The Good woman of Setzuan is a play written by Bertolt Brecht which brings in sympathetic feeling to the audience and the readers of play by using low economic warm hearted woman Shan Te, who is treated differently because of her status in the society. In Shen Te’s society, a woman is a considered second class because of her gender and economic status and men are considered best option for her survival. For instance, a policeman admits that the only way Shen Te could get out of poverty is to get man. In a like manner, Shen Te’s boyfriend believes that a woman does everything a man asks because she devoid to common sense. Even though Shen Te is a very good person, when things gets out of hand, she develops bad double self by disguising herself …show more content…
Shan Te has hard time saying no to whoever comes to her asking for help, but men like Yang Sun take advantage of her generosity and loving personality to exploit her. Despite all the good deeds shen Te does to Young Sun, He bravely tells Shui Ta that “Shen Te is a woman: she is devoid of common sense. I only need to lay hands on her and church bells ring.”(56). Yang Sun statement shows no respect to woman probable because of the way the society has been stereotyping women to be devoid to common sense. The same statement can mean that in that society, a women can not hold important government position that involves making laws and policies. Yang Sun believes women are predictable and easily manipulated. He says ‘because I lay my hands on her breasts’’ (56) to be enough justification to why Shen Te is devotional to him. He thinks women are just like a machines that need to be touched on buttons to execute function. It is very shocking for Shui Ta, Shen Te’s double self of to hear a man’s perspective on a woman position in her society through her …show more content…
Shui Ta, a male character who is brave, tough and selfish just like any man in her society. He is able to solve tough situation done like bargaining the best deal of the shelves from the Carpenter. The carpenter complies with Mr Shui Ta who at last says to him ‘’ take the shelves. Pay what you want’’(26) after a long bargaining conversation. Shen Te taking a role of masculine, is taken more serious by the carpenter. She feels more powerful when acting like man, and use it to her own advantage to settle down the rent with Mrs Mi Tzu and protect herself from men who wants to marry her with wrong reasons that include the policeman, Shu fu and Yang Sun. ‘’I need my bad cousin’’ (104), Shen Te cries to the Gods who just wants her to be only good. After everything that her bad double self, Mr Shui Ta does, it is clear that she needs Shui Ta often and pleads to God that she can not do without him. Although it is difficult, she manages to play both roles as feminine and a masculine to help her break through gender and social status and financial
Power and Money do not Substitute Love and as it denotes, it is a deep feeling expressed by Feng Menglong who was in love with a public figure prostitute at his tender ages. Sadly, Feng Menglong was incapable to bear the expense of repossessing his lover. Eventually, a great merchant repossessed his lover, and that marked the end of their relationship. Feng Menglong was extremely affected through distress and desperation because of the separation and he ultimately, decided to express his desolation through poems. This incidence changed his perception and the way he represents women roles in his stories. In deed, Feng Menglong, is among a small number of writers who portrayed female as being strong and intelligent. We see a different picture build around women by many authors who profoundly tried to ignore the important role played by them in the society. Feng Menglong regards woman as being bright and brave and their value should never be weighed against
Ban Zhao wrote Lessons for a Woman around the end of the first century C.E. as social guide for (her daughters and other) women of Han society (Bulliet 167). Because Zhao aimed to educate women on their responsibilities and required attributes, one is left questioning what the existing attitudes and roles of women were to start with. Surprisingly, their positions were not automatically fixed at the bottom of the social hierarchy. Ban Zhao’s own status as an educated woman of high social rank exemplifies the “reality [that] a woman’s status depended on her “location” within various social institutions’ (167). This meant that women had different privileges and opportunities depending on their economic, social, or political background. Wealthier noble women would likely have access to an education and may have even been able to wield certain political power (167). Nevertheless, women relinquished this power within the family hierarchy to their fathers, husbands, and sons. Despite her own elevated social status, Ban Zhao still considered herself an “unworthy writer”, “unsophisticated”, “unenlightened’, “unintelligent”, and a frequent disgrace to her and her husband’s family (Zhao). Social custom was not, however, the only driving force behind Zhao’s desire to guide women towards proper behavior.
Women usually worked as secretaries or on the assembly line because “bosses felt that young women were more diligent and easier to manage” (p. 56). Men, however, were either in a high managing position in the factory or worked in the lowest of jobs available, such as a security guard or driver. It was interesting to learn that about one-third of all of China’s migrants are women. These women go to the factory towns to work, but also, a majority of them leave their homes to see the world and experience life on their own for the first time. Chang makes a point that “to some extent, this deep-rooted sexism worked in a woman’s favor” (p. 57). The statement is supported by the idea that women are less treasured in their families; therefore, they had more freedom to do what they wanted with little care from the family. Shockingly, Chang noticed that no woman ever complained about unfair treatment. “They took all of these injustices in stride” (p.58). The women were grateful for the opportunity leave home and gain a sense of freedom; injustice was not a prominent
Rhetoric has been used in China, to help establish, and to keep Chinese women in their proper societal roles. The continual struggle for power between consort and officialdom motivated the enemies of imperial ladies to develop rhetoric that justified excluding women from government. [1}. Female influence, which was predicated upon kinship roles. The principal roles were those of wife and mother. Therefore Attempts were made to diminish these roles by putting a woman’s inherent femininity over social roles. A woman was a female first and a mother second. This empowered rhetoricians to contend that women were “intrinsically evil and untrustworthy. [2]
Zhu Ying was a member of the military’s theatre troupe, and about to be a member of the party, until she refused to sleep with party members. After that, they transferred and then imprisoned her. While her role in the military could have made Zhu Ying an androgynous figure, an emblem of communist gender equality, the party’s expectation that she have sex with party members makes her a sexual object, which is its own form of feminization. Zhu Ying is allowed to retain her femininity only if she consents to being a sexual object; when she does not, she is sent to be a laborer, and later imprisoned. Moreover, by being separated from her boyfriend, her chance at domestic happiness is taken away. After imprisonment, she has no opportunity to fill the traditional female role of marriage and children (which she may or may not have desired). Thus, the party halts the “natural” order of marriage and
This is the root of the cause of the gender stratification among males and females in China. Since women are viewed as unequal and baby girls are often unwanted by parents there is a sort of stigma that surrounds the Chinese woman in her society. They are not seen as equals to men and they are often socially unequal as well. The men have all the power and prestige in their society. Baby girls are often abandoned or killed so that they can have another child in the hopes that there is going to be a baby boy. We see this unequal access to power evident in the scene where the Chinese woman talks about how her husband threatened to send her away if she did not give him a baby boy. Gender stratification is a very large problem in China and has recently been decreased in level. New ideas about women’s right and worth have sprung up in China are spreading
According to Confucius, a Chinese teacher and philosopher of the period of Chinese history where he created a patriarchal society that woman had to obey their husbands and grown sons. Therefore, during the early times, people in China are generally gender stereotype. Women were discriminated because they were deemed as weak, submissive, passive and dependent on men which only capable of doing house chores and taking care of children comparing to the males who is seen as the core of the family because they were dominant, independent, assertive and usually the one who provides financial support to the family. Women do not have legal rights in making decisions and most of them were illiterate and only educated on self-discipline, etiquette, relationships with in-laws, household management, humility and chastity. Women being lesser than men were considered to be natural and proper. This in turn caused gender inequality and it is not unusual to see males dominate the business world in the early days as well. However, in the modern days now, China has become more of a communism where everyone, regardless of gender, receives equal shares of benefits derived from labour. This led to a rise of the general status of women and they were given more opportunities for education. This is due to the president of China, Mao Zedong who utters the memorable phrase “Women hold up half of the sky” which changed the perceptions towards women in China. According to the study produced by the Beijing arm of accounting firm, Grant Thornton, the proportion of women in senior management in China has climbed to 51% at the year of 2013, up from 25% in 2012 and outpacing the global average of 21%. In a survey of 200 businesses in China, 94% of them employed wo...
In a meantime, women in ancient China cannot participate in elections, nor involve political activities—their main job is taking care of their husbands and children, doing housework and cooking for their family (Huang, Anderulis and Chen). There are other means to restrict women: binding feet is also one of the popular Confucian ways to control and dominate women in ancient China, because such inhumane action can reduce women’s mobility, therefore they can be more loyal to their husbands. Hence, the social status of women in ancient China is extremely inferior and such “philosophy” still influences present Chinese gender roles. Gender Roles in People’s Republic of China (Form 1949-Present) Gender roles have also changed multiple times since the establishment of People’s Republic of China, because of numerous revolutions, campaigns and policies, which are pushing the equality of gender roles.
Since the beginning of early Confucianism, women in early China suffered oppression. Unfortunately, the religion holds much responsibility for the sexism. Confucius’s answers for the Chinese people’s way of living consisted of sexual discrimination and segregation towards females. Women in China were urged to meet the expectations outlined in Confucian ideals. Such concepts were mainly limited to the men. Thus, Confucianism defined gender expectations. Confucianism stimulated the inequality of women in Chinese culture.
“Never again allow any women to hold supreme power in the state. It is against the house-law of our Dynasty, and should be strictly forbidden. Be careful not to permit eunuchs to meddle in Government matters. The Ming Dynasty was brought to ruin by eunuchs, and its fate should be a warning to my people”(Haldane 259). These were the final words of the last great empress of China, Tzu Hsi. In a sense this statement was ironic. For almost 50 years this one woman ruled China with a graceful but iron fist.
Poor people are always the victims. And through these two novels, we see that the leading female characters are both victimized because they came from poor households. I feel that Eileen Chang’s writing style has made her female characters seem too unrealistic. These situations are unfathomable. Her novel does not seem to depict the true struggle of traditional Chinese women.
In her “Instructions for the Inner Quarter,” Empress Xu speaks of Chinese women with a positive, almost prideful stance, claiming that morality is “actually rooted in our very selves.” She places strong emphasis on moral character and cultivation of self, and portrays the traditional expectations of marriage and motherhood as something to aspire to. “An upright woman of pure character,” she writes, “can be made the wife of a great family.” The societal role of womanhood is presented with appreciation based on circumstance, rather than concern or condescension. Women are expected to be modest, dignified, gentle, and honest, amongst a litany of other qualities which Empress Xu believes are essential. She claims that “The moral nature being innate in our endowment, it becomes transformed and fulfilled through practice.” While Europeans found the Chinese to be “morally deficient,” Empress Xu boasted the strong morality that she believed existed in woman’s
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
Sexual equality a concept that most of us we are longing for in the society nowadays. However, it is nothing more than a dream in the past Chinese lineage-dominated society. It is a society that famous for men are superior to women. According to Prof. Ma, men and women are treated differently in Chinese lineage-dominated society. For example, in family, workplace and politics aspect, men had absolute power and right on decision making whereas women are not entitled to or nearly forbidden to involve in the above aspect. Women even were considered as outsiders when the married as if they were only the machine of reproduction and housework. This indicated that female in Chinese lineage-dominated society were by no means treated fairly. Nonetheless, the situation has changed since several decades ago, women gained higher status in workplace as well as in the family. Female are not trapped by those feudal way of thinking anymore. This essay will argue that the gender role has been changed and tends to sexual equality and women have higher social status than before.
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.