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Zombie films: a plague of meaning
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World War Z (2013), directed by Marc Forster was a story about a former investigator named Gerry lane, played by Brad Pitt, who worked for the United Nations who was called back into duty to investigate the plague of a mysterious infection. The human population was turning into zombies that were going on a rampage and biting and killing anyone they came across. The movie started out showing Lane’s family living a content lifestyle and as they were heading out for the day, they ran into massive amounts of traffic and all of a sudden the chaos began. Lane and his family were in the car sitting in stand-still traffic when they saw people running for their lives while being attacked by the zombies. Throughout the movie, Lane and his family were trying to survive and escape the chaos by hiding and waiting for the government to come and pick them up and take them to safety. Once they were safe, Lane was sent back in the field to try and find out the cause of the outbreak. This is one of many zombie films today but compared to other films, this one was a little different.
Over the last few years zombie movies have been in the forefront of horror movies, television, and also publishing. But when watching these movies and shows, you are able to pinpoint the differences in the way the
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directors portray how the zombies act and the ways that they move about and survive. When comparing World War Z to the other zombie movies in the American cultural films, some would say that they strayed from the script a bit I the way the zombies moved. In most movies and shows such as the show The Walking Dead, the zombies would move in a slower motion and did not really work cohesively to get to where they were trying to go. In a scene in World War Z, the people where in a town in Israel and were surrounded by a high wall to keep the zombies out and the people started singing loudly and the zombies heard them. In hearing the noise the zombies started climbing the wall by jumping on top of each other making a pile high enough to go over the wall and throw themselves into the crowd of people. This caused a bit of controversy in that some would say that zombies in the older movies would not work together in a sense to get over the wall. Also, the way that they were just throwing themselves into the crowd is not considered the “zombie norm”. Overall, World War Z stayed in the lines of how the zombies would bite humans and turn them into zombies themselves.
There were a few social tensions in just how quickly they people would turn and also the measure the zombies would take to get to the humans such as beating their heads against the windshield of a car to get inside to attack the humans. Many would say that zombies aren’t that strong or that they would not be able to break a window with their head based off of other movies. Based off the time this movie was created, I feel as though the director was trying to convey how zombies have evolved and kind of change the normal zombie film to appeal more to the targeted
audience.
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival. Boschs essay uses rhetorical devices such as ethos, foil and satire to make her
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
The art in a social justice movement is used to further educate individuals while entertaining them; one example is the 1978s classic The Wiz. The Wiz was created during the Black Arts Movement to illustrate historical and political issues in the African American communities. If one watches The Wiz closely one can see the how the Scarecrow character is used to demonstrate how African American mental mislead. The Scarecrow was told over and over by the Crows he was not smart enough to get down off of “dis here pole”. The Scarecrow believed the Crows and felt he was dumb and not good enough. However, the Scarecrow was very smart, but due to years of being mental beat down he could see it. This has happened so many times in African American history. African Americans have
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
There were many differences in the films. For example in the white zombie movie, the zombies were working zombies. The mill owner would use voodoo to control the zombies. Also these zombies were not aggressive at all, humans can walk among and not be attacked. Contrast to the white zombies the zombies from the night of the living dead, these zombies were aggressive. Therefore night of the living dead zombies were very aggressive and would attack humans and
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broken down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men.they are dead bodies!” : From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness, and eventually cinema.
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
The end of World War I, according to some European historians, occurred on May 8, 1945 or V-E Day. A day marking the change of the world’s enemy from Nazi Germany to Communist Russia. Fears of Communism, the totalitarian government of Soviet Russia, were invited through the use of propaganda in the media by the United States government. Illustrating this type of propaganda is the motion picture, The Red Menace released in 1949 by Republic Motion Pictures provides acumens of the fears and concerns on the minds of Americans during a period in America’s history known today as the Cold War.
“Apocalypse Now” is a legendary war film directed by Francis Ford Coppola. The film’s main theme is devastation, violence, and horror. In this film Coppola thoroughly scrutinized the main characters ideas, behavior, and emotions to depict the darkness and the horror of war. His goal was to make the audience part of the horror. He wanted the audience to have a tremendous impact on this film and he succeeded with the perfect use of sound and editing in the ending sequence of his film. I will demonstrate how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types.
I had never intended to read World War Z before this class began. In fact, I did not realize there was a text version in addition to the film version. This collection of personal stories from different aspects of the zombie wars was a mixed bag for me. There were some recollections that pulled on my heartstrings, and others that I could have gone without ever reading. In times of great turmoil, people are shown to be exactly who they are, their true colors shining through all of the masks and deception they have created. The entire world lived in fear during the time period of this novel, and watching their loved ones disappear or become part of the army of the undead had to be terrifying. The author might have chosen this topic because the threat of zombies invading the world is a fear that is as real to some as the war overseas is to others.
Full Metal Jacket is written and directed by Stanley Kubrick. The film was released in 1987 and it is starring Matthew Modine (Joker), Vincent D’Onofrio (Pyle), Adam Baldwin (Animal), and R. Lee Ermey ( Guy.Segr. Hartman).
George A. Romero, the director of Night of the Living Dead accidently created the zombie genre that we are familiar with today. Night of the Living Dead reshaped the entire genre with its bitter realism. Romero established verisimilitude unintentionally by focusing on how people react to crisis. The first zombie movies relied on semi-terrifying dress codes (of their time) and the conventional diegetic scream of a female. Whereas Romero’s film is an interpretation of humankind’s collapse. Romero drew inspiration from the infamous Vietnam War spiralling at the time and the American civil war. The verisimilitude lies within the human condition in dire times, like war. Therefore, in the Night of the Living Dead the zombie/ghoul stands as a symbol for the enemy contriving those dire times. This consequently makes the genre actually terrifying because representations have altered. Zombies are no longer an otherworldly or scientific monster e.g. White Zombie but a
Personally, whenever I think of a zombie movie, I expect a lot of death, blood, and guts. This movie seems like they were trying to think outside the box. Although this movie does have a lot of death, where is the violence, fighting, and the gore? This film seems like a film to take the kids to, which I personally don’t like. This movie is supposed to be an action filled zombie genre film, not an unexciting and boring one. With such a high budget, it seems like they just ran out of money and had to settle for less exciting