The Cask of Amontillado
“Nemo me lacessit,” translates to “no one attacks me with impunity”. The Cask of Amontillado; A short story of revenge, pride, and deception. Ultimately, power over another individual by finding the thumbscrews of people strategically plain in a formless manner. Many powerful laws are included to extract the result of careful planning and execution to not place the narrator, Montressor, at risk of facing consequences of his own for the optimum crime against another individual. Mr. Edgar Allan Poe alludes the audience through many visual interpretations in the specific attire of the characters, and the route taken leading Fortunato down the dark path of deception perceived as a friendly encounter.
Mr. Poe gains the audience’s sentiment by placing the audience in the narrator’s vision for justice. Details are withheld, as the trial and execution of revenge have already been visualized and established en route to Fortunato’s final
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blue collar, and the shame caused for slander and insult. The formlessness of the narrator allowed the audience further into speculation as we are led through the catacombs containing the remains and marks of the Montressor family. Mr. Poe specifically describes physical damage to the Montressor family remains fallen from a wall laid in honor of the family tradition. Honoring the family name plays credence to the disregard of a human life. The audience is led to assume and allude to the possibility of what may have occurred through indignity of Fortunato’s behavior in many instances of the short story. Sarcasm and veiled conversation allows the audience into the mind of the narrator whom the events play out in his favor from the first word to the last and final comment. The hidden details tell a deeper story as it allows the audience to wonder about the prefix to the events
The protagonists Montresor wants to get back at Fortunato for deeply insulting him and Montresor vows for revenge. During the fall carnival, he sees his opportunity and is quick to pounce on this and put his plan into place. “With Fortunato intoxicated and falling and stumbling all over the place Montresor knows that the time is now” (Russell 211). Montresor knows Fortunato’s weakness for wine and Montresor tells him he found Amontillado a very rare wine and it is in his vault. Montresor knows how far Fortunato will go for wine as rare as Amontillado and that is what eventually leads to his tormented and revengeful death. Edgar Allan Poe also gives lots of scenes that foreshadow to the future and the plotting about the death of Fortunato and the steps leading up to it. “The great example is putting Montresor into the future fifty years later telling the story and everything that went into the murder that he had committed” (Elliot 268). Poe depicts that revenge is very sweet and even fifty years later, that the deep gothic death and revenge themes still show up in Poe’s writings (Russell
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
n. "The Cask of Amontillado. " Literature: An Introduction to Readingand Writing. Ed. Edgar V. Roberts and Henry E. Jacobs. Upper Saddle River: Prentice Hall, 2001.
In conclusion, “The Cask of Amontillado” has an eerie and suspension mood that is clearly shown through the dialogue and detail. The suspenseful mood keeps the reader on their feet. The dramatic and verbal irony used within the short story kept the story moving along and allowed the audience to understand the complexity of this revenge plot and what went through the mind of
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
The story “The Cask of Amontillado” is written in first person point of view and this story is fairly simple to understand. This story is affected by the narration when looking at what the narrator's focus is, the narrator’s thoughts or opinions, and how the reader interprets the story.
In the story "The Cask of Amontillado", Edgar Allen Poe tells the story of Montresor and Fortunato. This story has a much lighter mood to it, but from the beginning there is some tension between Fortunato and Montresor. The story its self has a
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
As we immerse ourselves into Edgar Allen Poe’s “The Cask of Amontillado”, a powerful story of a man’s vengeance with “impunity”, we find that the narrator’s revenge was merely a materialization of his sinister, unrestricted human nature. The author vividly describes the resentment that the narrator feels towards the man who insulted him, and the lengths he goes to for revenge. Montressor, the narrator, swears retribution for Fortunato, whose “thousand injuries…[he] had borne as best [he] could, but when [Fortunato] ventured upon insult, [he] vowed revenge” (Poe). While the scheme sinuously progresses, Montressor thinks and acts with a certain lunacy that one cannot help but notice. Generally speaking, people wouldn’t resort to murder for simply a case of a rude, insolent offender, but the narrator has found himself looking deep inside, and what he finds is a malicious soul that wishes to harm those who have insulted him. He crafts a plan...
How simple, indeed--at least until we examine a group of irreconcilable paradoxes in the story. To begin with, the names Montresor and Fortunato are synonymous. (Hoffman 223) Secondly, we find that the motive for the crime was some unnamed insult. Motives for killing someone should be important enough to detail. Why does Poe have Montresor gloss over the motives? One view is that Montresor relates the details of the murder not to justify his actions, but as a form of confession. But if this be confession, where is the regret? Again, Poe leaves his readers mystified concerning the time and location for issuance of the narrative voice. If Montresor still lives, he must be a very old man. If so, the phantasms of his deed may have horrified him all of his life. Then why does he not seem horrified? If this be confession, then why does he seem not penitent?
The Cask of Amontillado is an eloquent story narrated from the murderer’s point of view. Montressor seeks revenge against Fortunato for numerous insults the reader can only imagine. In order to determine the severity of the apparent injustices, Fortunato himself must be understood. Montressor describes him as being “rich, respected, admired, [and] beloved,” as well as “a man to be … feared” (Poe 274-276). Fortunato was a flawed individual, however. His greatest imperfection was his love for wine. Fortunato’s “connoisseurship” (274) of wine resulted in his intoxicated state throughout the short story. His physical and mental capacities were impaired by his drunkenness, and as a result, he was unable to resist Montressor’s lure into the catacombs.
Readers frequently wonder while reading a fiction book, if the character could live in the real world. In the short story, The Cask of Amontillado, written by Edgar Allan Poe, the relevancy of the question that could be applied flawlessly. Although Fortunato is not the main character, he plays an important role in the overall plot structure. Fortunato, the antagonist who is a greedy and untrustworthy man, is arguably a believable character. This is because of his motivation, character traits, and the irony that is correlated with his situation.
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).
The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge. In the story, he is angry with Fortunato because he believes that Fortunato has wronged and insulted him many times by saying, “thousand injuries of Fortunato I had borne as best I could…he ventured upon insult…” (Poe). In addition, Montresor’s hatred for Fortunato goes so far that he believes he must kill Fortunato. He mentions this in the story as, “[y]ou, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat” (Poe). He seems to say that his soul is made of hatred and goes on to say he must give Fortunato the utmost punishment: death. Montresor even shows traits of revenge when he says, “…but when [Fortunato] ventured upon insult, I vowed revenge.” and “...I would be avenged…” (Poe). He is saying that he will get revenge on Fortunato, whom he is angry with and hates for being insulted by.