Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato. The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge. In the story, he is angry with Fortunato because he believes that Fortunato has wronged and insulted him many times by saying, “thousand injuries of Fortunato I had borne as best I could…he ventured upon insult…” (Poe). In addition, Montresor’s hatred for Fortunato goes so far that he believes he must kill Fortunato. He mentions this in the story as, “[y]ou, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat” (Poe). He seems to say that his soul is made of hatred and goes on to say he must give Fortunato the utmost punishment: death. Montresor even shows traits of revenge when he says, “…but when [Fortunato] ventured upon insult, I vowed revenge.” and “...I would be avenged…” (Poe). He is saying that he will get revenge on Fortunato, whom he is angry with and hates for being insulted by. The main reasons for Montresor’s traits are his family arms and family motto. He mentions his family arms as, “[a] huge human foot d’or, in a field of azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel” (Poe). This quote, to me, means as, “[a] ... ... middle of paper ... ... (Poe); he goes ahead and throws the torch through the last hole, and pushes in the last brick. Even though Montesor has his traits of anger, hatred, and revenge on Fortunato from firmly believing in his family motto and arms, he shows signs of feeling guilty for wanting to kill Fortunato. He attempts to keep Fortunato from following him into the catacombs even though Fortunato still refuses, not know what was going to happen to him. However, at the very end of the story, Montesor seems to have lost all feelings of guiltiness when he says, “For half a century no mortal has disturbed [Fortunato’s grave]. In pace requiescat!” (Poe). ‘In pace requiescat, to me, means, “Rest in peace!” He finally done the deed and feels prideful. Works Cited Poe, Edgar Allan. “That Cask of Amontillado.” Ibiblio. U of North Carolina at Chapel Hill, N.d. Web. 21 Mar. 2014.
Montresor shows obsession through his precise planning. “As I said these words I busied myself among the pile of bones of which I have before spoken. Throwing them aside, I soon uncovered a quantity of building stone and mortar. With these materials and with the aid of my trowel, I began vigorously to wall up the entrance of the niche.” “It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
In conclusion, Montresor is a very unique and demented character. This story strongly represents three characteristics that Montresor possesses. Montresor’s cleverness is the reason he can irony and detail to the situation. His determination is the driving force for all of his actions in the story. Finally, Montresor’s cruelty is what makes him a one-of-a-kind character with a unique course of action. All of these traits are what answer the question of who is
Montressor had said “In pace requiescat!”, but rest in peace Fortunato did not. As Fortunato took his last breath he heard Montressor yell his name and then leave. A strange sensation then came over Fortunato and he could sense the energy flowing out of him, a rising feeling held him above the ground as he became a restless spirit. He thought to himself “Why am I not allowed to go? What must be keeping me here?”, and then recalled that it was Montressor that had done this to him, Montressor that had led him into the vaults and then sealed him up to die of pneumonia. Revenge, that was what had drove Montressor to murder, and what was keeping Fortunato in the mortal world. Fortunato realized that he must find Montressor, and exact his revenge before he would be able to pass over. And down there, in the deepest, darkest vault, he planned his revenge.
In "Cask of Amontillado", Montresor is the narrator. "The thousand of injuries of Fortunato he has borne as he best could; but when he ventures upon insult, Montresor vows revenge" (Poe 528). As the story unfolds, "Montresor's idea of perfect revenge" is "characteristically precise and logical in detail" as to how he commits his crime (Delaney 1).
Symbolism is something that represents more than what it really is. It is often by authors in their writing to give it more emphasis. For example:" In life there will always be peaks and valleys" meaning in life there will be ups and downs but we should enjoy the peaks and fight through the valleys. Objects can also be a form of symbolism such as The Bible, it represents more than just a book. It represents Life, Church, Religion, and the life of Jesus Christ and what he stood for. Irony is like a twist or words or the opposite of what is intended. For example: Laughing at someone that just slipped and fell, then later you find yourself slipping and falling is a form of irony. Irony is found in real life situations as well as writings. Symbolism is a technique that gives authors a better story and shows objects as more than what they are. They use techniques like this to catch the reader’s attention.
Anything not taken in moderation can be damaging. In one of Edgar Allen Poe's best-known tales of horror, "The Cask of Amontillado," he suggests that pride can be a very dangerous thing, when one is overwhelmed with it. Through the use of foreshadowing, irony, and symbolism, Poe presents a horrific drama of two men. One who will stop at nothing to get the revenge that he deems himself and his family worthy of, and another who's pride will ultimately be the fall of his own death. Fortunato falls prey to Montressor's plans because he is so proud of his connoisseurship of wine, and it is for the sake of his own pride that Montressor takes revenge on Fortunato. Poe utilizes the theme of pride and many other literary techniques such as foreshadowing, revenge, and irony, in order to create a horrific and suspenseful masterpiece.
Hoping to obtain revenge, Montresor, the narrator, lures Fortunato, one of his friends, into the depths of his catacombs to be murdered. Montresor says, "The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge"(149). This is the first line in the story, and this is why Montresor seeks revenge. There is no explanation of the insults that Montresor received, so the reader may infer that Montresor is just lying. The insults that were received could possibly be just outdoing in the business arena. Montresor might be using that excuse for his desire to kill Fortunato, because he may be killing Fortunato out of jealousy. Montresor is likely telling this story to a family member, friend, or his doctor while lying on his deathbed. Montresor says, "…your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter."(150). Montresor just admitted that he knows Fortunato is better than he. Montresor may have been under the influence of jealousy. Redd 4 There are different theories to ...
Vengeance and pride are fundamentally important to this short story. From the inception of the tale it is clear that the narrator is a proud, vindictive man; opening with, “the thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge,” the narrator immediately alerts the reader to the dark aspects of his own character. Because “insult” and not “the thousand injuries” caused the narrator to “vow” revenge, the reader can infer Montresor is prideful because, although he already had conflict with Fortunato, insult was what made the tense situation unbearable for Montresor––so much so that he vowed to take action. Use of the word “vow” is significant because it indicates that the grievance was meaningful in the mind of Montresor, allowing for the reader to more easily identify with the actions to be revealed throughout the course of the story; if the reader believes that Montresor was provoked in a profound way, ...
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
You were not to be found, and I was fearful of losing a bargain (Poe 332)”. This revels Montresor notices that Fortunato is not able to tell Amontillado from Sherry as he is a great wine-lover. When Montresor is coughing, Fortunato is trying to convince him to leave: “Come,” I said with decision, “ we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was”. This shows jealousy and kindness of Montresor against Fortunato at the same time that is quite sarcastic. From this perspective, Montresor envious all of the things that Fortunato has and who is not reconciled to someone surpass him in the status. He mistakenly feels that this is the injury created by Fortunato resulting in his revenge. Therefore, he blame on Fortunato for all fault that he should eradicate him as soon as possible before he become a threatening when it is too late to take any action. Additionally, he does not even regret his choice and believes everything he does is right. This is because he tries so hard to makes an effort to draw Fortunato to his trap and put down his vigilance simultaneously by
Poe, Edgar Allan. "The Cask of Amontillado." Literature for Composition. Sylvan Barnet, et al, eds. 4th ed. New York: HarperCollins, 1996. 153-57.
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).