The Red Menace Film Analysis

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The end of World War I, according to some European historians, occurred on May 8, 1945 or V-E Day. A day marking the change of the world’s enemy from Nazi Germany to Communist Russia. Fears of Communism, the totalitarian government of Soviet Russia, were invited through the use of propaganda in the media by the United States government. Illustrating this type of propaganda is the motion picture, The Red Menace released in 1949 by Republic Motion Pictures provides acumens of the fears and concerns on the minds of Americans during a period in America’s history known today as the Cold War.
Specifically careful examination of events in the years leading up to the film’s release, in combination with its characteristics and tones and the comparisons
Edgar Hoover eludes to these same themes in his 26 March 1947 testimony before the House Un-American Activities Committee. “The Communists have developed one of the greatest propaganda machines the world has ever known. The… propaganda technique is designed to promote emotional response with the hope that the victim will be attracted by what he is told the Communist way of life holds in store for him.” Linking these channels of propaganda are the themes of psychological, physical, technological and social dangers of political establishments more similar to Communism than
Tactics described as feeding off the frustrations of their victims, like those of Bill Jones, the main characters in The Red Menace. While at the Office of Veteran’s Affairs Jones becomes frustrated and angry with the governments lack of action to protect veterans of the war against money scams prevalent in the post-war years. The film shows a man hanging out at the Veterans Affairs Office, waiting for some poor frustrated and angry veteran. Following Jones out of the building the man approaches him and offers sympathy for his plight. Unknowingly veteran Bill Jones has been caught up in the web of deceit that Hoover associates with the Communist

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