The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.
The comic book form is very useful in telling a story as complex as Maus. Usually, comics are associated with fun and lightheartedness, but Maus is almost the complete opposite. It is a serious story of one’s recollection of the holocaust. Not exactly light reading.
Maus definitely works in comic form for a number of reasons. Firstly, Art Spiegelman is able to create almost particular images, which means when something’s happening to a character we feel more because we see it happening to them. Secondly, comic form lets the author be more precise in his details. He is able to add small little hints in the illustrations, making the comic readable on many different levels. For example, one person can just see a sad story, while another can see a completely different story full of depth and hidden meaning. The comic is also able to show ideas that could not be as thoroughly presented in written form.
The section in Maus II where Artie is sitting at his desk debating the point of writing the book could ...
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...nd Vladek’s suffering, he still somewhat tries. He writes a book attempting to recognize what his father has been through. Although a piece of literature may never truly be able to grasp the ideas and mentality of the holocaust, Maus comes very close.
Throughout Maus we learn very important lessons, if this is what Spiegelman intended to achieve is debatable; nevertheless, we still learn. First, we learn that art is a very powerful way to communicate any type of subject; it allows multiple layers of depth. We also learn that although we can try to understand victim’s hardships, one may never truly be able to comprehend what a victim has gone through. This idea doesn’t necessarily mean we should not attempt to relate to victims, which is very important. Lastly, Maus teaches us to examine our daily lives in order to find our own personal role in society.
In The Complete Maus, by Art Spiegelman, a son of the Holocaust survivor, Art Spiegelman, learns the story of his father, Vladek Spiegelman. Art Spiegelman learns the causes of why his father acts the way he does and the reason for the eccentric nature he has. Although Vladek Spiegelman physically survives the Holocaust, his actions show that he is psychologically affected by his experience in the camps.
Art Spiegelman's Maus II is a book that tells more than the story of one family's struggle to live thought the Holocaust. It gives us a look into the psyche of a survivor's child and how the Holocaust affected him and many other generations of people who were never there at all. Maus II gives the reader a peek into the psyche of Art Spiegelman and the affects of having two parents that survived the Holocaust had on him. Spiegelman demonstrates the affects of being a survivor's child in many ways throughout the book. Examining some of these will give us a better understanding of what it was like to be a part of the Holocaust.
By means of comic illustration and parody, Art Spiegelman wrote a graphic novel about the lives of his parents, Vladek and Anja, before and during the Holocaust. Spiegelman’s Maus Volumes I and II delves into the emotional struggle he faced as a result of his father’s failure to recover from the trauma he suffered during the Holocaust. In the novel, Vladek’s inability to cope with the horrors he faced while imprisoned, along with his wife’s tragic death, causes him to become emotionally detached from his son, Art. Consequently, Vladek hinders Art’s emotional growth. However, Art overcomes the emotional trauma his father instilled in him through his writing.
What if you were a holocaust survivor and asked to describe your catastrophic experience? What part of the event would you begin with, the struggle, the death of innocent Jews, or the cruel witnessed? When survivors are questioned about their experience they shiver from head to toe, recalling what they have been through. Therefore, they use substitutes such as books and diaries to expose these catastrophic events internationally. Books such as Maus, A survivor’s tale by Art Spiegelman, and Anne Frank by Ann Kramer. Spiegelman presents Maus in a comical format; he integrated the significance of Holocaust while maintaining the comic frame structure format, whereas comic books are theoretically supposed to be entertaining. Also, Maus uses a brilliant technique of integrating real life people as animal figures in the book. Individually, both stories involve conflicts among relationships with parents. Furthermore, Maus jumps back and forth in time. Although, Anne Frank by Ann Kramer, uses a completely different technique. Comparatively, both the books have a lot in common, but each book has their own distinctive alterations.
The Maus series of books tell a very powerful story about one man’s experience in the Holocaust. They do not tell the story in the conventional novel fashion. Instead, the books take on an approach that uses comic windows as a method of conveying the story. One of the most controversial aspects of this method was the use of animals to portray different races of people. The use of animals as human races shows the reader the ideas of the Holocaust a lot more forcefully than simply using humans as the characters.
Art Spiegleman's comic book within the comic book Maus is titled "Prisoner on the Hell Planet: A Case History." This text within a text describes, in horrific detail through pictures, Artie's failed effort to get through the painful loss of his mother due to suicide. This text also in a way, represents a part of Artie's mind where he expresses his feelings of loneliness, doubt, fear, anger, and blame through the form of a dark, gloomy, depressing cartoon.
Art Spiegelman’s graphic novel Maus unfolds the story about his father Vladek Spiegleman, and his life during the WWII. Since Vladek and Art are both the narrators of the story, the story not only focuses on Vladek's survival, but also the writing process and the organization of the book itself. Through these two narrators, the book explores various themes such as identity, perspective, survival and guilt. More specifically, Maus suggests that surviving an atrocity results in survivor’s guilt, which wrecks one’s everyday life and their relationships with those around them. It accomplishes this through symbolism and through characterization of Vladek and Anja.
Being uncertain, all of the previous mentions of the Holocaust become crushed. Joshua Brown says, “‘Unknowableness’ is the void separating the two generations, and the awareness of the limitations of understanding, of how remembering and telling captures and, yet, fails to capture the experience of the past, permeates Maus” (8). The novel Maus, in other words, tells the storyline that places out its own defects and the unavoidable faults of any retold story. The novel even shows that Vladek’s word should be questioned. At the start of the book, Vladek tells stories about this personal relationships. After he tells Art about the trails of his marriage with Anja, he looks at Art, and states, “I don’t think you should write this in your book” (23). Because of this, it is noticed that Vladek is highly concerned about what Art will turn his story into, making it unable to know who we should trust. Nothing about this novel was set in stone. Everything we learned, is called into question. The certainties become pressing questions. Because of this, we are on our own, and do not know where we are at. Familiar roads, and landmarks disappeared, and all we have is the road and
In the beginning of Maus the reader is thrown into a scenario of the Author, Art's, many visits to his
In Art Spiegelman’s Maus, the audience is led through a very emotional story of a Holocaust survivor’s life and the present day consequences that the event has placed on his relationship with the author, who is his son, and his wife. Throughout this novel, the audience constantly is reminded of how horrific the Holocaust was to the Jewish people. Nevertheless, the novel finds very effective ways to insert forms of humor in the inner story and outer story of Maus. Although the Holocaust has a heart wrenching effect on the novel as a whole, the effective use of humor allows for the story to become slightly less severe and a more tolerable read.
The format of "Maus" is an effective way of telling a Holocaust narrative because it gives Art Spiegelman the chance to expresses his father 's story without disrespecting him at the same
Meaning, there are more verbal, written representations of people being dehumanized than in Maus. In Maus, it is more symbolic and descriptive in the way that Spieglman drew his characters. Both authors were very effective in using the theme of dehumanization within the stories. It really made the readers look at situations that they thought they knew about from a different perspective. It was heart wrenching to hear about how terrible humans treated each other in both stories.
The story has two main threads. The first is the true story of Holocaust survivor Vladek Spiegelman's experiences as a young Jewish man during the horrors leading up to and including his confinement in Auschwitz. The second intertwining story is about Vladek as an old man, recounting his history to his son Art, the author of the book, and the complicated relationship between the two of them. It's a difficult process for both father and son, as Vladek tries to make sense of his twighlight years, indelibly marked by his experiences and a slave to the processes he had to resort to in order to make it through. On this level, it's also about Art, as he comes to terms with what his father went through, while still finding the more irritating aspects of his father's personality difficult to live with.
From Hitler throughout the Holocaust, Maus the graphic novel has brought a story of a survivor, Vladek Spiegelman, a Polish Jew. Vladek has been there when the Swastika was a symbol of well-being and the goods. From the start of World War II and sustained until the war ended. Vladek survived the war because of luckiness, after that, being resourceful was the reason he lived. Lost his first born son in the process, moved to the United States. Lost his wife and lived with a fear it might happen all over again, he is a survivor of the Holocaust.
When reading a traditional book, it is up to the reader to imagine the faces and landscapes that are described within. A well written story will describe the images clearly so that you can easily picture the details. In Art Spiegelman’s The Complete Maus, the use of the animals in place of the humans offers a rather comical view in its simplistic relation to the subject and at the same time develops a cryptic mood within the story. His drawings of living conditions in Auschwitz; expressions on the faces of people enduring torture, starvation, and despair; his experience with the mental institution and his mother’s suicide; and occasional snapshots of certain individuals, create a new dynamic between book and reader. By using the form of the graphic novel, Art Spiegelman created a narrative accompanied by pictures instead of needing to use immense worded detail.