars both of history and of literature. Once these works secure an educational following similar to the public fanbase, perhaps history classes and interdisciplinary venues may begin incorporating the graphic novel into their reading lists. Until then, the usefulness of Maus or Barefoot Gen as commentaries on World War II, Fun Home on homosexuality and the Sexual Revolution, and Persepolis on the Iranian revolution must be enjoyed purely from an individual standpoint.
Works Cited
"Your Right-Brained Visual Learner." Time 4 Learning. Time 4 Learning, Web. 6 Oct 2009. .
Persepolis is a inspirational story written by Marjane Satrapi in the perspective of a young girl’s life during a powerful, historical moment in Iran. The Islamic Revolution was a life-changing moment that impacted her view on the world around her and her innocence shaping her into the woman she is today. Not many people understand what it feels like to feel pain, hurt and abandonment as a child from major and minor things. The author writes this story and decides for it to be a graphic novel to allow the not only young readers, but also for those who do not understand what happens everyday in the world they live in. Satrapi uses all rhetorical stances, ethos, pathos, and logos to show problems, purpose and emotions.
Art Spiegelman, the son of Holocaust survivors, is best known for authoring of the graphic novel Maus. In Spiegelman's Maus, he correlates the main characters to his father, mother, and deceased brother. This paper will analyze Spiegelman's motifs, symbolisms and overall motivation for such a work as Maus. Notably, experiences shape people mentally, emotionally, and physically, which then leads them to find coping mechanisms, whether consciously or subconsciously. Anja Spiegelman, the author's mother, sought release from her tormented memories of the Holocaust through suicide, which left Vladeck, the author's father, to bare the memories himself. Vladeck, who himself is a writer, battles through this tragedy by drawing for his son’s graphic
Through war and gender, Susan Griffin interplays between private tribulation and public tragedy. The excerpt, ‘Our Secret’, from her book,‘A Chorus of Stones’, helps to set information about the first atomic bombs. Griffin alternates between the information of the first atomic bombs and the struggles in the personal lives of regular people and major figures, such as, Heinrich Himmler and her own family. While reading ‘Our Secret’, the lessons of reading, writing, and thinking are iterated throughout the work. The structure and features of her work are foreign to many such as myself, because the use of this method has not been seen before. When many read ‘Our Secret’, it is the first time that they are encountering this type of writing method. It keeps the readers interested in what was being read the entire time. The alternations between the italicized sections and her story require the re-reading of the two portions allowing for better comprehension. To better understand her method of writing looking at the connections within the text is vitally important. Without these connections, between such things as the first atomic bombs, DNA/biology, Heinrich Himmler’s life, and many other topics, the reading may make no sense at all to the readers. It would seem to the readers, through their first time of reading it, that it just jumps from one topic to the next and that may begin to confuse the reader. The reader may have seen this type of method in another text before, and they would be able to understand a lot more than the readers who haven’t seen this type of writing method used before. Students gain a deeper understanding of the text when they recognize connections. These connections connect the reader to the characters being discu...
The story Maus is a graphic novel about a son Artie interviewing his father Vladek because Vladek survived the Holocaust. Vladek is explaining to Artie what his life was like during the Holocaust for him and his family. Vladek was the only one left still alive during this time to tell the story to Artie. The story has many different links to the history of the Holocaust and helps readers understand the horrible facts these families had to face. Since it is from the perspective of someone who lived through it, it helps the reader understand really just what was going on in this time. The graphic novel Maus by Art Spiegelman offers the modern reader a unique window showing the horrors and the history of the Holocaust and its repercussions by the differences of Vladek’s past and present, the value of luck, guilt that Artie and Vladek felt, and the mice characters being a representation during this time of racism.
Art Spiegelman’s graphic novel Maus unfolds the story about his father Vladek Spiegleman, and his life during the WWII. Since Vladek and Art are both the narrators of the story, the story not only focuses on Vladek's survival, but also the writing process and the organization of the book itself. Through these two narrators, the book explores various themes such as identity, perspective, survival and guilt. More specifically, Maus suggests that surviving an atrocity results in survivor’s guilt, which wrecks one’s everyday life and their relationships with those around them. It accomplishes this through symbolism and through characterization of Vladek and Anja.
The graphic novels Maus and Maus II by Art Spiegelman possess the power to make the reader understand the pain and suffering that takes place during the Holocaust. Spiegelman uses animals instead of humans in his graphic novels to represent the different races of people. The use of visual mediums in Art Spiegelman’s Maus enhances the reading of the narrative. The graphics throughout the novel help the reader fully understand everything that is happening.
The story "Maus" is written in a rather unconventional way because it is written in a graphical novel format. This format tends to grasp the attention of those from a younger audience. However, since the story is about the Holocaust many critics think that it may have not been written in the right format. The author Art Spiegelman wrote it in this form not to make light of the situation but also not to make it seem like any other kind of Holocaust format. Which is sometimes considered boring and the viewers it draws attention too are those of an older age.
The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.
The story Persepolis uses the medium of graphic novel and the perspective of a child to convey her message. The events of Persepolis are very dark and in some
Spiegelman, Art. Maus II: a survivor's tale : and here my troubles began. New York: Pantheon Books, 1991. Print.
When comics were first coming out, they were not all that popular but in todays’ world, they have become very popular and well known. Several of these comics have been turned into films, which is one of the many reasons why the popularity has been rising over the years. One of the most well known comics is Batman: The Dark Knight Returns. This comic was composed and released in 1986 by Frank Miller. With the usage of Frank Miller’s powerful, intense lines and the artwork done by Klaus Janson’s and Lynn Varley’s it has elevated this comic up to the very top of mainstream comics. In Batman: The Dark Knight Returns, the skillful illustrations on the pages successfully create the thought that there are underlying meanings, which makes the atmosphere a very intense one throughout the comic. The work of art that is presented on the pages in this comic are embedded in such a way that the pages become the continuum for the meaning. One of the main themes that are imbedded on the pages through the artwork in this book is the ideological struggle between Bruce Wayne and Batman.
When reading a traditional book, it is up to the reader to imagine the faces and landscapes that are described within. A well written story will describe the images clearly so that you can easily picture the details. In Art Spiegelman’s The Complete Maus, the use of the animals in place of the humans offers a rather comical view in its simplistic relation to the subject and at the same time develops a cryptic mood within the story. His drawings of living conditions in Auschwitz; expressions on the faces of people enduring torture, starvation, and despair; his experience with the mental institution and his mother’s suicide; and occasional snapshots of certain individuals, create a new dynamic between book and reader. By using the form of the graphic novel, Art Spiegelman created a narrative accompanied by pictures instead of needing to use immense worded detail.
Marjane Satrapi used symbolism, anecdotes, and motif to advance the plot of her graphic memoir Persepolis. Though the book is on some banned books lists, Persepolis contains many real-world themes and morals. The many awards the book has received can be partly credited to Satrapi’s use of literary devices. It is a book taught popularly in high school english classes because, oftentimes, it is one of the students’ first confrontations with Middle Eastern literature. In addition, it can be used to show the many freedoms, rights, and priveledges we take for granted here in the United States. Through the happy drawings and the sad drawings, Persepolis is a graphic memoir deserving of its recognition that will captivate the reader all the way through.
Maus, by Art Spiegelman, shows a unique way to view history and allow readers to understand the suffering he went through during the Holocaust. Spiegelman describes every detail through a comic book unlike reading a textbook. More specifically the characteristic features of Maus is the use of the tale of animals with characteristics more or less civilized as characters of history. This work of art that deals with the theme of the Holocaust, and as a comic book that challenges the fictional tradition of the genre and opens its doors to history and to the narration of reality.
History is no more confined to a monolithic collection of facts and their hegemonic interpretations but has found a prominent space in narratives. The recent surge in using narrative in contemporary history has given historical fiction a space in historiography. With Hayden White’s definition of history as a “verbal structure in the form of a narrative prose discourse” literature is perceived to be closer to historiography, in the present age (ix). History has regained acceptance and popularity in the guise of fiction, as signified by the rising status of historical fiction in the post colonial literary world.