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Essays on perspective
Perspective of life
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The candle sees everything. She”s there for everything and tries to understand every situation the girl goes through. Lately things have been different. The girl leaves on the weekends and her sister is always gone. The candle wishes it could ask questions but it can only watch… she sees boxes through the glass of her jar and she knows this happened before but it seems so recent. The candle notices the changed look on the girls face when she gets home and how she is not who she used to be. The candle constantly smells vanilla…thats her scent. Sometimes the candle feels the breeze from the back door when its opened. Every day she hears loud music bumping from upstairs and yelling from down the hall, its never quiet like it used to be. And even though the candle gets upset when its not lit and she has no other candle to ever talk to, she is still strong. She stays on a black table in the corner of a hot, dark room… away from everyone else, she gets lonely and sad. …show more content…
The candle wondered why the younger girl was scared not moving or talking but didn’t realize she knew who it was and couldn’t tell her own sister or she would be heartbroken. From then on the door always stayed shut and locked. The younger girl would be the one to make sure of that, and the candle could see her fear. Then one day the candle woke up to a loud bang. All she saw was the older boy run down the stairs with clenched fists and a red face. She knew something was wrong. The older girl ran out the front crying and the boy sat down telling the younger girl to get out and stop asking if he’s okay. Minutes past and the candle was lit. She was happy even though they weren’t. She wished she could change whatever happened because they wouldn’t even come down to keep her company and eat with
Jeannette still remembers waking up in that hospital, the doctors all around her watching her wake. She was just three years old when the incident happened. During the incident, she had been making hot dogs, when all of a sudden, flames from the stove crawled up her little pink dress and lit her on fire. Her mother's activities were interrupted when she heard the sharp, painful screams coming from Jeannette. Her mother grabs her and her brother and gets a ride to the hospital.
Of Mice & Men Alternate Ending George aimed the gun and steadied it, and he brought the muzzle of the gun close to the back of Lennies head. The hand shook violently, but his face set and his hand steadied, Georges heart was pounding, Lennie was still looking across the river trying to picture his rabbits as he was told to do. George suddenly jerked his hand away as Lennie spoke. "Don stop now George, tell, tell about the rabbits and the fatta the lan" But George didn't answer, instead he raised the Luger and pulled the trigger the barrel turned creating a soft click which echoed in the small clearing. "George I dun a bad thing" "I know Lennie
threatening to her and her family. She runs into the house filled with fear but then finds herself not
Susie’s mother opened the door to let Molly, Susie’s babysitter, inside. Ten-month old Susie seemed happy to see Molly. Susie then observed her mother put her jacket on and Susie’s face turned from smiling to sad as she realized that her mother was going out. Molly had sat for Susie many times in the past month, and Susie had never reacted like this before. When Susie’s mother returned home, the sitter told her that Susie had cried until she knew that her mother had left and then they had a nice time playing with toys until she heard her mother’s key in the door. Then Susie began crying once again.
. . the children made new lanterns out of their hearts and minds” (378). The visual image of children earnestly making lanterns symbolizes the innocence and purity in which is lost among adults. The statement about the children making hand-made lanterns every day also symbolizes that beauty is perishable. External beauty may never last forever; it is always changing. This statement also represents that life is ever changing. Events and circumstances may cause life to change, and we often grow from these experiences. The theme of innocence and purity is also found when Fujio purposely waited for Kiyoko to ask for the “grasshopper” he caught. The innocent love formed between these two children, Fujio and Kiyoko, is reflected. The author uses this scene to show the readers that best thing in life comes from the purity and hope that is found in everyday life. Fujio was hoping that Kiyoko would want his “grasshopper”.
Although, for her, she has nothing more to focus on she trusts her imagination to pass the time. Over time she becomes more and more obsessed with the yellow wallpaper, which leaves her in shock. “The wallpaper becomes a projection screen of the narrator growing fright.” (Berman, p.47) This means that the narrator goes to herself on the wall. The isolated woman in the yellow paper is her own reflection. Something that the narrator still does not realize, she only feels the need to release the woman trapped in the wall. She refers to her room as a prison continuously. As she begins to feel isolated she projects her feelings on the yellow wallpaper, but the idea that the room is her prison goes from figurative to reality as insulation deepens her need to escape in some way. “Every time the narrator speaks, she is interrupted and contradicted until she begins to interrupt and contradict herself.” (Berman, p.55) She has her own plan for recovery. But unfortunately, her husband does not listen. For him, the only
It was a sunny day with a sweet aroma of blooming tulips. The sunlight glittered on their faces as the breeze rattled the chestnut tree above. There was an occasional giggle as they talked, but there was also a hint of discomfort and awkwardness between them as they peeked at each other’s face and recoiled when the other looked up. When the bell rang twice, I saw them say goodbye and walk away from each other. In the darkness of the crowd, a glimmer flashed into my eyes from Hannah’s cheeks.
When she arrived there was a traveler’s aid with a friendly looking man standing there. The man’s name was Peter Slowik and he worked to help women who have been abused in some way. She told him her story and he told her to go to the Daughters and Sisters house, which was a place for women who have just gotten out of an abusive relationship to stay at for awhile. So she leaves and goes to the house and they let her in
It is customary to find the symbol of the house as representing a secure place for a woman's transformation and her release of self expression. However, in this story, the house is not her own and she does not want to be in it. She declares it is "haunted," and that "there is something queer about it." Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feeling that "there is something strange about the house." Her impression is like a premonition for the transformation that takes place in herself while she is there. In this way the house still is the cocoon for her transformation. It does not take the form of the traditional symbol of security for the domestic activities of a woman, but it does allow for and contain her metamorphosis. The house also facilitates her release, accommodating her, her writing and her thoughts. These two activities evolve because of the fact that she is kept in the house.
Her eyes were heavy, her body weak. As she crawled into the bathroom two feet away, Abby felt her body slowly succumbing to the numbness. All of her pain would be gone in less than 10 minutes, so why would she want to turn back? What about the senior trip Abby had planned with her best friend? What about the chair at the dinner table that would now be vacant? A couple of hours later Abby’s family came home from her little sister’s soccer game. Little did they know what they would find as they approached the top of the stairs. Her little sister, Ali, stood still as she looked down at her feet. There on the cold floor lay her big sister, her role model, and her super hero. Ali was crushed when she saw the pill bottle in her hand and the pale color of her skin. Her mom fell to her knees screaming and crying, wondering where she
After an incident where the maid allowed the woman's son to bring a grasshopper into her room, the woman decides to fire her. Perhaps the decision was out of jealousy or just disdain for the harmless prank, but even the woman herself began to realize how much of a burden she became on her family. Without a maid, the husband again took up every responsibility in the house, leaving the woman alone to find her identity. She tries poetry, she tries to watch the world outside, but in the end, she chooses to refuse to see her child and spends her time alone, brushing her hair. When all seemed to be lost, the woman finally ventures out of her room to find that kitchen had changed, and she was inspired by it. She raced back to her room to complete a new, mysterious task. The story ends with a final moment of redemption for the woman, as they find her in a room full of poetry, paintings, food, and clothes, a nod to her old life and role as a
During her isolation, the narrator becomes interested in why it was there and begins to believe it affects her directly. At first, she hates the wallpaper and understands why the residents before would tear it up in the room. She describes the paper looking at her and mocking her feelings, “This paper looks to me as if it knew what a vicious influence it had.” (382). Suddenly her interest changes and becomes very fond of the wallpaper because she continues to dissect the pattern it creates. She spends hours on hours just following it until she finds a “some sort of conclusion” (384) as if the pattern could speak to her. After becoming so obsessed with the pattern her mental state begins to dwindle again, and one night she wakes up stands up and sees a figure in the wallpaper from the moonlight. This figure was of a woman a shadowy looking woman, which is actually the narrator’s own shadow. At this time, she has become so unstable that she believes there is a woman trapped inside the wallpaper. The woman begins coming out during the day, creeping around the narrator inside the house and outside. On the last day of her stay, the narrator believes she can save the woman in her prison, pulling and shaking the wallpaper off with help (she believes) from the shadowy woman. While the narrator locks herself in the room, believing she can do whatever she pleases “It is so pleasant to
She sees that there is a window and makes an analogy with it “is empty, morning light pours in like wine, melody, fragrance, the memory of happiness” (Stanza 12). Flanders tends to ignore little things around the room, like the pictures on the wall or the table with items on it. She also ignore the color of the room.
The short story, “Unlighted Lamps,” by author Sherwood Anderson is about a relationship between a father and his daughter. Their relationship is a stressful one because neither of them talk to each other, nor show their emotions. Throughout the story, you find out why their relationship is the way that it is, and why it is hard for her father to talk to her. The unlighted lamps in the story represent flashbacks of memories wherever light dances across something.
The dark, black sky was covered with a million bright shining stars. The moon shimmered above a small town in the suburbs of London. The gentle wind swept past the bare trees and danced with the leaves below it, creating a colourful array of orange, yellow, red and brown. Across the street, a light was on in a small house where a tall, dark haired woman stood, talking to her two children Nicola and Erin. While she was tucking them in Erin asked, “Mummy, will you tell us a story please?” “I’m sorry but its time to go to sleep now,” she said. “Please mummy,” begged Nicola “Okay but only one story,” she replied “This story is about how I got lost when I was a young girl and how I met an incredible man. It all began when…”