Chinese Film Final
Hook: Two men walk into a store. One is dressed in a three-quarter black business suit; his hair is gelled back and he stands in a confident pose as he stares ahead. While the other man looks downward, his hands in his baggy gray sweatshirt and he smells of alcohol. How people portray themselves can cause stereotypes and judgments to be formed within a blink of an eye. A person may read in the newspaper the next day on how a store was robbed and instantly think it was the suspicious looking man, the one with the baggy clothes. Why is this? Humans and people, in general, have always based their perceptions on people for what they look like. This all has to do with the media and social influences on how an image is made to be relevant.
Thesis: The image that people portray themselves as character Guei and Jian in Beijing Bicycle, directed by Wang Xiaoshuai, presents the faces of Beijing 's youth and alludes to the disillusion of migrants from the country. The juxtaposition of Guei and Jian is particularly
Using the object of the bicycle is key to the existence of maintaining that moral standing as it does for Guei.The film is a great reminder that while China is quite a rising power, this is not without a cost to its people. As a result, of the plan to "let a few people get rich first," the divides between the country and city folk and even urban poor and urban rich are constant reminders of China 's rapid economic growth over the past few decades. The film resembles modern China—a prosperous nation where people living in cities with populations exceeding millions can be left isolated and alone to fend for themselves in dark, dank corners due to a failure to adapt to China 's industrialization, globalization, and
The purpose of The Last Train Home may seem identical to a typical documentary film, where the director sets out to raise awareness on a certain issue of importance. However, as the film progresses, the political subtext is revealed. The sincere intention of this film is to convey a message regarding the harmful effects that western consumerism has on the Chinese society. By doing so the director Lixin Fan, tries to make American viewers to sympathize with the problems of China’s industrial revolution, and feel partially responsible for supporting it through the products we
“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.
There are many things that most people take for granted. Things people do regularly, daily and even expect to do in the future. These things include eating meals regularly, having a choice in schooling, reading, choice of job and a future, and many more things. But what if these were taken away and someone told you want to eat, where and when to work, what you can read, and dictated your future. Many of these things happened in some degree or another during the Chinese Culture Revolution under Mao Zedong that began near the end of the 1960’s. This paper examines the novel Balzac and the Little Chinese Seamstress by Dai Sijie and a book by Michael Schoenhals titled China’s Culture Revolution, 1966-1969. It compares the way the Chinese Cultural Revolution is presented in both books by looking at the way that people were re-educated and moved to away, what people were able to learn, and the environment that people lived in during this period of time in China.
In his 1937 film Street Angel, Yuan explores the inequities facing Shanghai’s urban proletariat, an often-overlooked dimension of Chinese society. The popular imagination more readily envisions the agrarian systems that governed China before 1919 and after 1949, but capitalism thrived in Shanghai during that thirty-year buffer between feudalism and Communism. This flirtation with the free market engendered an urban working class, which faced tribulations and injustices that supplied Shanghai’s leftist filmmakers with ample subject matter. Restrained by Kuomintang censorship from directly attacking Chinese capitalism, Yuan employs melodrama to expose Street Angel’s bourgeois audience to the plight of the urban poor. Yuan presents capitalist Shanghai as a binary and deeply unequal society, at odds with the “more pluralistic sense of cosmopolitanism” desired by leftist filmmakers of the 1930s (Pang 62).
The human race is comprised of a plethora of shapes, sizes, colors, and figures. Some of these images are regarded as ‘distorted’ in dominant culture, but these distortions are what makes every person unique and should be celebrated. Stereotypes, whether positive or negative, take these ‘distortions’ and assign behavioral attributes to them. This assumes that all persons who meet a certain set of physical requirements behave in a similar way. Due to the diversity of the human race, this outcome is highly improbable. Despite this, stereotypes are often used to describe a group of people, usually amplifying a negative trait that may not b...
Jealousy is an innate facet of humanity, an emotion universally felt during childhood. It is through this jealousy that we begin to resent the reality that we are given. In the article “Eat, Memory: Orange Crush,” Yiyun Li recalls how influential the western product “Tang” was during her childhood. Growing up, Li remembers a time where she was resentful of her lack of Tang, desiring the “Tangy” lifestyle which was symbolic of luxury and social status in China. Through the logos of Li’s father, Li’s appeal to pathos through her childhood experiences, and the disillusionment of Li’s utopian view of Tang, Li typifies the struggle a teenager undergoes as they grow up.
Bone portrays an aspect of Chinatown that no history book or lesson can accomplish. By allowing readers to read through and live through the characters, readers viscerally grasp the tension and frustration of the characters as they each strive to find acceptance among themselves and family members, and to form an identity as either a Chinese or an American. Through harsh economic circumstances that require a father to work overseas and a mother to work in sweatshops to provide for the upbringing of their children, the experiences of the Leong family demonstrate the arduous life of immigrants. Also, the story of Ona and her subsequent suicide plays a key element in the story of the Leong family, allowing us to understand the social impact of her life as an Asian American and the ultimate complexities of life in Chinatown.
Perhaps one of the biggest issues foreigners will come upon is to maintain a strong identity within the temptations and traditions from other cultures. Novelist Frank Delaney’s image of the search for identity is one of the best, quoting that one must “understand and reconnect with our stories, the stories of the ancestors . . . to build our identities”. For one, to maintain a firm identity, elderly characters often implement Chinese traditions to avoid younger generations veering toward different traditions, such as the Western culture. As well, the Chinese-Canadians of the novel sustain a superior identity because of their own cultural village in Vancouver, known as Chinatown, to implement firm beliefs, heritage, and pride. Thus in Wayson Choy’s, The Jade Peony, the novel discusses the challenge for different characters to maintain a firm and sole identity in the midst of a new environment with different temptations and influences. Ultimately, the characters of this novel rely upon different influences to form an identity, one of which being a strong and wide elderly personal
For example, if you see a male who is dressed properly. You will create this image in your head, then you will take this image and turn it into something you have seen; stereotype. “When people first meet others, they cannot help noticing certain highly visible and distinctive characteristics: sex, race, physical appearance, and the like. Despite people's best intentions, their initial impressions of others are shaped by their assumptions about such characteristics.” (Snyder, 1982). As Synder mentions in his article, Self-Fulfilling Stereotypes, we as people, and we as society, like to always judge others and put them into categories such as good vs bad, poor vs rich, healthy vs obese, etc. This makes it extremely hard for people who are in the poor categories to fight the society to make their stereotypes disapper. Society labels people, which I personally believe creates war, ungraceful events, and many disadvantage events for
The struggle of self identity as she realized that all this while, her mother was right. Once you are born Chinese, you cannot help but feel and think Chinese. Amy Tan’s “A Pair of Tickets” presents an incredibly interesting perspective of a woman named Jing mei who is traveling through her native country of china, embarks on this journey of self-discovery to find her true chinese roots. The opening scene of "A Pair of Tickets" is an appropriate setting for Jing mei remark of becoming Chinese, because the introduction grabs the audience attention. We are first starting out in the story as reading Jing mei turning from American to Chinese in an instant second of the moving of a train from one city to the next. The narrator
Society tends to misjudge people base on their appearances instead of their personality. As it’s shown on Cyrano de Bergerac story everyone misjudges people. Cyrano was ashamed of the way he looked, especially with his enormous nose that made him stand out. People didn’t care if Cyrano got his feelings hurt they thought he was a cruel person. Its bad when people tends to misjudge people without even knowing them but they just judge them by their looks instead of their personality. People shouldn’t be ashamed of the way they look and it shouldn’t stop them from accomplishing their goals and express their feelings towards the people they like.
Mitgang tells us that the novel is about the life of two children who live in a small town, where they deal with racism in society. Prejudice surrounds their childhood, and it lurks with them while they are playing, and even while they are in the classroom. Mitgang tells us that on top of all this, racism is conveyed in the children?s language.
The first impression you have when meeting someone is their appearance, which makes it easy to judge people based on how they
Young, Ed. Lon Po Po: A Red-Riding Hood Story from China. New York: Philomel Books. 1989.
Society has many different methods of influencing us to be a certain way. This can be done through trends shown in magazines, facebook, twitter and other forms of social media. You will see models wearing a certain style of clothing to influence people to wear that kind of clothing style. Celebrities are always being exposed and it will completely make or break their image. There are stereotypes all over social media put into jokes or used to attack a specific group of people. Society has been molding people for a very long time and we can see that in the books that we have read this semester.