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Chinatown film cinematic analysis
Literary analysis in chinatown 1974 film essay
Chinatown movie analysis
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The plot of Chinatown is very modern since after the murder case lies a web of corruption, purchase of lands and above all illegal use of water, one of the scarcest goods of Los Angeles. Visually there is a game between complementary images that are enhanced by the contrast so that the heat of the desert demonstrates the dryness, as opposed to the freshness, the oasis so that the scarcity of water is established. So when action takes place during the day, we see blue, sunny and clear skies. In general, the colors are restricted to ranges of ocher or land, without fanfare. The landscapes are punished by drought and that backdrop of Spanish style buildings are trimmed with gleaming white facades. The interiors offer climate protection and from
From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors. One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry brown and yellows enhance the audience’s impression of the desperation of the characters and the time period.
The lighting for this picture was absolutely perfect because it was getting dark and in my opinion darkness defines the projects. The darkness represents the mystery of fear within the community since the projects is known for drugs and violence. The people living within the community possibly fear the fact that their children have to grow up in that specific environment. Darkness is substantial and compelling. The second images shows the different side within Bedford Stuyvesant that many do not get to see through media. I specifically took this picture because it is the complete opposite of the first image. The image shows beautiful brownstone houses of various colors. These bright cool colors represent warmth within the community. These colors say the neighborhood is not all about crime and violence but beauty within. This image gives a whole new perspective to people who have never visited within Bedford Stuyvesant and has only seen what the media portrays. The colors of the houses give life and a sense of personality to the neighborhood. Bedford Stuyvesant is truly one of the most beautiful neighborhoods I have ever
Through the use of complementary colors, she achieves great contrast. Contrasting hues develop a theme of light vs. dark, or in Liu’s case, expectations vs. reality. Dark colors are used to suggest the harsh, chaotic conditions experienced by the workers; while light, less saturated colors illustrate the calm passivity of traditional Chinese customs and ideas. The sky surrounding the stylized women contrasts greatly with the surroundings of the exhausted men. The dark hues establish heavy visual weight below the figures and the light tones of the sky create a sensation of weightlessness and help to further distinguish the fantasy like qualities. Liu also includes the application of analogous colors, primarily to make the traditional figures less dramatic and to help unify the surrounding
China Men - The Brother in Vietnam & nbsp; In her tale, "The Brother in Vietnam," author Maxine Hong Kingston relates the drastic misinterpretation of Shakespeare's "Romeo and Juliet" on the part of the "brother's" students. It is clear to the reader that their disillusioned thoughts and ideas of the world were instilled in their vulnerable minds by their own parents at young ages, an occurrence that still takes place in our society today. In his account of the situation, the brother first clearly makes a note that these confused and suspicious students comprise not one of his elementary classes, but rather his only non-remedial class. From this he is evidently implying that one would expect a heightened ability to understand and more accurately analyze the power and beauty of great literature on the part of the students. Thus from the beginning, the reader is alerted to the fact that their confusion the students perceive this Shakespearean tragedy as a horror story, the mere thought of it shadowed in their minds by fear. They see the Montagues and Capulets as families driven mad; Verona as a plague-infested country where killing and marriage take place in dark regions alike. They infer from it that young love is dangerous, and by reading of a suicide made possible by a potion that was initially intended to preserve tender love instead of stealing it, their notions that there is evil in everything seem The brother, frustrated and upset, is unable to "shift the emphasis" that the play has left on these youths, and he feels that he is to blame for "spoil[ing] the love story for a generation of students. " The reader looking on from the outside, however, is able to see that the brother could not have prevented this warped learning no matter how hard he tried. For it seems that the fault lies in the parents of these young people, who were continually planting seeds of suspicion and fear in their children's vulnerable minds. In fact, as we look back on the author's former accounts as a child, it seems that these Chinese parents told their children lies more often than the actual truth. told by her mother that their religion was Chinese. She further remembers her parents having claimed upon the birth of her younger brother, which she had secretly witnessed, that the infant had been miraculously discovered "naked under a pine tree" on Christmas Day. Still perhaps the most disturbing of all is the author's recollection of the war through the eyes of her younger self. Her memories are uncannily realistic and vivid; nevertheless, she was, on more than one occasion, told by her mother that what as a young girl. However, to any reader, it is evident that these are not, and can in no way be mere "scary movie flashbacks." As a result, we are left asking ourselves why any parent would teach their children what they know is untrue. In the case of a war, it is somewhat easier to comprehend the desperation of parents to hold their families together from the tearing claws of battle. And if it will prove to be the only glue that will preserve the family structure, such lying seems more acceptable.
Roman Polanski's 1974 film, 'Chinatown', revolutionized the film noir genre. Aside from the absense of voice-over, the film shares all the same characteristics with earlier noirs. That is, of course, except for the fact that ?Chinatown? is filmed in color. Because of this, it is more difficult upon the first viewing to immediately classify the movie to this genre. In movies such as ?Double Indemnity? even scenes that take place during the daytime are dark, and since it is a black and white film, this is easy to do. However, in a film with color it is much harder to create this dark effect, especially in scenes that are filmed outdoors. Polanski makes references to symbols that remind the audience that although ?Chinatown? is in color, it still belongs in the genre. For example, one of the first lines in the movie is, ?I just had [the venetian blinds] installed on Wednesday.? Venetian blinds are often seen in the genre, and the reference immediately makes the connection between this...
violent part of the film, a couple stood up and pulled out two gun machines that
The Chinatown neighborhood has different restaurants, including a Korean and numerous Chinese restaurants. The Chinatown neighborhood has many gift stores, cosmetics stores, ice cream stores, and bakery. As Harry Kiang’s Chicago’s Chinatown points out, “Tourists shop for oriental gifts or groceries or enjoy Chinese food; along Wentworth Avenue between 22nd and 24th Streets there are at least 30 Chinese restaurants. Printers and bakeries are found in the commercial areas along Wentworth Avenue and Cermak Road” (Encyclopedia of Chicago). Many visitors came to the Chinatown neighborhood to visit the neighborhood and try the Chinese foods because it has the authentic Chinese food in the Chinese restaurants. Since many people came to the Chinatown and consumed in the neighborhood’s shops, the consumption promoted the local commercial development and increasing the economic growth. Therefore, the residents are very happy to have the shops and appeal to the
In the movie Shawshank Redemption made in 1994 by Frank Darabont. Cast membranes are Tim Robbins as Andy and Morgan Freeman as Red his best friend. This movie can be describe as corruption, friendship, and hope.
On the morning of February 23rd, 1901, Chung Yick stood chatting with Mr. Joseph Hoffman, the proprietor of the picture frame shop on the ground floor of the Charles Street house the two men shared with several other tenants. The house wasn't much better than a tenement building, with its dirty wooden face and narrow crooked stairs. A crude sign on one side said "PICTURES" in bold letters, marking the entrance to Hoffman's store. The Yicks lived on the other side, along with the Rileys and the widow Driscoll, who were cramped up on the second floor. Still, it was a decent street to live on, with a mixture of small shops and residential homes and the Mosshassuck River creeping alongside it like an emaciated and sleepy serpent.
As someone with a hyphenated-identity and, more specifically, as a Chinese-Canadian, I’ve spent much of my life looking for a middle-ground between my two identities and at times have wished that I was just one or the other. This is similar to one of the conflicts the protagonist of “Everyone Talked Loudly in Chinatown” by Anne Jew faces. Lin’s struggle between her Chinese roots and her new Western identity results in her isolation from her family and it is not until she is able to appreciate her family’s traditional nature that she is able to reconnect with them. Since a young age, Lin has despised parts of her culture and her attempts to distance herself from it also results in her distancing herself from her grandmother. For example, “[she
...kindness towards Lucy. Prior to this scene the narrator, recalling this shot, questions if Cheng even remembers his initial purpose for coming to London. The color change acts as a visual realization of Cheng’s newly reinvigorated spirituality and Buddhist belief.
Graft refers to the unethical practices that lead to the progression of those who are willing to defraud, cheat and swindle to get by. The definition gives insight into why the word is synonymous with Boss Tweed. The level of corruption with Boss Tweed and Tammany Hall is unparalleled. Political machines were associations that offered jobs and social services in exchange for votes. These machines were usually headed up by a boss, like Tweed for example. They made sure that poor people had what they needed because that would make the poor loyal to them consequently making sure the poor voted for them. These machines would grant government contracts and jobs to people that did favors for them. The machine consisted of a boss who would control the party and the
Forth are Lighting and color. In case of Lighting, this film uses High key light that makes this film look like natural light and feel warm. In the case of color, some scene of this film use warm color to express love and warmth to audience such as in the wedding scene or some scene use dark color to express about sad feeling such as funeral scene and in scene that Rosie knows her dad was died. I think in some scene if you watch it in HD, it’s very beautiful such as in scene that Rosie drinks a cup of coffee and thinks about the past in sunset time because Lighting and color of sunset time is very
The downtown east side is “one of the most marginalized and stigmatized neighborhoods in Canada” (Longstaffe, 2017, pp.231). Longstaffe mentioned how many of the residents are affected with poverty and drug addiction; with more than 60 women from the community missing from 1970 through 2000; many of whom are of indigenous background (2017, pp.231). During those times, many news reports of indigenous women missing or murdered were nothing to note because of how the downtown east side was portrayed; the poor and drug addicted prostitutes were nobodies that walked the streets. As Hugille noted, “media discourse continued to circulate images of street-level sex workers and the space of the Downtown Eastside as morally corrupt and degenerate” (2010,
According to Vastus Hastra (a system), color synchronizes and balances our energies and affects our lifestyle. For example, red reminds us of fire, power and energy. By contrast, blue signifies water, freshness, melancholy. However, each color has its own special meaning in different countries, which means colors symbolize different cultures of cities or countries. For instance, the Forbidden City in China used yellow and red as dominant tones, because of traditional opinions in China. Chines believe yellow is the imperial color, flowing over the rooftops reflects honor of the emperor. “Red color of the walls was considered symbol of happiness and auspiciousness.” that is why ancient architects selected red as main tone of the Forbidden City. However, Chinese believe that black represents wat...