The Dissolution of a Dream in The Great Gatsby
A dream is defined in the Webster's New World Dictionary as: a
fanciful vision of the conscious mind; a fond hope or aspiration; anything
so lovely, transitory, etc. as to seem dreamlike. In the beginning pages
of F. Scott Fitzgerald's novel The Great Gatsby, Nick Carraway, the
narrator of the story gives us a glimpse into Gatsby's idealistic dream
which is later disintegrated. "No- Gatsby turned out all right at the end;
it is what preyed on Gatsby, what foul dust floated in the wake of his
dreams that temporarily closed out my interest in the abortive sorrows and
short-winded elation's of men." Gatsby is revealed to us slowly and
skillfully, and with a keen tenderness which in the end makes his tragedy
a deeply moving one.
Jay Gatsby is a crook, a bootlegger who has involved himself with
swindlers like Meyer Wolfsheim, the man who fixed the 1919 World Series.
He has committed crimes in order to buy the house he feels he needs to win
the woman he loves. In chapter five Nick says, "...and I think he
revalued everything in his house according to the measure of response it
drew from her well-loved eyes." Everything in Gatsby's house is the zenith
of his dreams, and when Daisy enters Gatsby's house the material things
seem to lose their life. Daisy represents a dreamlike, heavenly presence
which all that he has is devoted to. Yes, we should consider Jay Gatsby
as tragic figure because of belief that he can restore the past and live
happily, but his distorted faith is so intense that he blindly unaware of
realism that his dream lacks. Gatsby has accumulated his ...
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..., Gatsby but Gatsby was a man who had hopes and aspirations.
He was a child, who believed in a childish thing.
Works Cited and Consulted:
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus, and Giroux, 1995.
Fielder, Leslie. "Some Notes on F. Scott Fitzgerald." Mizener 70-76.
Fitzgerald, F. Scott. The Great Gatsby. 1925. New York: Scribner Classic, 1986.
Hobsbawm, Eric. The Age of Extremes. New York: Pantheon, 1994.
Posnock, Ross. "'A New World, Material Without Being Real': Fitzgerald's Critique of Capitalism in The Great Gatsby." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 201-13.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Throughout the centuries, this world has maintained various leaders that have ruled far and wide, or a small domain. All of which had various roles, morals, goals, etc.; some infamous, some admired, and some truly despised. There is a vast amount of written works pertaining to become a great leader. Lao-Tzu and Niccoló Machiavelli are prime examples of people who have written works about the topic, yet their views and ideas differ greatly. Yet, despite their opposite views, their intake and thoughts about leadership, both Lao-Tzu and Machiavelli’s indulge logically and carefully on a more personal and human level.
Sutton, Brian. "Fitzgerald's The Great Gatsby." Explicator 59.1 (Fall 2000): 37-39. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resource Center. Web. 24 Feb. 2011.
Gatsby’s reluctancy to the escape the dream, and move forward to the present, illustrates his refusal to give up his dream. As the book progresses, the reader begins to see this idea of Gatsby’s dream become more powerful. Gatsby's ambition to relive the past events is what leads to his downfall in the book, because it would show his weakness and hesitancy to create a new dream instead of live in the old dream. One of the most important quotes that illustrate, Gatsby;s dying dream states, “Gatsby, his hands still in his pockets, was reclining against a mantelpiece in a strained counterfeit of perfect ease, even of boredom. His head leaned back so far that it rested against the face of a defunct mantel piece clock, and from this position his
Fitzgerald's Critique of Capitalism in The Great Gatsby." Critical Essays on Fitzgerald's The Great Gatsby. Ed. Scott Donaldson. Boston: G.K. Hall and Co., 1984.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
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the 1920s as we can see with Gatsby's five cars, one of which he gives