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Theories on xenophobia
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How many times have you been scared awake by zombies after watching shows or reading comics? Zombies, a particular group of survival horror, are basically dead people who come back to us in an evil way. From novels to Hollywood films, we look like cowards who are repeatedly scared by zombies. How can we still get shocks in this age of scientific society? The answer is that zombies come back with cultural messages in stories, which express our extraordinary fears. Such a horrible story was created by Kirkman, in The Walking Dead he depicted zombies as a horrible metaphor for xenophobia by combining fear of otherness with infectious disease; as a result, fear of contagion fuses with our fear of outsiders, increasing the unequal treatment of immigrants in contemporary society. Kirkman describes zombies as an infectious horror in order to establish a close relationship between zombies and contagions. One of the The Walking Dead’s most brilliant successes has been the characterization of the zombies , and it may be the secret of their popularity. In his book, The Walking Dead, Kirkman …show more content…
We’ve been so hounded in recent years with dire warnings about terrorist attacks. For example, Tyreese who has always been treated as an outsider in the book. When Rick and Tyreese planned to split two zombies up, both of them attacked zombies and try to get that one’s attention. However, these two zombies come to Tyreese together and overlook Rick with instinctions. Perhaps Tyreese’s unfamiliar skin-color turns him into the unique prey of zombies. In such case, zombies are attributed with racial prejudices and chauvinism, which falsely educated us that we should only band together with someone who is similar with
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival.
Even though George Romero, director of the film, Night of the Living Dead, did not intentionally intend to create racial controversy, the film broke a lot of ground considering the year it was filmed in 1968. By making a black character, Ben, the most intelligent and resourceful of all the white characters, as well as the protagonist, Romero, shattered racist stereotypes in the horror movie genre as well as mainstream film. This was mainly due to the fact that Night of The Living Dead was one of the first films to follow a black protagonist who was filmed in a positive light. Ben’s personality was possibly the most subversive aspect of the whole film. Ben was a brave and quick-witted character who was able to see what needed to get done in order to ensure survival from the zombies. The fact that Ben was portrayed as the most composed character, especially out of the cast of distraught white characters only emphasized his position as the most important character. Without Ben, the other characters would have most likely died. Overall, despite the fact that Night of the Living Dead did not intend to make a racial statement, I believe it ended up symbolizing the progress African Americans made during the civil rights movement, yet certain points in the film such as the power dynamic between Ben and Harry, the zombies attacking Ben, Ben’s death scene, and the photographs at
Every time a terrorist attack happens the media jumps all over it, and puts their own twist on what had happened. “Thus, the media has a strong potential to influence how the public thinks about social problems like terrorism, especially because most people only experience terrorism through mass-media accounts...This research also finds that media portrayals of terrorism increase anxiety among the viewing public.” (Chermak, 2006) The media is one of the leading causes of stereotypes, and what influences our beliefs today. When you think of a terrorist, you may think of either a middle aged muslim male or a middle aged white male with some sort of mental or social disorder. This isn 't always the case. A terrorist can be of any race, age, and social class. Due to the media 's influence, we all believe in the same stereotypes and imagine the same description of what a terrorist may look like. This is one of the main reasons behind racial profiling.
George Romero's reinvention of the zombie in Night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day, debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated despite their every effort. These themes are colored over and painted to hide subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
It has a lot of examples that it used like “The principal downside to any zombie attack is that the zombies will never stop coming the principal downside to life is that you will never be finished with whatever it is you do” (pg.41). This can be tight to the current times because we as people never stop, we are always afraid of getting behind, that we have become like zombies or running from zombies. This author also points out are fascination with zombies a growing fad that has people preparing and imagination what their reactions would be in a situation like what people believe will one day happen. He compares other movies that are related to the poplar series “The Walking Dead”
Throughout the last couple decades pop culture has surrounded itself around Zombies. A lot of movies and tv shows have been created such as Shaun of the Dead, The Walking Dead, Pontypool and many more. Additionally, zombie video games have been created and each year many kids dress as zombies for halloween. If you ever talk with a zombie fanatic, you will without a doubt hear about the movies Zombieland, and World War Z. Even though they are both scary films, World War Z contains a lot more suspense.
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
It also makes sense that Hollywood adopted the metaphor. Throughout the 1930s and 40s films like White Zombie, Revolt of the Zombies, King of the Zombies, Revenge of the Zombies, Zombies on Broadway, and Voodoo Man reinforced the traditional view of zombies as ultimate Other. These zombies are without culture or free will, controlled by a mystical villain, often played by Bela Lugosi, who runs a sugar plantation or some other such exploitive business. These films are tales of the oppressor, bringing to light the hardships and uncertainty faced by colonizing forces. It is possible for the zombie slaves to revolt, but for the most part these films warn of the perils embedded in shoddy colonial governing.
Before Zombieland, I hadn’t really thought about the importance of zombie survival in a humorous yet informative way. Sure, while there was Shaun of the Dead, it didn’t have much information on how to survive a zombie attack. Zombieland has raised awareness in popular culture of the need for a zombie survival plan. What if zombies threatened the well being of humanity, and what if I wasn’t prepared? Well, luckily there happens to be a list of things that I need to keep in mind, and I will be better off.
Over the last few years zombie movies have been in the forefront of horror movies, television, and also publishing. But when watching these movies and shows, you are able to pinpoint the differences in the way the
Realistic shows that depict the horrifying life of surviving a disease prone society, such as: The Walking Dead (a popular television series on AMC), have citizens convinced that the pragmatic story telling of Hollywood’s finest is palpable. While, citizens have a healthy fear for the undead, there remains a high demand on the entertainment industry to provide more zombie folklore. Without delay authors, entertainers, and the like have developed a large zombie pop culture that surrounds books, movies, blogs, televisions series, fan fiction forums, and even realistic online groups geared toward preparing for such an event. With the growing alarm for the seemingly viable coming of the zombie apocalypse, it is no wonder Daigle came to his conclusion.
Just like what he mentions in the continuing paragraph, there is a “turning” which indicates that “the zombie figured a dreadful contingency—anyone can be turned into a mindless slave. But slaves can also revolt and be set loose” (Watts, 2013, p. 7). Which means people’s fear of zombies is actually their fear of this “turning” process. “Eaten can suddenly become the eater, health can become sickness, master made to kneel to slave” (Watts, 2013, p. 6). The changing of superior status and white people’s consciousness of imperial are what Watts trying to explain in this
Mass amounts of people will die, families will be separated, and peaceful ways of life will be long gone. Guard your loved ones, board up your windows and keep your gun under your pillow because you’re gonna need it. I have taught the facts, the opinions, and the theories on the possibility of a zombie apocalypse. I have explained with facts and statistics the ramifications of it if it was to happen, the way and speed at which it can spread, and the cruelty that will follow. You can protect yourself and the ones closest to you, but first you have to believe it.
Zombies have a virus that can be transmitted through blood and bites. Later in season two, they go even farther and discover that everyone is already infected, alive or dead. Everyone (alive or dead) carries this virus and its in a matter of time that they will become a walker. If you die, or even get bit by a zombie you will become a zombie. It goes back to reservoirs. “When an animal is a reservoir for an infection, they don’t present the disease. The macaques that carry the deadly herpes B virus don’t die horribly from herpes B. Similarly, following what we know about viruses, a human that already carries the zombie virus would not die instantly from another injection of it. If everyone in The Walking Dead already carries the virus, getting bit would be just a bite. You can’t infect the infected. But you could envenomate
This is a question that has been asked repeatedly and as time progressed, our answers have changed from what we once thought to be the answer. To be fair, there really is not just one type of answer that fits for everyone’s idea of a zombie. For many people of varying religious beliefs and cultural backgrounds, their answer may not be the same as what our Western modern expectations of a