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Flannery o'connor, character analysis
Flannery o'connor, character analysis
Flannery o'connor, character analysis
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Joy-Hulga from “Good Country People” by Flannery O’Connor and Dee-Wangero from “Everyday Use” by Alice Walker are strong protagonists who share similar motives and characteristics. Joy-Hulga and Dee-Wangero both change their names in an attempt to change themselves. They both share comparable motives and reasoning for changing their names. Similarly, Joy-Hulga and Dee-Wangero act selfishly while try to escape something from their past. Joy-Hulga and Dee-Wangero both alienate themselves from their mothers while in search of their authentic inner self. Joy-Hulga and Dee-Wangero are hiding from past childhood events, both consciously and subconsciously. Although their motives and characteristics are alike, their backgrounds and heritage are extremely diverse.
Joy-Hulga and Dee-Wangero share the same motive and reasoning for changing their names, to gain autonomy while changing themselves. Joy changes her name to Hulga because it is ugly like her disposition and completely opposite of her given name. Joy-Hulga is not only trying to anger her mother, but also attempt to change herself. When Joy-Hulga turns twenty-one, she immediately leaves home and changes her name in an “attempt to redirect her life,” without telling her mother until after she does so (Feeley 236). Joy changes her name to Hulga, which Mrs. Hopewell is certain that she only chose because it was the “ugliest” name she had come across “in any language” (O’Connor 190). Joy chooses the name Hulga at first because of “its ugly sound” but then perceives it as one of her “major triumphs” (190). Joy-Hulga successfully changes her name, displeases her mother, and reestablishes herself. Conversely, Dee changes her name to Wangero to rebel against her heritage and...
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... and Drama. Ed. Robert DiYanni. 6th ed. New York: McGraw Hill, 2007. 2137-2138.
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O’Connor, Flannery. “Essays and Letters On ‘Good Country People’” Literature: Reading Fiction, Poetry and Drama. Ed. Robert DiYanni. 6th ed. New York: McGraw Hill, 2007. 233-234.
O’Connor, Flannery. “Good Country People.” Literature: Reading Fiction, Poetry and Drama. Ed. Robert DiYanni. 6th ed. New York: McGraw Hill, 2007. 188-201.
Walker, Alice. “Everyday Use.” Literature: Reading Fiction, Poetry and Drama. Ed. Robert DiYanni. 6th ed. New York: McGraw Hill, 2007. 743-749.
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O'Connor, Flannery. "Good Country People." Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 5th ed. New York, NY: McGraw, 2002. 181-194.
1) O’Connor, Flannery, A Good Man Is Hard to Find (Women Writers: Text & Contexts Series). Rutgers University Press, 1993.
O'Connor, Flannery. ?Good Country People.? A Good Man is Hard to Find and Other Stories. Comp. Flannery O'Connor. San Diego: Harcourt Brace & Company, [2006?].
Perkins, Geroge, and Barbara Perkins. The American Tradition in Literature. 12th ed. Vol. 2. New York: McGraw Hill, 2009. Print
“Good Country People” is a masterfully written example of irony as a method of characterization. It is more than snark or satire. Flannery O’Connor uses characterization to give this short piece a deep emotional impact. When Manley Pointer leaves Hulga Hopewell in the barn loft, helpless and hopeless. He declares that she, “…ain’t so smart.” That he has been, “…believing in nothing even since [he] was born” just as he slips away. Here we see the full irony of the characters names. These titles hold multifaceted meanings and expose each characters failure to acknowledge themselves and others as they are, They prefer instead their cherished assumptions until the ugly truth escapes from sight.
Shannon, Lisa. "Religion and Irony in Flannery O'Connor's Writing." Yahoo Contributor Network. N.p., 13 July 2006. Web. 3 Apr. 2014. .
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O'Connor, Flannery. Good Country People. Literature an Introduction to Fiction, Poetry, And Drama. X. J. Kennedy and Dana Gioia. Longman. 2002. (247-261)
A common aspect of Flannery O’Connor’s literary works is her use of heavily flawed characters. O’Connor’s characters often exhibit gothic and incongruous characteristics. O’Connor’s short story, “Good Country People,” is no exception to her traditional writing style with characters such as Hulga Hopewell, Mrs. Hopewell, Mrs. Freeman, and Manley Pointer. O’Connor uses gothic characterization and symbolism to produce a great short story about a few ruthless country people.
Perkins George, Barbara. The American Tradition in Literature, 12th ed. New York: McGraw Hill, 2009. Print
O’Connor, Flannery. “A Good Man Is Hard To Find And Other Short Stories.” Literature: An
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Asals, Frederick. Flannery O'Connor : The Imagination of Extremity. University of Georgia Press; Reissue edition. Athens, Georgia, 2007.
Whitt, Margaret. Understanding Flannery O’Connor. Columbia: University of South Carolina Press, 1995. 47-48, 78. Print.
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