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Michael DuBois
Mrs. Ermis
English 1302.NO2
10 April, 2016
Revenge at its Finest
Like most of Edgar Allan Poe’s work the concept behind both of these stories is the themes of death and revenge. In both “The Cask of Amontillado” and “Hop Frog”, Poe makes it a point to reveal the struggles of both characters and that they seek revenge for what has happened in their past. In “Hop Frog” he decides he has had enough when the king slaps his friend Trippetta for sticking up for him. Along with all the vicious jokes and torture that he puts on both Hop Frog and Trippetta, the physical abuse was just the thing that puts Hop Frog over his limit. In the short story “The Cask of Amontillado”, Montresor seeks revenge on Fortunato for the rude embarrassing
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Like in “Hop Frog” where he is gritting his teeth after the king says or does something to him. This is showing anger, and he immediately begins to contemplate how he is going to get back at the king and his council. What puts everything over the edge though, is when the king and his court were tormenting Hop Frog to drink the wine and were forcing it to him. “Trippetta, pale as a corpse, advanced to the monarch’s seat, and, falling on her knees before him, implored him to spare her friend” (Poe, “Hop” 3). Trippetta begs the king to make it stop and he slaps her and immediately goes to laughing with his friends, this is when Hop Frog feels he has had enough (Poe, “Hop” 3). He immediately goes to gritting and grinding his teeth in the disgust of this moment and knows that something must be done. When the king and his council hear this from the jester they question him about it, but Hop Frog denies it immediately knowing that they must think nothing of it and they cannot find out about his future plans for them. All through this time of Hop Frog being mad and frustrated with the way he is being treated by the king, he is developing and showing what is going to happen in the future. Hop Frog knows what he wants to do and immediately begins his plot for revenge and is just waiting for the opportunity to …show more content…
The protagonists Montresor wants to get back at Fortunato for deeply insulting him and Montresor vows for revenge. During the fall carnival, he sees his opportunity and is quick to pounce on this and put his plan into place. “With Fortunato intoxicated and falling and stumbling all over the place Montresor knows that the time is now” (Russell 211). Montresor knows Fortunato’s weakness for wine and Montresor tells him he found Amontillado a very rare wine and it is in his vault. Montresor knows how far Fortunato will go for wine as rare as Amontillado and that is what eventually leads to his tormented and revengeful death. Edgar Allan Poe also gives lots of scenes that foreshadow to the future and the plotting about the death of Fortunato and the steps leading up to it. “The great example is putting Montresor into the future fifty years later telling the story and everything that went into the murder that he had committed” (Elliot 268). Poe depicts that revenge is very sweet and even fifty years later, that the deep gothic death and revenge themes still show up in Poe’s writings (Russell
Poe terrified and befuddled readers with his short stories for over 150 years. Poe has written a lot of short stories, but the two of his most significant ones are “Hop-Frog” and “The Cask of Amontillado.” “The Cask of Amontillado” is about someone’s foolishness that brings him to his own death. “Hop-Frog” is about a dwarf-looking jester <run-on The two stories are both very different in their own distinctive ways, but at the same time they are both very similar. “Hop-Frog” and “The Cask of Amontillado” are more similar than different. These two stories, both have similarities and differences between setting, characters, and conflicts.
Meanwhile as Fortunato was concocting his plan beneath the earth, Montressor was heading back to his house feeling slightly guilty about what he had done. “He insulted me, he made me to be less that I am, he had it coming.”, Montressor told himself reassuringly. But that did not erase the ominous tone he now felt in the vaults. Something was not quite right since he pushed that last brick into place in Fortunato’s tomb. Shaking the feeling off as best as he could he reached the top of the catacombs and entered his home with a taste for the barrel of wine that he knew was Amontillado all along. After his drink he returned to his bedroom for the night and before he fell asleep he heard a small voice in his head saying that Fortunato was still alive and that he was coming for him.
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
In “The Cask of Amontillado”, Montresor made up in his mind that he would carry out his act of revenge on Fortunato. Whatever offense Fortunato committed against Montresor drove him to the brink. The hatred inside was somewhat poetic. Montresor schemed to every detail how to carry out his revenge. The setting of the story is a dark, gloomy night at a celebration during carnival season. Montresor would be detailed in describing the monetary status of his enemy, his wardrobe or costume he wore to the celebration. He would set the mood as cheerful. Despite the ill feelings he has towards the now drunken Fortunato, Montresor pretends to care for his company to lure him towards his cunning plan. He strokes Fortunato’s ego and his love for wine to draw him towards the cellar. The dark, damp halls, the claustrophobia, and the human skeletons lying about the earth were all a foreshadowing of Motresor’s plan for the drunken Fortunato. It enhanced suspense to the story, building up to the climax which would be Fortunato entering into his grave. As they further enter the hal...
Poe's, The Cask of Amontillado is a story about fear and revenge. The story begins with Montressor's vow of revenge, foreshadowing future actions. "The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult vowed revenge..." Montressor had to be sure not to raise suspicion of what he was going to do Fortunato. Montressor knew that Fortunato had a weakness that he could use towards his advantage.
In order to fully understand Poe’s use of the narrator the two previously mentioned stories must be summarized. "The Cask of Amontillado" is a tale about the narrator, Montresor, who desires to act revenge on his acquaintance Fortunato. He lures Fortunato into his basement in order for Fortunato to examine a rare wine called an Amontillado. While in the deep crypt Montresor offers Fortunato more and more wine so that by the time Fortunato gets to the area where the cask is kept he is heavily intoxicated. Montresor then chains Fortunato to a stone and begins to build a wall, trapping Fortunato inside the crypt to die while Fortunato screams and pleads for his life. Montresor, hearing his pleas for mercy and life, ignores them and continues to build the wall knowing that no one will ever find the body of the unfortunate Fortunato.
Along with comparisons, there are also many contrast between The Tell Tale Heart and The Cask of Amontillado. In The Tell Tale Heart the man killed out of insanity over the old man’s eye, but in The Cask of Amontillado, the narrator killed out of jealousy, “The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge.” In The Tell Tale Heart the narrator panicked and cut the body up in order to hide it, while the narrator in The Cask of Amontillado remains calm during and after the crime was committed. Another difference between them is that the narrator in “The Tell Tale Heart” confessed to the crime out of guilt and insanity, “Villains!’ I shrieked, ’dissemble no more! I admit the deed!--tear up the planks!--here, here!--it is the beating of his hideous heart!” In The Cask of Amontillado the narrator is never caught. After looking at the difference’s between Poe’s work it is very entertaining to compare the stories to his life.
Poe uses the aspects of dramatic and verbal irony, foreshadowing and symbolism to shape his tale of revenge. Fortunato's fate is death and Montresor tries to make his intentions seem honorable. His intentions were not honorable, just evil. He does however, manage to get what he set out for, revenge.
Through the acts, thoughts, and words of the protagonists Montresor, the reader is able to feel the psychological torment that Fortunato is about to endure. The first line in the story Montresor said “The thousand of injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge” (553). Revenge remains a constant theme through the entire story. Montresor went to great lengths planning the revenge and murder of Fortunato. He knows that during the carnival everyone will be dressed in costume, mask, and drinking. No-one will be able to recognize them. Montresor himself put on a “mask of black silk” (554) and a “roquelaire” (554). He has also made certain that his attendants’ would not be at home, to be sure that there are no witnesses to his horrendous act.
In the story "The Cask of Amontillado", Edgar Allen Poe tells the story of Montresor and Fortunato. This story has a much lighter mood to it, but from the beginning there is some tension between Fortunato and Montresor. The story its self has a
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
“The Cask of Amontillado” starts out with the narrator, later discovered to be Montresor, positioning himself as a victim of Fortunato. In the opening line, he states, “The thousand injuries of Fortunato I had borne as I best could” (714). Instantaneously one feels sympathetic towards a person that has withstood a thousand inflictions. Montresor goes on to tell a parable of sorts about vengeance, and “when the avenger fails to make himself felt as such to him who has done the wrong” (715) he has lost. In this instance Poe has set Montresor apart from being at the least an unsuspecting
Both stories tell a of death and the fears of our mortal lives and what is to come next. Poe’s short story focuses on two characters that are of the same cloth, two Italian men of some stature and class, but one has insulted the other. Fortunato is on the unfortunate recipient of death and is unaware until the very end. Where his so-called friend, Montresor has tricked him into the dark and scary catacombs where Fortunato will soon be part of all the other remains that are there. Now that Fortunato has learned of his fate, he does something that final shows the fear that he has and in turn strikes fear into his new foe. Fortunato begins to laugh and in such a way that even he hopes this is a joke. The eerie laugh of a scared person just realizing what is happening. The screams are not heard for Montresor has buried him alive. And the last thing that Montresor hears is the sounds of Fortunatos bells on this Carnival outfit. The fear of what Montresor has done and is now living with that knowledge of killing a man would haunt him. Even 50 years later as he tells this story you can feel that it doesn’t feel right. I think that a man who holds such a monstrous secret inside such as feeding death to a friend over something so trifle as to be insulted, creates fear inside of one’s own mortality. In a
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.