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Explain textual analysis essay
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Trevor Brown Professor Gigante 3/29/17 COM 221 10 Shot Assignment - Chinatown The 1974 film Chinatown (U.S 1974, Roman Polanski) is about a private investigator, J.J Gittes, who was hired by a women impersonating Mrs. Evelyn Mulwray to investigate leads connected to her husband having an affair. J.J ends up meeting the real Mrs. Mulwray in the movie and learns about the sudden death of Mr. Mulwray. Once learning this, J.J quickly begins to realize that this case will be far different than his usual routine gigs. In the 10-shot sequence that I chose to evaulatue, multiple things take place. Firstly, J.J Gittes and Evelyn Mulwray are in the backyard of her mansion talking. Because of J.J’s injury during the altercation when a water department …show more content…
Gittes is looking into her eyes while she is checking out his nose. The intimacy is building rapidly now. That whole shot, the camera never moved. The filmmakers could be trying to portray a sense of a calm environment to due steady camera, no music in the background which is all contributing to the intimacy. Now Gittes is in the full front position while Evelyn has her back to the camera. They are filming with a high-angle shot still making Gittes look smaller. It switched from a low-angle on shot #3 to a high angle on shot #4 because the camera changed the position as a mentioned …show more content…
Their sexual eye is undeniable to the viewers. It is now just a matter of seconds before.. SKERT! The flashback sound effect comes in followed by the romantic rounds of a piano as their heads moved closer and are now touching. They start kissing slow, Evelyn puts her hand on his cheek and he’s wrapping her. As the kissing becomes more sexual, the trumpets then come in in the background. Now were are back at the over-the-shoulder close-up. Gittes is on the right closest to the camera with his back-to-camera. Evelyn sort of is full front but has the slightest quarter turn. The camera is a tad lower than Gittes head making for a lower-angle shot. The camera stays still just up until they start kissing. The camera man just dollied in a little bit for more of a tight picture of the 2 characters kissing. It was still just a close-up, just a more in depth close up. They filmed it with a little bit of a lower-angle shot
ChinaTown, directed by Roman Polanski, is a non-traditional hard-nosed detective film made in the 70's. The typical elements of character type are there; J.J. Gittes (a private detective in LA) played by Jack Nicholson is the central character, sharing the spotlight is Fay Dunaway playing the femme fatale Evelyn Mulwray. This film breaks all types of norms when compared to the hard-nosed detective films it is modeled after. The film is filled with allusions to the Big Sleep, especially taken from scenes of Marlowe and Vivian. Chinatown has formal elements indicative that it is going to be in the style of traditional Film Noir hardboiled detective, until you examine the characters' personalities next to the story content.
	Aside from the audio and visual points, there are various camera angles used. When everyone is circled around the boiling pot the camera man uses a stedicam shot to circle around and show everyone’s face. When the viewer is seeing a girl take off her clothes the camera technician uses a zoom shot. This holds true when the governor approaches the gathering.
1. The scene begins by fading in on the back of the silent man’s head (Cary Grant) in Alicia’s bungalow. Then the camera zooms out while sweeping right to give the first full shot and view of both of the main characters. They are shown seated at a table, with many empty bottles of liquor and glasses.
The viewer sees a private eye and beautiful client. First thought, "It’s definitely another Hollywood crime drama." On the surface, Chinatown has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers. In addition, Evelyn is not the classic femme fatale. Though Jake mistakes her for her husband’s killer at first, Mrs. Mulwray eventually emerges as the story’s most tragic victim. Yes, Chinatown for the most part conforms to the structure of film noir, but this film departs from the general genre, creating an entirely different element in which Roman Polanksi examines not only big-money corruption and its malignant obsession with money, but also larger, more human themes such as ignorance, authority, and the pervasiveness of evil.
The camera manipulations begin right away in the film and proceed till the end with the characters and their settings as the only focus. The audience first views the relationship of the married couple, Krystyna and Andrzej through an unclear car windshield, reflecting the vast empty trees around them. Because of this lack of insight into the opening scene, the audience can only assume the two are a couple by their closeness shown in the car, although it seems to be uncomfortable for them. This gives the idea that they have been together for sometime and have brushed off the need for communication. The closeness Polanski uses to depict the couple in every scene is soon broken up by the newly added third party, the young hitchhiker. By giving him no name, Polanski seems to have him solely represent the drastic contrast between the couple and him. Because of this beginning comparison, the tension between the characters starts to form.
Han – a period of time in China in which the country was merge together (Dictionary)
Chinese Film Final Hook: Two men walk into a store. One is dressed in a three-quarter black business suit; his hair is gelled back and he stands in a confident pose as he stares ahead. While the other man looks downward, his hands are in his baggy gray sweatshirt and he smells of alcohol. How people portray themselves can cause stereotypes and judgments to form within a blink of an eye. A person may read in the newspaper the next day how a store was robbed and instantly think it was the suspicious looking man, the one with the baggy clothes.
Fight Club is a novel written by Chuck Palahniuk. This is a story about a protagonist who struggles with insomnia. An anonymous character suffering from recurring insomnia due to the stress brought about by his job is introduced to the reader. He visits a doctor who later sends him to visit a support group for testicular cancer victims, and this helps him in alleviating his insomnia. However, his insomnia returns after he meets Marla Singer. Later on, the narrator meets Tyler Durden, and they together establish a fight club. They continue fighting until they attract crowds of people interested in the fight club. Fight club is a story that shows the struggles between the upper class and lower class people. The upper class people here undermine the working class people by considering them as cockroaches. In addition, Palahniuk explores the theme of destruction throughout the book whereby the characters destroy their lives, body, building and the history of their town.
In shot 17, it is a jump cut to a blurry close shot of Antoine’s face. The tear is running all over his face, but he is trying his best to suppress his emotional break, but he still cries out. All but his face is immersed in a dark, displaying his loneliness in the world. As his face turns, we can see tears shining on his cheek, enhanced by the contrast of light and dark. It’s a breakout moment of mental depression, he had suffered and how an anti-social loner on the brink of rebellion. Shot 18, another point of view shot, Antoine looks away, seeing the night streets and neon lights. It evokes the feeling of beauty in the outside world that is now locked off from Antoine. The last shot of this sequence goes back to shot 17, where the audience sees Antoine’s crying face. The director also extended this shot to add some anxiety and thus letting the audience into the mind of Antoine. At that moment, the movie is silent, except for the dramatic music playing in the
Throughout the film the limitations of traditional gender roles on screen have been manipulated. In a relaxed scene with Viola as Sebastian and Duke discuss their feelings this was filmed from a high angle medium shot to show there expressions. Next to the bed there is a lamp which outlines Dukes features to
Director Max Ophüls is known for his distinctive smooth camera movements (Liang, 2011, p. 2). Frame mobility keeps the audience focused on the subject (Bordwell and Thompson, 2008, p. 203), and this can be seen in this shot. Due to the camera tracking Lisa and Lieutenant Leopold after they enter the frame, the audience’s attention stays focused on Lisa and Lieutenant Leopold, even thoug...
What would you do if your entire family was gone, you were surrounded by sharks, stranded in the middle of the ocean after a storm, with multiple animals including a tiger with you on a lifeboat? “The Life of Pi” begins when a boy named Pi is stranded on a lifeboat in the middle of the Pacific ocean. He is also accompanied by a bengal tiger. In the middle of the text, Pi finally finds biscuits and water in the lifeboat to sustain himself. By the end of the text, Pi has wisely rationed his food and water and decided that he needs to find a way to keep the tiger alive. Although the text and the movie both show the story of Pi in great detail, there are more differences than similarities. This means that the movie didn’t stay completely true to the text.
“Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper” (Golden pg.428). The novel, Memoirs of a Geisha, by Arthur Golden, is about a world where deception is prominent, where the main character Sayuri faces many hardships before she is able to achieve success as a Geisha. This is shown through multiple events in the novel such as, Mr. Tanaka selling Sayuri into slavery, which leads to something better as she finds love and eventually benefits from the betrayal. This is also shown through Hatsumomo, as her constant deception throughout the novel leads to Sayuri becoming the most popular geisha in Gion, eventually rendering Hatsumomo powerless, and through the betrayal
One of the most popular social networking websites today is none other than Facebook. People use Facebook in order to stay connected with their friends, family and the people around them, to discover what’s going in the world, in addition to share and express what matters to them. The Social Network is a film on how Facebook was created. There was a series of events, character development, relationships and a series of different emotions that are shown throughout the film.
The camerawork and editing in this film is very well done. There camera is not shaky and the scene changes are smooth. The film flows because of the cleanness of editing. The scene changes make sense when they happen and do not seem out of place. This film has a mixture of many different types of shots, which helps to give different viewpoints. Many scenes include still shots, pan shots, and full shots. In the scene where she listens to the man who will be her third husband, there is a pan shot that shows all of the people who come to listen to him and then stops on Susanna. This shot is powerful because it shows how much power his words have on people and why Susanna fell in love