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Analysis of draculas character
Essay on dracula modern day
A brief summary of the dracula by Bram Stoker
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Throughout everyday life, people feel threatened and overwhelmed as if they are going to collapse under the pressure of society. This feeling is called anxiety. According to Freud, the body has a way to deal with this anxiety from conflicts in life. Freud stated that the Ego employs a range of defense mechanisms that operate at an unconscious level to help ward off unacceptable drives and urges. Unfortunately, these drives and urges don’t disappear. Our body keeps these painful or socially undesirable thoughts and memories out of the conscious mind with defense mechanisms. Bram Stoker’s Dracula is a perfect example of Freud’s theory on defense mechanisms, because of the repressed feelings of desire and temptation present, normally very unusual …show more content…
for the time period. The characters, each depending on their situation or surroundings, use defense mechanisms throughout the novel. By better understanding defense mechanisms, readers can have a better understanding of the character’s struggles, and can relate to them with their own experiences. An excellent example for the Freudian analysis is Jonathan’s encounter with the Brides of Dracula, which launches Jonathan’s mind into a very complicated defense mechanism of reaction formation. The Brides make Jonathan feel “uneasy,” with a “wicked, burning” sexual desire, which transforms him into a subconscious state. While in this state between the conscious and unconscious, Jonathan remembers the Brides as “fiends” and “repulsive”. He describes them in such horrid language, because his Ego uses reaction formation as a way of protection to remove the memories of his temptation and lust towards the brides of Dracula. Jonathan’s use of reaction formation is shown by the language he uses to describe the brides, he is attracted to them, but is afraid of this attraction. Because of his morals, Jonathan is ashamed to admit that he wanted them to kiss him. After waking up, Jonathan tries to recall what had happened the night before, but he could only remember those “awful women, who were, who are, waiting to suck my blood.” He had such a traumatic experience with the vampire women that his mind has blocked out the memories of what had happened, causing his memories of the Brides to be repressed. Since this takes place in Victorian England, Jonathan’s encounter with the three sexy women was very inappropriate, so his Ego used the defense mechanism of repression to completely repress all memories of his sexual temptations, leaving him with only vague recollection that the women were awful. Basically, defense mechanisms are used here as a way of protecting Jonathan’s mind psychologically, and to prevent any “corruption” his mind was exposed to during the interaction with the three brides. According to Freud, a defense mechanism is the unconscious mental process employed by the Ego to reduce anxiety by unconsciously distorting reality; several examples of these mechanisms are shown by Jonathan, as a result of his terrible encounters in Dracula’s castle. After Jonathan recovered from his “brain fever,” he tries to tell Mina about his “great shock”, but when he tried to “think of what” happened, it made his “head spin round” as his body’s attempt to block his memories from remembering the whole confrontation with Dracula as if it had never happened. Jonathan can’t “think of what” had happened, because his Ego has completely repressed all of the memories of his encounter with the Count as a way to protect him from such an inappropriate and scarring experience. Jonathan’s Ego is protecting him by having his mind repress the experience with Dracula to avoid another violent brain fever, and to avoid anything that will cause him anxiety and stress. Jonathan understands that he has recorded in his notebook the information about what caused his brain fever, but he does “not want to know it”, and insists that Mina “never lets” him know, unless “some solemn duty should come.” Jonathan’s choice to ignore the information in his notebook is a form of undoing, because he is choosing to repent what had happened, and just wants to get back to his normal life. The importance of Jonathan’s undoing, is that his mind is protecting him by making him atone for his recent events by choosing not to learn what had happened. In this case, repression and undoing is the defense mechanism that was set by his Ego, causing him to ignore what has happened to him, and also protecting him from having another brain fever. Defense mechanisms can influence someone positively or negatively, depending on the character and the situation; in this case, the defense mechanism is keeping Renfield from becoming what he fears most, a vampire.
When Renfield was being questioned, he consistently said, “I don’t want any souls,” but while being asked if he “likes life, and wants life,” he agreed, but when he was asked, “how are we to get the life without getting the soul also,” he seemed very puzzled and full of excuses. Renfield was very specific that he “doesn’t want any souls,” but when the question came up that asked how can you get life without souls, he began denying and “put his fingers to his ears and shut his eyes.” The reason why he “put his fingers to his ears and shut his eyes” was because he does not want to face the fact that he is afraid of having souls and taking responsibility for them, which would make him a vampire. Even though Renfield is a zoophagous and craves the lives of the things he eats, he is afraid of becoming like Dracula, so he denies being like a vampire, and avoids any words that remind him of vampires. While being questioned by Van Helsing, Renfield has started saying, “Blow spiders! What’s the use of spiders? There isn’t any-thing in them to eat…, he stopped suddenly as though reminded of a forbidden topic,” this is the second time he has suddenly stopped at the word ‘drink’.” Stoker has intentionally made Renfield avoid using the word “drink,” and to talk of the “forbidden topic” because Renfield is afraid that he is becoming like a vampire. The pauses before the word “drink” is him using a defense mechanism of denial because he is failing to acknowledge the information, which would cause him anxiety knowing that he is becoming what he is most afraid of. Renfield’s mind is using a defense mechanism by making him avoid certain words like drink, and souls because he does not want become a vampire, and he is protecting himself from turning into
one. In conclusion, Bram Stoker’s Dracula has many great examples of Defense mechanisms used among the characters. The characters not only used the defense mechanism for protection psychologically, but also to hide their feelings of lust and temptation. The coping mechanisms help many characters overcome their struggle, and rid their mind of any corruption that is inappropriate during the Victorian time period. The more we understand about the defense mechanism, we can form a connection with the characters and maybe be able to overcome our own struggles.
own will, which embodies the fear of Stoker. The corruption of science can be view in many parts in the novel, such as the scene when Dracula forces Mina to drink his blood as an act of rape, “Her face was ghastly, with a pallor… eyes were mad of terror.”(Stoker 301). Nevertheless, one can view it as an act of technological creation and is a characteristic of a scientist. In this act Mina Harker is turned into a medium of connection for his sound and enables him to extend his manipulation. Stoker represents the corruption of science through human experimentation since it is seen as a taboo. One can say she was converted into a telephone, which is how Dr. Seward describes her functions, “same power that compels her silence may compel her speech”
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
he is leaving is the night when "all the evil things in the world will
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
Conclusively, while Bram Stokers novel Dracula is seen as a gothic and horror story, I argue that it is a novel that seeks to address female sexuality directly. Seen through numerous passages, Stoker confronts and battles the views between sexuality during the Victorian era though his genius of characterization of characters present within the novel. As it seems highly intentional to me, I respect the way in which he criticizes and critiques upon female sexuality by bringing into light new ideas regarding female desires. When contrasting his text upon today’s culture, the differences to how one perceived the vampire has changed significantly.
Carol A. Senf uses a critical theory lens when she picks apart Bram Stoker’s Dracula. The majority of literary critics interpret this popular myth to be the opposition of good and evil, they turn a blind eye to the more specifically literary matters such as method of narration, characterization, and style. Carol Senf’s critical essay “Dracula: the Unseen Face in the Mirror” she believes that Stokers novel “revolves, not around the conquest of Evil by Good, but on the similarities between the two” (Senf 421). Her argument is as follows:
In act 2 scene 6 and act 3 scene 6 of the play ‘Dracula’, the
show the audience that the film is in this style, such as the mise en
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.
An Atmosphere of Fear and Horror in the Opening Chapter of Dracula by Bram Stoker