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Importance of suspense
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Readers frequently wonder while reading a fiction book, if the character could live in the real world. In the short story, The Cask of Amontillado, written by Edgar Allan Poe, the relevancy of the question that could be applied flawlessly. Although Fortunato is not the main character, he plays an important role in the overall plot structure. Fortunato, the antagonist who is a greedy and untrustworthy man, is arguably a believable character. This is because of his motivation, character traits, and the irony that is correlated with his situation.
In the fiction story of The Cask of Amontillado, Fortunato is believable because of his character traits of being very greedy and untrustworthy. This is because he says multiple times that he does not want
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Luchesi to go to drink the amontillado that Montresor offered him. He does not want Luchesi to get the wine because he want to taste and drink it all to himself. “(...) I am on my way to Luchesi, if anyone has a critical turn, it is he. He will tell me-” “Luchesi cannot tell amontillado from a sherry (Poe, 3).” replies Fortunato. The statement said makes him sound very greedy because he wants the expensive wine all to himself and does not want to share it with Luchesi as stated previously. Even though Fortunato has a severe cough that could be life threatening he continues with going down to the cellar to get the wine. “ (...) “ugh! ugh!” My poor friend found it impossible to reply for many minutes. “It is nothing,” he said, at last. “Come”, I said, with decision, “we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchesi—” “Enough,” he said; “The cough is a mere nothing; it will not kill me. I shall not die of a cough (Poe, 4).” He continues to go down stairs and does not want to go back up when Montresor offers, because he does not want to risk losing the amontillado to Luchesi. It also creates a presence of Fortunato disliking Luchesi, causing him to despise that Montresor would pick Luchesi over himself. Thus making him prove himself by not going back upstairs because of a “small” cough. He is untrustworthy because at the beginning of the story, behind Montresor's back, he makes fun of him. “The thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge (Poe, 1).” This causes Montresor to gain revenge and fulfill his code of arms. Because Fortunato was greedy and untrustworthy to Montresor it ultimately leads him to his death. Since Fortunato possesses the desire and motivation to proceed to get the wine, it shows that he is a realistic character.
Previously the word “greedy” showed up for being a character trait that he has. This is because of the correlation between his greediness and his motivation to get the expensive wine and to not allow Luchesi to get the wine. Fortunato is mainly motivated by proving Montresor wrong that Luchesi cannot tell the difference between two wines. “(...) I am on my way to Luchesi, if anyone has a critical turn, it is he. He will tell me-” “Luchesi cannot tell amontillado from a sherry (Poe, 3).” replies Fortunato. The expensive wine, that Montresor supposedly has, is a motivation for Fortunado to go down into the cellar and drink it. Fortunato has no hesitation when it came to him going down stairs into the cellar, allowing the reader to sense that he is very motivated for the wine. “(...) Fortunato possessed himself of my arm. Putting on a mask of black silk, and drawing a roquelaire closely about my person, I suffered him to hurry me to my palazzo (Poe, 3).” The way Fortunato firmlydoes not want Luchesi to get the wine and that he would risk his life, shows readers how high his motivation and desire
is. Throughout the story dramatic irony occurs multiple times toward Fortunato. In the story there are many scenes where dramatic irony is very obvious to the reader, but not to Fortunato. Since the readers already know that something is going to happen to Fortunato because of the opening sentence, it creates large waves of dramatic irony throughout the story. An example of this is when the readers know he's not going down into the cellar for wine, but ultimately his death because of making fun of Montresor. This occurs because Montresor's family code of arms or motto. “And the motto?” Fortunato asks. “Nemo me impune lacessit (Poe, 5).” Montresor replies. The motto means if someone messes with Montresor or his family, than an act of revenge will occur on the culprit. Or in shorter terms, hurt Montresor, than revenge will be acted upon the oppressor. This allows the reader to easily know that something's going to happen to Fortunato, since it previously said that Fortunato was making fun of Montresor. Without Fortunato even knowing that he was being set up or even suspecting Montresor's trap he ends up getting buried alive. The dramatic irony that was shown throughout the story gives readers hints to help them figure out that Fortunato was going down into the cellar not for wine, but to his death. Fortunato, a greedy and untrustworthy man who is not to be trusted is a believable character.. Fortunato, a unknowing sole following Montresor to his death without him ever suspecting a thing. The following of Montressor down into the basement for “amontillado” caused dramatic irony throughout the story. His motivation for doing such things as talking behind Montresor's back, accepting the offer to go to drink some amontillado in the cellar, demanding they must go on even though he was very sick, and himself trying to prove himself as being better than Luchesi, all led up to his departure in the afterlife. Fortunato, the antagonist who is a greedy and untrustworthy man in the short story The Cask of Amontillado, is arguably a believable character. This is because his motivation, character traits, and the irony correlated in his situation.
For example, Montresor expresses concern about Fortunato and says, "Come, I said, with this decision, we will go back; your health is precious. Montresor does not want Fortunato to die from anything other than his own plan of slow death by asphyxiation. Symbolism in "The Cask of Amontillado" This story by Poe has numerous examples of symbolism. For example, the manner in which Fortunato is dressed is ironic for a man with societal prominence. Fortunato is a man of stature who is “rich, respected, admired” (Baym).
In Edgar Allan Poe’s, “The Cask of Amontillado,” the main character and narrator, Montresor begins the story by expressing how he has put up with many insults from a man named Fortunato and that he has had enough and vows revenge against him. Montresor lures Fortunato into the catacombs to taste the Amontillado so as to kill him secretly. Montresor portrays in the beginning of the story that he is going to be lying to Fortunato’s face, acting one way while really thinking another. This fact indicates that Montresor is an unreliable narrator for telling the story because he lies to people he knows, gives hints that he is jealous of Fortunato, does not offer an explanation for wanting to murder Fortunato and his tone of narrating the story.
This man, Montresor is cunning and manipulative, as he'll get what he wants through trickery or deception. Montresor is sly because he notes that Fortunato is proud for being such a renowned wine connoisseur; therefore he utilizes this exploit to lure him into his trap. And so, Montresor appealed to his confidence of wine expertise by saying, “'As you're engaged I am on the way to Luchesi.' ”(133) This stirs up Fortunato's pride and makes him offer to check Montresor's amontillado instead of Luchesi, his supposed rival in wine expertise. Additionally, he plans the date of his murder on the carnival so Fortunato would be drunk as well as being inconspicuous to wear a mask and a costume so nobody would be able to identify the person that went off with Fortunato. When Fortunato arrives at the vault he makes a scene where he seems genuinely caring and toasts him, “'And I to your long life.' ”(135) The irony is that Fortunato won't have to wait long before his demise and that Montresor only said it to advert suspicion from Fortunato. He managed to trick Fortunato until the very end which proves how clever he is.
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
Fortunato is fortunes favorite- the Lady Fortunato, Lady luck or God's favorite. Montressor is more material in the fact Tresor means storehouse or hoard. Montressor is jealous that Fortunato was so "rich, respected, admired, beloved..." He was not, so everyday was like an insult seeing Fortunato. Montressor invites Fortunato to his vaults where he keeps his wine selection. He told Fortunato of the Amontillado which Luchesi good not appreciate like he could.
Fortunato exhibits extreme narcissism upon himself and fails to see the bigger picture going on around him. Montresor expended a great amount of time in thinking of a way to defeat his prey in his own world. His target had a weakness of lust for wine, in fact he, prided himself in his connoisseurship. Consequently, too much pride can be harmful according to Jessica Tracy, “hubristic pride is related to narcissistic traits like entitlement, arrogance, and egotism” all which Fortunato exemplified (Oprah). Montresor baited Fortunato into his pleasure “As you are engaged, I am on my way to Luchesi” though we never meet Luchesi his character is of lesser rank when it comes to wine connoisseurship (Poe). Montresor was very clever in this quiet deed; he even took the time to provide many outs for Fortunato whether it was concern for his prey’s health or warnings of harsh conditions ahead. Drunk and prideful he could care less about his health during the cold trot through the vaults “The cold is merely nothing… and as for Luchesi, he cannot distinguish Sherry from Amontillado” thus his narcissistic ways are even selfish to his own temple (Poe). Fortunato ignores his plethora of coughs and implies to move forward while Montresor ensures him that his health is too precious but again triggers him saying Luchesi is in a
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
In “The Cask of Amontillado,” the reader can tell the narrator is unreliable. The narrator shows this through his lack of reason for killing Fortunato. Also, the narrator indicates that he is unreliable when he laughs as he kills Fortunato; only a madman would laugh while killing someone. The narration of the story makes it so the reader questions why the narrator killed Fortunato. Another question most readers have is, why is the narrator sharing this story? Also, readers commonly ask themselves, what has happened to make him share this story? The narrator says, “For half of a century no mortal has disturbed them” (Poe 113). This statement by the narrator may make a reader feel that Fortunato’s body has been moved or found. Likewise, it may make a reader feel that the narrator is bragging to someone about getting away with murder because he is possibly on his
In the story "The Cask of Amontillado", Edgar Allen Poe tells the story of Montresor and Fortunato. This story has a much lighter mood to it, but from the beginning there is some tension between Fortunato and Montresor. The story its self has a
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Edgar Allan Poe is one of greatest American authors and poets. He is well-known as a master of using irony in his story. “The Cask of Amontillado” is a horror story about revenge of Montresor upon Fortunato. Fortunato believes Montresor is his good friend, but he ends up with being chained and walled in to the catacombs. There are three types of irony used in this short story: verbal irony, dramatic irony, and situational irony. Using these ironies, Poe wants the readers to understand about Montresor’s “friendship” with Fortunato.
The Cask of Amontillado is an eloquent story narrated from the murderer’s point of view. Montressor seeks revenge against Fortunato for numerous insults the reader can only imagine. In order to determine the severity of the apparent injustices, Fortunato himself must be understood. Montressor describes him as being “rich, respected, admired, [and] beloved,” as well as “a man to be … feared” (Poe 274-276). Fortunato was a flawed individual, however. His greatest imperfection was his love for wine. Fortunato’s “connoisseurship” (274) of wine resulted in his intoxicated state throughout the short story. His physical and mental capacities were impaired by his drunkenness, and as a result, he was unable to resist Montressor’s lure into the catacombs.
The Cask of Amontillado, one of Edgar Allen Poe’s most celebrated works, paints a very sinister and dark tale of revenge. It is riddled with symbolism of what is in store for Fortunato who has betrayed Montresor in what Montresor perceives to warrant a grievous end. Throughout their the interaction, there are subtleties in which one might think there is a way out, but ultimately greed takes over which leads to Fortunato 's undoing.