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Superheroes and comics effect on society
History of comics essay
History of comics essay
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Historically comic books have been used as entertainment for children and teens. In 1933 two Eastern Color Printing Company unintentionally created a comic book by compiling an album of comic strips and published it as a full size magazine (Wright, 2001). This accidental discovery was a platform for a multi -million dollar a year industry as young America took notice. As early as the 1940’s educators and educational facilities took notice and began research on the value of comics in education. Although the investigations led to an eventual split in the determinations, many, such as the Child Study Association of America Director Sidonie Gruenberg, believed educational comic books could be of great benefit, “There is hardly a subject that does not lend itself to presentation through this medium”. Those who stood on this side of the fence believed that the utilization of comic books could ideally encourage reading by embracing this new medium of literature. It was also at that time that the first in classroom study was done as teachers began creating a curriculum that supported comic book study. (Sones, 1944) Puck- the Comic Weekly was introduced to students in hundreds of classrooms. The Journal of Educational Sociology was so intrigued with the results of this experiment the 4th issue of Volume 18 in 1944 was assigned to this study.
Of course there was opposition to this belief that comic books could be beneficial in the classrooms. Many thought even the idea of this to be preposterous, and the introduction of this concept would be detrimental to the learning processes of students everywhere. This, however, was not only an opposition to educational comics but comics as a whole. This platform was spearheaded by a...
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...l of Adolescent & Adult Literacy, 45, 758-767.
Sones, W. (1944). The comics and instructional method. Journal of Educational Sociology, 18, 232-240.
Sturm, James. (2002, April 5). Comics in the classroom. The Chronicle of Higher Education, pp. B14-5.
Versaci, R. (2001). How comic books can change the way our students see literature: One teacher's perspective. English Journal, 91 (2), 61-67.
Wax, E. (2002, May 17). Back to the drawing board; Once-banned comic books now a teaching tool. The Washington Post, pp. B.01.
Williams, N. (1995). The comic book as course book: why and how. Long Beach, CA: Annual Meeting of the Teachers of English to Speakers of Other Languages. (ERIC Document Reproduction Service No. ED 390277)
Wright, B. (2001). Comic book nation: The transformation of iouth Culture in America. Baltimore, MD: Johns Hopkins University Press.
Walker, Alice. “Everyday Use.” Literature: Reading Fiction, Poetry and Drama. Ed. Robert DiYanni. 6th ed. New York: McGraw Hill, 2007. 743-749.
In the 40s, comic books had a large audience. There would have been at least a dozen people in your class who read comics, claims Chabon. A few years later in the 70s, there would have been less than a dozen but more than one or two people who read comics. Now, it is hard to find more than a few people that you know who actually read comics. If you read comics today, you are considered unique. Children are loosing interest in everything that stimulates the mind in a positive way. Chabon claims that the obvious decline in interest in comic books should make authors want to take initiative and fix the
...or political artists. Obviously I did my share of creating a few comics and then explaining the ideas behind them but having said that, the comics I created were all meant for younger kids to be able to understand. Also, they didn’t necessarily show the reader that I had much more intelligence on the topic than most other people.
In “Violent Media is Good for Kids” Gerard Jones introduces us to his fearful and lonesome childhood. He lived in a world where he was taught to be the violence fearing, and passive boy his parents wanted him to be. But, when one of his mother’s students gave him a Marvel comic book, his fearfulness was transformed into inspiration. He found a way to escape these discouraging feelings through the “stifled rage and desire for power” (Jones 285) that he had newly found. The popular comic book hero “The Hulk” freed him from his passive and lonely persona. Throughout the article he cites his testimonies and the testimonies of others as examples; and shows how they used violence as a positive realm for “overcoming powerlessness.” (Jones 287) Ultimately, Jones is trying to convey the message that violent media can provide kids with psychological tools for coping with the problems that they face as they grow. Although there are slight hints of biased evidence, “Violent Media is Good for Kids” should be considered for the top prize for persuasive essays.
The adage of the adage of the Reading good books can get schools in trouble. Urban Educational Journal, 12, 1-10. Salinger, J.D.
In the article, “How They Do It”, Chris Crutcher argues that books should not be censored by school officials just because an angry parent disfavors the books; Crutcher especially thinks this because these books are helping kids learn and relate to the real world. Crutcher strengthens his argument by using personal experiences, biased opinion, and sarcasm.
Immediately prior to stating her argument, Kathleen O’Neil discusses the use of postmodern picture books by teachers in order to prompt students into questioning and debating issues within their own personal lives. She then transitions into stating her argument in the third paragraph of her article in the last sentence. She says, “This article examines the use of postmodern picture books in classroom settings to spark discussions that lead to greater awareness on the part of the students of the world around them and the possibilities of their roles in it” (41). Immediately after stating her argument O’Neil initiates a separate section of her article titled “We Turn to Storytellers,” where she discusses the advancement of the current world and how postmodern picture books are responding to these changes.
Gloria Steinem stated that, “Comic books have power,” (in the essay “Wonder Woman” (455)). This statement means that even the small or unlikely things can help change the way somebody does something or looks at things. In the essay, “Superman and Me”, the writer Sherman Alexis says, “I learned to read with a Superman comic book” (496). Through his essay he describes the many things he experienced and learned because of his first readings of Superman comic books.
Comic books have been used in a number of ways. Besides as an entertainment source they also have been a way to introduce children to reading. This is proved true by the annual event held nationwide called “free comic book day”, which held on the first Saturday of May. With their well-drawn pictures and colorful characters, comic books have been successful in that area. Howev...
Education was always thought to be a vital tool to all people, but in today’s world many consider it a way for the evils of the world to tant the young. This of course is known as the “Banned Books” debate. One side that believes books should be limited to prevent the children to be exposed to information that they believe to be inappropriate. And the other that believes in the total opposite and continues to point out the importance of the primary focus of literature, in which is education. Overall what makes this debate so difficult is the fact of what makes literature so valuable to the future generations, in being: at the end of the day education is a natural right given to every American citizen, they provide valuable lessons, and of course
Does the use of graphic novel motivate struggling readers and English Language Learners? Studies on graphic novel use are slowly but steadily emerging. Books provide accessible accounts of real-life experiences through their characters, enabling teenagers to reflect on their own experiences and the experiences of others. Through carefully crafted characters, teens are able to reflect on their own sense of self-worth, discover ways in which they can improve themselves and realize that while making mistakes is an unfortunate side-effect of growing up, it is what you choose to do with those mistakes that builds the character traits leading into adulthood. Without reading, teenagers have only the marginal experiences of themselves, and the perceived experiences of their peers, to shape their character. Thus the importance of graphic novel use with struggling readers arises. This study is not just about reading, it is about breaking down the walls that imprison struggling readers, removing their shackles of insecurity and narrow-mindedness and guiding them into the realm of literacy. It is from this new position that teenagers can grow, can begin understanding the larger world around them and can answer the vital questions that form a successful democracy.
...d allows future generations to go on clinging to the same stilted social values we fault now. Each author presents to us an image of the world and then displays the principles they hold dear by controlling their characters within it. It is by analyzing these images and principles that we will be fully able to understand the views present around us and thereby form a more educated one of our own. Ernst wrote, “…changes in children’s books often come long after they have been seen in reality” (76). We as teachers have a responsibility to dialogue these notions with our students so that they will have the insight to write about it in the future.
Grimm, J. and Grimm, J. (2003). Little red cap. In Schilb, J. and Clifford, J. (Ed.) Making literature matter (pp. 670-672). NY: Bedford/St. Martin?s.
The classic comic book is a polar opposite of the complex nature of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media combined with short written dialog to tell a story. The pictures in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a way that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artist's interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does not allow for this expressiveness in its prefabricated structure.
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.