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This whole reading uses numerous metaphors to illustrate its idea. The author Eric King Watts unfolds his thoughts step by step. And all of his ideas begin with the book Zombie Survival Guide (ZSG). Watts emphasizes in the beginning that ZSG is not a book that suppose to be fun to read. By claiming this, he also establishes the seriousness of this article. First, Watts chooses to talk about the content in ZSG and also extends to the global zombie fever. He points out that “our newly intensified enjoyment of them (zombies) in literature, film, and television purportedly reflects a post-9/11 nervousness” (Watts, 2013, p. 2). To further explain his point of view, Watts mention a really important concept in the book, that ask us to keep our earplugs on, which indicates “the danger of hearing too much” (Watts, 2013, p. 3). At this point, Watts actually has already claims the key of this article, which is also mentioned in the conclusion, …show more content…
3). He mentions the “impossible” zombie relation several times in his lecture so I suppose what Watts trying to deliver hiding under the metaphor of zombie is that people in different races, classes, and cultures is hardly possible to co-existent. Just like what he mentions in the continuing paragraph, there is a “turning” which indicates that “the zombie figured a dreadful contingency—anyone can be turned into a mindless slave. But slaves can also revolt and be set loose” (Watts, 2013, p. 7). Which means people’s fear of zombies is actually their fear of this “turning” process. “Eaten can suddenly become the eater, health can become sickness, master made to kneel to slave” (Watts, 2013, p. 6). The changing of superior status and white people’s consciousness of imperial are what Watts trying to explain in this
No book has captivated the zombie apocalypse better than World War Z. Max Brooks creatively presents “a worldwide zombie pandemic from outbreak to aftermath” (Boyd, Tristan). His book encompasses many social and political themes in the world today. The book reveals true fear and shows the strength of the human race.
Max Brooks is a famous author who wrote two very popular zombie books, Zombie survival guide and World War Z, which one was turned into a motion picture due to its large popularity. Colson Whitehead who wrote Zone one is a distinguished writer and has received numerous awards, one of which was New York Times best selling book of the year, given to him in 2001. These two authors give more weight towards Boschs argument as those who are zombie fans know who these writers are and read at least one of their books. Her appeal to multiple types of workers give her a wider reading base in which there are both positives and negatives to each argument given, having a good balance between the two classes. She refers to the white-collar workers as being zombie food, their skills are not needed in the zombie apocalypse.
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
It 's also understandable that a huge number of people are worried about their jobs and their future no matter what color the collar of their job classification. Her analysis of the white-collar workers versus the blue-collar workers is very clear and reasonable. I can clearly see from what point of views she is advocating to support her claim that America is fixated on zombies because of the dire straits of the economy and that this fixation is held solely by the white-collar workers who fear they are becoming obsolete and will no longer be gainfully employed. It 's a highly plausible theory that the apocalypse could represent how the nation is suffering fiscally. However, her analysis is possible only if one simply accepts her view as illustrated in the article. It 's very difficult to understand how a failing economy could affect or impact only a specific group of workers when history has proven that a national economic recession will impact all working classes as a whole. In a major recession such as the one from which the nation is currently trying to recover, the majority of American workers will more than likely at some point worry about losing their jobs and becoming useless even
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
Although the zombie metaphor focuses primarily on fear involving unconscious contributors and their mission of adding to their population, the fear of governmental control and how society responds to the epidemic is also an issue that needs to be considered. In this scenario, the viral outbreak is not only a threat to individual health but also to the stability of society as a whole.
George Romero's reinvention of the zombie in Night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day, debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated despite their every effort. These themes are colored over and painted to hide subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
“Because the living dead freeze solid” (122), when word starting to get out that there were zombies, people’s first instinct was to go north. Family after family packed their belongings and ventured to campsites throughout northern Canada or wherever they felt was cold enough to escape the plague. Many people were still trying to hold on to their materialistic ways and brought “hair dryers, GameCubes, [and] laptops by the dozen” (123) with them to the campsites. These families realized very quickly that these items were not beneficial for their survival. Those that did survive the cold Canadian winters were not those who brought the most belongings, but those who had the will power to survive. As days got colder, people were forced to steal from each other, kill each other, and eventually eat each other. The only way to succeed during this brutal time was to go into this ultimate survival mode. “Eventually the sun did come out, the weather began to warm, the snow finally began to melt” and those that were left were the ones that were had the determination to survive (129).
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
Currently indulged in the new fabricated article, "My Zombie, Myself: Why Modern Life feels Rather Undead", by Chuck Klosterman expresses the concern of our society's normal day-to-day life within the small cubicle, nine to five, epitome of absolute dullness surrounding our lives. He explains and relates how zombies are considered our fears of our political, social, or possibly economical concerns, which is a very similar concept to Peter H. Brother's theory about how Godzilla was replicated to resemble the impact of the two atomic blasts, Hiroshima and Nagasaki in Japan (Brothers; "Japan's Nuclear Nightmare: How the Bombs Became a Beast called Godzilla"), and Stephen T. Asma's premise about how Frankenstein was created to imply the fear of exponential growth in science and technology of the 19th century (Asma; "Monsters and the Moral Imagination"). Klosterman determines the origin of zombies and
This device was not only used to exaggerate, but to get the point across for the readers. He gets one of those many points across by exaggerating how the women walk through the streets at night, “They seem to set their faces on neutral and, with their purse straps strung across their chests bandolier style, they forge ahead as though bracing themselves against being tackled” (1). As women walk down the street they don’t really expect a random person to tackle them, but they portrait the women as though they have an attitude. Staples gives his audience this description to present the idea that African American males are the reason why they walk as if they are ready for an attack. As we continue to read he uses Hyperbole to see inside the eyes of not only the victim, but the ‘attacker’ and how it feels to be counted as an enemy, rather than, a regular person. “Yet these truths are no solace against the kind of alienation that comes of being ever the suspect, against being set apart, a fearsome entity with whom pedestrians avoid making eye contact” (1). Staples uses “entity” and “alienation” to describe the night walkers as if they were out of this world, and everyone that walks past them fears them for that reason. Staples not only uses hyperboles for exaggerations, but to give his reader a small representation of how he feels being in the place of the
Generally speaking, when people think of themselves in a zombie apocalypse situation, they most likely imagine their best of friends and loved ones as their ideal “team”. Seldom do we stop to think, “Does my friend or family have what it takes for survival?” because that can be grim to consider. Without the combined implication of these characteristics, one should not expect to survive such a terrible ordeal. “What it takes” is a multitude of things combined but are, at a minimum three things: adaptability, cunning, and compassion.
Mass amounts of people will die, families will be separated, and peaceful ways of life will be long gone. Guard your loved ones, board up your windows and keep your gun under your pillow because you’re gonna need it. I have taught the facts, the opinions, and the theories on the possibility of a zombie apocalypse. I have explained with facts and statistics the ramifications of it if it was to happen, the way and speed at which it can spread, and the cruelty that will follow. You can protect yourself and the ones closest to you, but first you have to believe it.