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Great gatsby movie vs book comparison
Great gatsby movie vs book comparison
Great gatsby analysis
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Nick’s Epiphany in The Great Gatsby A soft breeze lifts off the Sound and brushes Nick Carraway’s face as he emerges from the shadows into the moonlight. His eyes first gaze across the bay to the house of Tom and Daisy where Nick sees past the walls to people who “...smashed up things and creatures and then retreated back to their money or their vast carelessness or whatever it was that kept them together...” (Fitzgerald: 187- 188). Nick’s head then turns to his side where he views Gatsby’ s mansion. His heart swells for the man who was unable to let go of the past, and move toward his future. With the two houses juxtaposed in his mind’s eye, Nick ponders his experiences in the East, and enters the car to take him home with a new perspective on life. Nick’s maturity becomes evident as his perspective of society becomes more realistic as a result of his observing the consequences which occur in unhealthy relationships. Nick observes many relationships during his stay in New York, and looks upon these relationships with a perceptive eye. He sees that relationships which lack mutual feelings are destined for failure. Nick watches as Tom Buchanan meets with his mistress, Myrtle, and Nick notices the disparity in the respect that Tom and Myrtle have for each other. Myrtle appears to follow Tom’ s each and every demand, as if she were at the end of a tightly held rope, which Nick compares to the “...small expensive dog leash made of leather and braided silver” (166) which was found in Myrtle’ s drawer at her house. Myrtle’ s leash, one that could be used to control and manipulate every action of a person’s pet, is representative of Myrtle’ s willingness to subordinate her will to accommodate Tom’s demands. Myrtle’ s absolute de... ... middle of paper ... ...e Novel, The Critics, The Background. Ed. Henry D. Piper. Charles Schribner's Sons, New York: 1970. Fitzgerald, F. Scott. The Great Gatsby. Simon and Schuster Inc., New York: 1991. Hooper, Osman C. "Fitzgerald's ‘The Great Gatsby'," The Critical Reputation of F. Scott Fitzgerald. Article A353. Ed. Jackson Bryer. Archon Books, Maryland: 1967. Samuels, Charles T. "The Greatness of ‘Gatsby'." Fitzgerald's The Great Gatsby: The Novel, The Critics, The Background. Ed. Henry D. Piper. Charles Schribner's Sons, New York: 1970. Trask, David F. "The End of the American Dream," Fitzgerald's The Great Gatsby: The Novel, The Critics, The Background. Ed. Henry D. Piper. Charles Schribner's Sons, New York: 1970. Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner,1996. Print.
His duplicity continues, as he meets Tom’s mistress, and later arranges Daisy and Gatsby’s meeting, even going as far as to say “don’t bring Tom” (85). These are clear deceptions and violations of trust, which both reveal that Nick is not the honest and forthright man he wants the reader to believe he is; on the contrary, in many ways he is the opposite of honest and forthright. However, Nick’s most clearly professed lie is in protection of Daisy, when Tom insists that Gatsby had killed Myrtle, and Nick remains silent, forgoing telling Tom about the “one unutterable fact,” - that it had not been Gatsby who was driving the car when it had hit Myrtle, but Daisy - in favor of protecting Daisy (178). Once again, Nick mischaracterizes his traits and even fails to recognize his deceptions and violations of trust as being dishonest, failing to evaluate his own traits. By highlighting Nick’s opinions of and interactions with life amongst the rich, F. Scott Fitzgerald crafts Nick into a complex character whose contrasting thoughts and actions create a many leveled, multifaceted character who shows the reader that one’s appraisal of one’s own traits can often be incorrect.
Sutton, Brian. "Fitzgerald's The Great Gatsby." Explicator 59.1 (Fall 2000): 37-39. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resources from Gale. Web. 15 Jan. 2014.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
...ald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Sutton, Brian. "Fitzgerald's The Great Gatsby." Explicator 59.1 (Fall 2000): 37-39. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resource Center. Web. 24 Feb. 2011.
Fitzgerald's Critique of Capitalism in The Great Gatsby." Critical Essays on Fitzgerald's The Great Gatsby. Ed. Scott Donaldson. Boston: G.K. Hall and Co., 1984.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Works Cited Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
In the next chapter, the reader is introduced the bleak stretch of land between New York City and West Egg. It was there that Nick first met Tom’s mistress. Nick and Tom were taking the train into New York City one Saturday when Tom signaled to Nick that they were going to get off the train halfway to their destination in what seemed to be the middle of nowhere. Tom walked into an auto garage where he talked with a man named George Wilson, who asked about a car Tom was supposed to sell him. Wilson’s wife, Myrtle, emerged from the upstairs of the garage. When Wilson went off to his office for a moment, Tom quickly told Myrtle that he wanted to see her and to take the next train into New York. They arranged where they would meet quickly and moved away f...
Based on a study, it is believed that to understand the phenomena of cybercrime one must completely need to be familiar with the concept behind crime. The four major roles that can be accessible with the help of computers in conducting crime are: objects, subjects, tools, and symbols. Since, the criminal conducts the offense through the technological intervention with the use of internet and computers. They attack the subjects and creates the environment to commit crimes. There is drastic increase seen in criminal activities, which becomes a major concern with growing technologies and use of internet as a tool. The easiness to access crime without being present physically in it and use of few resources makes it quite differ from any other crime. This newness potentially presents new challenges for the lawmakers at globally. There is a need of strong as well as effective mechanism to combat such criminal activities is cyberspace.
Cybercrime, also called computer crime, is an illegal act that includes a computer system. The growing problem of cybercrime is an important issue facing researchers today. The number of internet users has grown exponentially over the last twenty years. However, it is really only in the last decade that researchers have really begun to study the problem. The purpose of this paper is to take a look at areas related to cybercrime today. In this paper I will discuss major types of cybercrimes: identity theft, computer use by pedophiles, cyberbullying,cyberstalking, unauthorized access to computers (hacking), computer viruses, spam, and illegal gambling on the internet.