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Critical theory of dracula
Critical theory of dracula
Critical theory of dracula
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own will, which embodies the fear of Stoker. The corruption of science can be view in many parts in the novel, such as the scene when Dracula forces Mina to drink his blood as an act of rape, “Her face was ghastly, with a pallor… eyes were mad of terror.”(Stoker 301). Nevertheless, one can view it as an act of technological creation and is a characteristic of a scientist. In this act Mina Harker is turned into a medium of connection for his sound and enables him to extend his manipulation. Stoker represents the corruption of science through human experimentation since it is seen as a taboo. One can say she was converted into a telephone, which is how Dr. Seward describes her functions, “same power that compels her silence may compel her speech” …show more content…
(Stoker 343). This enables Dracula to project his thoughts and to listen to Van Helsing group plans. Similar to how a telephone functions in our world. The conversion of Mina Harker into a tool of communication backfires on Dracula. While he has a total control over Mina Harker, the count does not have access to the Physical parts of the machine. As a result, they are able to reverse engineer the functions of Mina to locate the count himself. In essence the scientist according to Stoker is what corrupts the study, which is seen with Dracula. During the nineteenth century technology was predominantly used for business aspects, such as clinical analysis.
Stoker and Shelly demonstrate the attitudes of the scientist towards technology. The scientist in the novel use technology to control information in both of these stories. This can be based upon gender differences or one own sense of superiority. One can view technology in the literal sense, such as the phonograph. The original purpose of newly created machines of this era was not to use it as an everyday appliance, but were devices appropriate only for professional purposes. Stoker presents the Phonograph in the story to illustrate this idea. In Dracula one can see this with Dr. Seward when he states “I can complete my entry on Lucy’s phonograph.”(194). From the passage one can notice the sense that technology is to be controlled by a male, which signifies itself in the portrayal of male control over information. In the novel only two characters possess this machine, Dr. Seward and Lucy who are of opposite gender. Dr. Seward uses his Phonograph for professional use, such as his clinical records and this is noticed form the passage. On the other hand, Lucy never uses the Phonograph for any given reason, which gives no purpose to her having one. This is further demonstrated by Dr. Seward when he uses Lucy’s Phonograph, stated from the quote, “my entry on Lucy’s phonograph” He does this for one of his clinical analysis. In doing so, Dr. Seward’s voice is kept in …show more content…
the phonograph, which converts the phonograph into a male that is furthering the advancement of clinical analysis. By taking control of Lucy’s Phonograph, Stoker further illustrates that the phonograph is for male usage only. The Phonograph is an essential aspect in the novel of Dracula, since without it the entries about Dracula would not have been possible. In the novel Frankenstein writing is seen as a form of technology and is used constantly throughout the novel. If one can influence the writer then one has a sense of control. This can be seen when Victor tries to persuade Walton to not listen to the creature, “He is eloquent and persuasive; and once his words had even power over my heart: but trust him not. His soul is as hellish as his form, full of treachery and fiendlike malice. Hear him not” (Shelly 284). When Victor states “Hear him not” he gives a sense of wanting to interfere with Walton’s journal. In a way he is trying to use writing to control the flow of information due to his self-denial tone of voice. His description of the creature as an, “eloquent and persuasive” fits more to himself. In essence Shelly is trying to demonstrate that technology can be used to control information through her usage of Victor. The scientist characters of the novels use technology in different manners, which has a deeper meaning. Frankenstein views technology as a means for self-gain and power.. “I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived” (Shelley, 235). If the technology does not fulfill Frankenstein he deems it as trash, which is what he does to the creature, as he states, “it became a thing such as even Dante could not have conceive”. The loss of humanity in the science realm is a repeated them in the novel. This is further demonstrated in the quote since it contains a tone of self-piety and denial of his actions. One can view this when he states, “I had gazed on him while unfished”. Frankenstein never stopped to consider the consequences of his action on his fellow human beings, or the creature he was creating. Shelly believed that technology was only going to be use for the benefit of the individuals, which would harm society. Her perspective is illustrated in Victor Frankenstein. The scientist in Dracula obtains an advantage from the rest of the individuals in the novel and is attributed solely to technology.
Dracula is the scientist character who uses technology as a tool for control in the novel. What enables him to have control is through the power of sound and can be seen in the novel, “Somewhere high overhead, probably on the tower, I heard the voice of the Count calling in his harsh, metallic whisper. His call seemed to be answered from far and wide by the howling of wolves.”(Stoker 61). The words “harsh” and “metallic” stand out from this passage due to the machine like characteristics given to Dracula. This gives an image that Dracula itself is a technological remediation. From the quote the power can be seen in various manners, such as the ability to communicate long distance through mediums or to experience what the mediums are going through, which can be done at any time. Jonathan Harker description of Dracula’s voice presents him as a tool of technology. Stoker portrays Dracula as a metallic machine similar to the phonograph to indicate the possible manipulation that could be done by humans who possess advance technology. One can make a comparison between Dracula, if seen as a machine, and the Phonograph. The purpose of phonograph is to aid humanity while Dracula’s is the complete opposite since it wants to manipulate its human counterpart. Their similarity lies in their ultimate objective, the preservation of their immortality. The way
that they function is also similar since they both attract and repel those that oppose them. By using Dracula Stoker presents his view that technology can be solely used for control. The fear of the exponential growth of science is a never ending situation in society. Even in our current era that anxiety is still felt since science has not cease to advance. Stoker and Shelly use the scientist in the story to convey their views to the reader, which in that time contained Victorian ideals. Nevertheless, even in our modern era one can comprehend the dilemma between that was experienced in the nineteenth century.
It is precisely the point that Hollywood distorts and corrupts serious literature for the entertainment pleasures of a mass audience. In the task of comparing and contrasting the novel of "Dracula" to film extracts of "Bram Stoker’s Dracula", values, meaning and context discovered lie between discrepancy and similarity. The change from differing mediums, novel and film, reveal characteristics and possibilities of narratives. Through the advancement of technology, modern writers have gained a cinematic approach to their writing. However Dracula, written in 1987 by Abraham Stoker, where the introduction of technology was gradual, forging inventions such as the typewriter and phonograph, made reference to in the novel, had no anticipation of what technology would have an effect on such writings. With society’s fascination with the supernatural, and love of technology, Dracula’s many adaptations, film, stage, have ensured its survival through the passage of time.
The passage depicts the unnatural occurrence of the female’s sexual advances, and establishes the link between vampirism and sex that is seen throughout the novel: unlike Mina and Lucy, who are idyllically virtuous and pure, these un-dead women are insatiable and dominant. Stoker takes the fantastic image of the sexual woman to its most extreme manifestation, and suggests that Harker would not only lose his reputation by indulging in these sexual acts, but also his life. The three vampires that Harker encounters in Dracula’s castle are embodiments of the ‘beautiful nightmare’ of the male Victorians; they are representations of everything that the Victorian society states that women should not be – they are sexually aggressive, ‘voluptuous’, and seductive. This sexual proficiency, though appealing, is rebuked and seen to undermine the male dominancy within the patriarchal society, and therefore must be destroyed. The notion that a woman can be both attractive and repulsive is also presented by Angela Carter in The Lady of the House of Love. The character of the countess is presented as both the predator and the prey – the victim and the vixen. Just as the female vampire in Dracula is described as “thrilling and repulsive”, the countess is described as “beautiful and ghastly”. Despite her beauty and “fragility”, the countess
...battle to life. In the novel, on the other hand, Stoker makes sure that his female character triumphs (by surviving) and that she returns home to “become a dutiful wife and caring mother”. This is where we could argue that “Stoker is much ahead of his times in portraying a ‘New Woman surpassing even the best male ‘professionals’ in terms of intellectual labor, a ‘gallant’ woman wit a remarkable ‘man-brain’ who helps save the empire, even though her power abruptly dimishes toward the end of the novel, and she is finally summoned home to become a traditional mother figure” (Kwan-Wai Yu 158). Although Stoker was very accurate in the new scientific and technological advances that he incorporated into Dracula, he was also very accurate in portraying a strong willful woman who is able to complete a job that was unwittingly given to her in the most extraordinarily manner.
While thought of as an improvement to human society, science also makes humans more close-minded. In Bram Stoker’s Dracula, technology plays an important role in the Victorian society. There are trains, phonographs, typewriters, and telegraphs. Trains are the main use of travel and telegraphs allow the characters to send each other short messages. In fact, the story itself has diary entries made by Mina’s typewriter or Dr. Seward’s phonograph that records his voice in wax cylinders. Also, the new medical concept of blood transfusions play an important aspect in the story. With these advancement of technology, the Victorian mindset leans more towards science and logic. This conflicts with Dracula who symbolizes the ancient mindset of humans:
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
She hands him a crucifix and demands he wear it for it will protect him. Even before being introduced to Dracula, Stoker has already begun to showcase religion. By having the old lady give Harker the crucifix it immediately puts Dracula on the opposite side as an evil figure. This is shown in the entry that Harker makes in his journal, “Whether it is the old lady’s fear, or the many ghostly tradition of this place, or the crucifix itself, I do not know, but I am not feeling nearly as easy in my as usual. ”(13)
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
Seen through numerous passages, Stoker confronts and battles the views of sexuality during the Victorian era through his genius of characterization of characters present within the novel. As it seems highly intentional to me, I respect the way in which he criticizes and critiques upon female sexuality by bringing into light new ideas regarding female desires.
In Senf’s essay she points out that modern readers of Stokers novel are more likely to be surprised by this version of Dracula. In Stokers novel most of the action occurs in nineteenth-century London. Senf also shines a light on the fact that Stoker has made it so he cannot comment directly on his characters’ failures in judgment, or their lack of self knowledge with the type of narration selection he has chosen, Dracula as well is never allowed a voice in this novel.
...ny other novels of the time, Stoker’s Dracula purposely highlights the superiority of men, while simultaneously belittling women. After only a few pages of this novel, the reader should understand just how helpless the females become. No matter what the issue or controversy, they are unable to find any sort of solution, successful or not, without the help of the male characters. Stoker even goes as far as almost teasing Mina, by allowing her to aid in the hunt for Dracula, yet giving her trivial duties. Lucy on the other hand creates the novel’s most blatant case for male superiority. She is forced to constantly depend on four men for her survival. All blood transfusions she received were from men and even that could not save her life. Stoker manages to make a bold statement by pinpointing the inferiority of the two female main characters in the novel.
Bram Stoker’s novel Dracula, is a highly controversial work of fiction that is still being read for the first time today. Dracula touches many different categories including; sci-fi horror to 1800’s English romance literature. This is the main reason why the novel Dracula can be analyzed in many different ways using many different literary theories. The theory which stuck out most to me while reading this novel was the Feminist Theory. The Feminist Theory cannot be used to analyze Dracula as a whole novel, but it can be used in order to analyze the different female characters throughout the book. Therefore, Bram Stoker’s Dracula can be analyzed through the feminist theory by focusing on the characters Mina Harker, Lucy Westenra, and the three brides of Dracula.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
Such power can be seen in various manners, such as to communicate to his mediums through long distance or to experience what his mediums are going through, which can be done in any of his forms. This is run by the voice of Dracula, as described by Jonathan Harker, “Somewhere high overhead, probably on the tower, I heard the voice of the Count calling in his harsh, metallic whisper. His call seemed to be answered from far and wide by the howling of wolves.” (61). The words “harsh” and “metallic” stand out from this passage, due to the machine like characteristics given to Dracula. This gives an image that Dracula itself is a technological remediation. One can make a comparison between Dracula if seen as a machine and the Phonograph. The Phonograph is to aid humanity while Dracula is the complete opposite, since it wants to manipulate its human counterpart. Their similarity lies in their ultimate objective, which is the preservation of their own immortality. The way that they function is also similar since they both attract and repeal those that oppose
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The characters in the novel must abandon these ideas to fully embrace superstition and immerse themselves in the mythical realm of vampirism. Advanced communication technology like phonographs, telegraphs, and typewriters are used through the novel in order to share important information about Dracula and his weaknesses. As a man of scientific reasoning, Dr. Seward fails to properly diagnose Lucy’s anomalous symptoms and uses the medical technology of blood transfusions to aid in her recovery. While science alone only postpones Dracula’s mission as opposed to thwarting it, the science and technology held a major role in the vampire’s demise. The open-minded outsider, Van Helsing eventually exposed the group to the wonders of superstition and religious intervention, which held precedence over Dr. Seward’s sole logical thinking. As explained by Van Helsing, the danger of this mindset is that “it is the fault of our science that it wants to explain all; and if it explain not, then is says there is nothing to explain” (Stoker 188). In other words, if the group did not extend their forces to superstition and religion, they would have lost the battle to evil, as science cannot deliver all the