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F. scott fitzgerald us history
F. scott fitzgerald us history
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The Ironic Title of The Great Gatsby
Titling is a very important part of the fiction-writing process. It is important for authors to be careful in choosing their titles because the titles often can have great influence on certain aspects of the story. In the book, The Great Gatsby by F. Scott Fitzgerald, the title was formulated with the intention of heightening characterization through the use of irony. When readers start to read this novel, they immediately see a man who seems very glamorous and powerful while they have already been predisposed to seeing him in an alluring light due to the book's title. However, this perception of Gatsby is eventually completely transformed as Fitzgerald continuously divulges the flaws within Gatsby and his way of life. Having given his book the title, The Great Gatsby, Fitzgerald has created a level of irony that enhances Gatsby's character and serves as a basis of contrast between how Gatsby appears to an outsider and what he really is.
F. Scott Fitzgerald was very clever in choosing the word "great" in describing such a complex character as Jay Gatsby. It is clear that this word is being used facetiously as Fitzgerald continuously reveals more and more weakness within Gatsby. At first glance, Gatsby is portrayed as glamorous and magnificent. The reader himself learns to appreciate this man who is the classic example of an American hero- someone who has worked his way up the social and economic ladder. He is a man who has completely invented his own, new, inflated image. Throughout the novel, this glorified facade is slowly peeled away. Gatsby eventually gets killed in pursuit of romance with the beautiful, superficial socialite, Daisy Buchanan. Havi...
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...ed because there is a reflection of an even stronger idea of false glamour to add onto that revealed in the text. The irony of the title of this book is another thing that makes it so great and out of the ordinary. Fitzgerald was a pioneer in bringing to light the flaws within the American Dream. By writing The Great Gatsby, F. Scott Fitzgerald successfully revealed the typically overlooked downside to striving for perfection.
Work Cited
Bewley, Marius. "Scott Fitzgerald's Criticism of America." Twentieth Century Interpretations of The Great Gatsby. Ed. Ernest Lockridge. Englewood Cliffs: Prentice-Hall, Inc., 1968. 37-53.
Fitzgerald, F. Scott. The Great Gatsby. London: Penguin Books, 1990.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Samuels, Charles T. "The Greatness of ‘Gatsby'." Fitzgerald's The Great Gatsby: The Novel, The Critics, The Background. Ed. Henry D. Piper. Charles Schribner's Sons, New York: 1970.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner,1996. Print.
Bloom, Harold, ed. Modern Critical Views- F. Scott Fitzgerald’s The Great Gatsby. New York: Chelsea House Publishers, 1986. Print.
Sutton, Brian. "Fitzgerald's The Great Gatsby." Explicator 59.1 (Fall 2000): 37-39. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resources from Gale. Web. 15 Jan. 2014.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
In the novel “The Great Gatsby,” author F. Scott Fitzgerald writes about a character that goes by the name Jay Gatsby, who captures the attention of those around him by surrounding himself with rich people and materialistic possessions. The title of the book itself is named after the protagonist, Jay Gatsby, who is a well-off man that moves from the west to the east to obtain the one thing in his life that he deeply desires; to be reunited with his one true love, Daisy Buchanan, who he had lost five years prior. Gatsby’s physical appearance, mannerisms and impressions contribute to his pursuit for The American dream drives him from rags to riches, into the arms of the love of his life, and ultimately to his death.
...ald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Sutton, Brian. "Fitzgerald's The Great Gatsby." Explicator 59.1 (Fall 2000): 37-39. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resource Center. Web. 24 Feb. 2011.
F. Scott Fitzgerald’s The Great Gatsby is a tragic tale of love distorted by obsession. Finding himself in the city of New York, Jay Gatsby is a loyal and devoted man who is willing to cross oceans and build mansions for his one true love. His belief in realistic ideals and his perseverance greatly influence all the decisions he makes and ultimately direct the course of his life. Gatsby has made a total commitment to a dream, and he does not realize that his dream is hollow. Although his intentions are true, he sometimes has a crude way of getting his point across. When he makes his ideals heard, his actions are wasted on a thoughtless and shallow society. Jay Gatsby effectively embodies a romantic idealism that is sustained and destroyed by the intensity of his own dream. It is also Gatsby’s ideals that blind him to reality.
Jay Gatsby is truly not so great in the novel The Great Gatsby by F. Scott Fitzgerald, concluding in this essay that Gatsby is not the person who he comes across as in the novel. This novel is full of illusions that are hard to see, but it is up to the reader to find them. Always keep an eye out while reading this novel; the illusions come out of nowhere in such obvious yet so simple scenes that readers tend to over look. Gatsby does bad things with good intentions, he is a criminal and a liar but all to achieve the American dream and pursue Daisy, the love of his life.
The occasional insights into character stand out as very green oases in an arid desert of waste paper. Throughout the first half of the book the author shadows his leading character in mystery, but when in the latter part he unfolds his life story it is difficult to find the brains, the cleverness, and the glamour that one might expect of a main character. The Great Gatsby is a parody of itself. While Fitzgerald tries hard not to make Gatsby and especially Daisy laughable personalities, this is where he ultimately fails. There's not enough ironic distance between his characters.
Fitzgerald's Critique of Capitalism in The Great Gatsby." Critical Essays on Fitzgerald's The Great Gatsby. Ed. Scott Donaldson. Boston: G.K. Hall and Co., 1984.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print
Works Cited Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.