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Reflection on the story of the cask of amontillado
Reflection on the story of the cask of amontillado
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The haunting confession of revenge and murder Edgar Allan Poe’s “The Cask of Amontillado” is a horror story about revenge and murder that occurred half a century ago. Through the haunting confession of the narrator, Montresor, the reader is able to feel what Fortunato had endured half a century ago. In this tale of revenge and murder the dark, damp, and bone-filled catacombs provide a contrast to life during the “madness of the carnival” (553). Through the acts, thoughts, and words of the protagonists Montresor, the reader is able to feel the psychological torment that Fortunato is about to endure. The first line in the story Montresor said “The thousand of injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge” (553). Revenge remains a constant theme through the entire story. Montresor went to great lengths planning the revenge and murder of Fortunato. He knows that during the carnival everyone will be dressed in costume, mask, and drinking. No-one will be able to recognize them. Montresor himself put on a “mask of black silk” (554) and a “roquelaire” (554). He has also made certain that his attendants’ would not be at home, to be sure that there are no witnesses to his horrendous act. Just about everything Montresor says is ironic. He says just the opposite of what he means. He keeps inquiring about Fortunato’s health, Fortunato says that he “shall not die of a cough” (554). Montresor agrees with him, he knows what will ultimately be the death of Fortunato. Montresor deviously leads Fortunato to the vaults “down the long and winding staircase, requesting him to be cautious” (554). Montresor opens a bottle of wine and makes a toast to his friend’s “long life” (555). As For... ... middle of paper ... ...rfeited” (33). Montresor has inquired about Fortunato’s health throughout their walk to the catacombs. It is too late for him to change his mind so all that is left to do is seal him in. Poe creates a horror story of a psychological revenge and murder that occurred fifty years ago. Montresor is able to recall with clarity the details of his crime. Does he feel remorse for what he has done to Fortunato? The reader would think that he does, Montresor seems to be making the haunting confession from his death bed. The last thing that Montresor says to Fortunato is “In pace requiescat” which means “In peace may he rest” (557)! This is what Montresor wants for himself, this is why he is confessing to his sins. Works Cited Poe, Edgar Allan. "The Cask of Amontillado." Reading and Writing about Literature. Phillip Sipiora. New Jersey: Pearson Education, 2008.
Montresor must trick and manipulate Fortunato to accomplish his goal of revenge. He tells Fortunato the reason he is at the ...
He gives very little information about Fortunato, past that he is a wine connoisseur. There is no mention of what Fortunato does for leisure, his family, or even his job. In fact, the only details the reader receives on Fortunato paint him as a fool, with his costume, his drunken attitude, and obliviousness Montresor is focuses on the facts that make Fortunato look bad; he not only wants Fortunato dead but he also wants Fortunato’s name discredited. Montresor tells the reader even less about himself because there is no background to who Montresor is, what he does, or even what kind of contact he has with Fortunato. The only true details of Montresor that are given must be implied and give a sense of intelligence. In addition, he gives little to no details about the carnival, such as where it was, why the carnival was happening, or even why he chose this particular day to enact his plan. From these details, or lack of details, it seems Montresor doesn’t want his audience to know this information. The audience is supposed to simply look at Fortunato a fool and Montresor a genius, the harbinger of death. The facts such as who these people were, the time, or the setting are not important to Montresor’s focus in the
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
Another example of verbal irony lies in Montresor's conversation with Fortunato. Montresor tells him, "My dear Fortunato, you are luckily met." "(Baym) Fortunato seems to interpret these words to mean that Montresor likes him and is glad to have run into him. On the other hand, Montresor, is happy to see Fortunato but for his own despicable reason: that of murder.
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
In Edgar Allen Poe’s “The Cask of the Amontillado”, Montresor has always been viewed as a sociopath. He is a man who lured his friend into his family 's catacombs by lying to him. He then got his friend, Fortunato, drunk enough that he did not know what was going on. Montresor then chained his friend to a wall and boxed him in with mortar, all as an act of revenge and justice in his eyes. Although Montresor trapping Fortunato in the catacombs can be viewed as a cold, evil, heartless act, it does not mean that Fortunato’s death was meaningless. Montresor viewed Fortunato’s death as poetic justice, but others can not help but think of the irony of the situation. Poetic justice is defined as a result or occurrence that seems proper because someone
In his article “On Memory Forgetting, and Complicity in “the Cask of Amontillado”” Raymond DiSanza suggests that an act of wrongdoing is always at the heart of good horror stories. (194) DiSanza’s article on “The Cask of Amontillado” by Edgar Allan Poe describes Poe’s writing in a way I didn’t think of myself. DiSanza finds Poe’s language in this story to “taste like amontillado: smooth, slightly sweet, and appropriately chilled”. (DiSanza 195) Throughout his article he mostly talks about what possibly could have been Montresor’s motive to kill Fortunato? And why did Montresor wait fifty years to tell the story?
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Carefully, cautiously the Montresor plotted precisely how he would exact revenge upon Fortunato. Much time and great energy was devoted to this plan, selecting a time that would be best: during carnival when the town would be celebratory, his servants apt to run off and join the celebration, when the two could silently disappear without notice or question. No detail is forgotten; he allows for no deterrents. He follows through with such a confidence that never does he stumble or hesitate in carrying out his plan. The Montresor indicates that he had never given. To continue with this ploy, he even goes so far as to express false concern for Fortunato as they pass through the catacombs. Blaming the nitre and damp, the Montresor suggests that they turn back as not to compromise Fortunato’s ill health, though he has no intent of doing so. Never once until the very end did Fortunato have cause to suspect that there were any foul plans afoot.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.