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Jonaye’ Kennedy HU 225 F “Strokes of Pain Not Pleasure”
There are great psychological themes between the painting, “The Broken Column”(Fiero 395) as well as the poem, “She being Brand”(Fiero 387). As I began to find the psychological correlations between the two, I noticed a strong sense of losing some form of virginity. The losing of virginity is a very broad spectrum. I want to pay particular attention to the statement Frida Kahlo made. “I never painted dreams. I painted my own reality”(Fiero 395). The sacrifice of a woman's body is like her becoming naked to that person on a level that is so deep that it is unexplainable.
At a first glance, “The Broken Column” appears to be a woman who seems to
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This thing has lots of power and it could easily consume you but it is up to you to remain strong. Just like Frida Kahlo, she is trying to keep herself intact even though she has been through so much. “The internal expanding and external contracting brakes..”(Fiero 387). This reminds me of all of the metaphorical “stones” that have been thrown in her path. She has been in this constant emotional limbo. Instead of accepting defeat, she looks it in the face and lets its presence know that it will not stop her. “Brought all of her trembling to a dead stand still” (Fiero 387). Frida used her pain and created an art from it. She saw potential within herself and used that to her advantage. Kahlo did not make excuses; she picked up the pieces and continued to voyage on. I believe that in some other world, it was meant for Frida to endure what she has. This painting signifies strength. The actual broken column in this painting signifies tarnishment and failure. If one wishes to succeed, he must be able to accept defeat and continue on. She is the voice box for everyone with the broken column. The broken column goes deep than what meets the eye. This is something that cannot be touched. One must feel this pain and grief. As with she being brand, she began to build her brand. Once her virginity was taken, could have been some sort of life altering incident, she began to see things through a different sight. Yes
Ester Hernandez is a Chicana artist, best known for her works of Chicana women. Ester’s goal is to recreate women’s lives to produce positive images of women’s lifestyle and to create icons. Her piece, Frida y Yo, contains the iconic painter Frida Kahlo. Frida, after being in multiple accidents causing long-term pain and suffering, began painting, mostly self-portraits, to portray her reality and glorify the pain. Similar to how Hernandez's goals are a juxtaposition to Frida’s artwork, the art piece Frida y Yo creates a juxtaposition between life and suffering and death and fortune.
The subject of this piece is also the Tara but in this one she is represented in eight different circumstances. The centre of the piece however is a larger representation of her while the others are a lot smaller and scattered. The various representations of the Tara show her in various circumstances which portray the Eight Fears. She is siting on a lotus and is wearing a similar type of head piece and jewellery as on the sculpture. The painting is colourful but is predominately deep green and blue with a little bit of red and orange on the figures. The expression on the bodhisattvas face is peaceful just like the sculpture but the painting overall is fairly crowded and filled with movement. It allows the eye to wander around in all directions. It has a mystical effect due to the clouds and rainbows on the upper half of the
In a sense, Geismar accuses Cather's heroines of sacrificing their marital roles for their art (172). However, marriage is not the only aspect that raises the subject of sacrifice for Cather's protagonists - there is also the issue of family. This is because a woman artist, or any woman, is judged not only on her art but also on her personal life, especially by her submissiveness to man in the role of daughter, wife and mother. If a woman is unable to commit towards one of these roles, she is blamed for renouncing her expected role for something that is associated with a man's world talent. Many readers judge Thea Kronberg and Lena Lingard according to their female roles, and hence place the accusation of sacrifice upon them.
This had symbolized Frida wanting to be freedom from all that she had suffered from mentally and physically. This painting had only been finished eight days before Friday died of health problems. Which in fact her husband Diego Rivera had died from health problems too, and he had also painted a watermelon portrait. This is connected with the poem Wedding Portrait, because the relationship between Frida and Diego are being relived through the speaker in the poem. In the poem the husband talks about how his wife is having problems with her health and how he wonders what it feels like for her. Also he tries to do his best on making her happy, by massaging her feet and would sit on the porch with
Over the years many artist have viewed sensitive subjects within their work. Sex is one of the sensitive subjects that has been viewed in a positive and negative way. Before and during the 19th century, most paintings, sculptures, and art pieces focused on the features of a human's body. During this time, most artist believed that showing these features of a human could show the role a woman and man had in life. Sculptures in early times focused on the body of a man and showed distinctive features from head to toe. Most sculptures were representations of Greek Gods, which showed their strength and power throughout their body. Showing the sexual side of men in art, lead to showing the sexual features of a woman. The sexual features of a woman was shown throughout paintings and sculptures that mostly represented fertility. suppose to symbolize the sexual union between him and the woman. The idea of showing sex in art has been shaped and formed into various perspectives.
...e multiplicity of meaning embedded in these works suggests the importance of the body as a liminal site, a site of inscription and meaning making, in both historical-contemporary and more recent feminist work. It is, of course, unlikely that Antin or Kraus draws directly upon any singular theory explicated in this essay. Both artists are, however, undeniably interested in the formations, constructions, and shifts of subjectivity. Both Carving: A Traditional Sculpture and Aliens and Anorexia address the body’s uncontained boundaries, exploding the dual Cartesian model of interior/exterior self. As feminist artists, both Antin and Kraus are also surely aware of the complexity of discourses around food, self, and the body. Through the artists may not be speaking “to” or “through” any particular theoretical model, they are contributing to these discourses all the same.
A fake persona and/or expression is a mask that we’ve all worn at some point in our lives at the expense of another person, regardless of how close the relationship. It is rare that we ever display how we are truly feeling, especially to new people in our lives, and this accustomed human behavior is reflected in Remedios Varo’s 1960 oil painting “Leaving the Psychoanalyst.” This piece features a woman soughting independence in a patriarchal society by managing to get rid of some emotional waste, yet is still unable to leave her analyst. Those images and the dreamlike style in which Varo expresses them is known as surrealism, a movement and technique used in visual art to depict the unconscious mind by an irrational arrangement of dream elements.
Kruger’s exploration of the role of women in society, and gender as a social construct with her aggressive and provocative images, places her in an important role in recent social and feminist movements. This, combined with her unique artistic techniques, has made her a very influential artist of postmodern times.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
In other words, this painting represents power because it demonstrates learned allegories, and learning allegories is a powerful aspect to human nature because learning of hidden meanings in art is both a skill and a profession. Furthermore, this painting also represents power by displaying all the primary features of a mannerist painting (Kleiner 660). Also, this painting has the power of keeping
Frida Kahlo was a Mexican painter, born on the July the 6th, 1907. She was born in small town on the outskirts of Mexico, called Couyocan. Her family lived in a house they built themselves, La Casa Azul, or “The Blue House”. It’s name comes from the structures bright blue walls, and now stands as the Frida Kahlo Museum. At the age of fifteen, Kahlo was enrolled in the National Prepatory School of Mexico, where she was one of only a thirty-five female students. With the dream of becoming a medical doctor, Kahlo studied sciences at the school. But, on Septemer 17th, 1925, Kahlo experienced the fateful accident which changed her life forever. She had been riding on a bus with her boyfriend, Alejandro Gomez Arias, when the vehicle collided with a tram. The accident had left several people dead, and Kahlo with many injuries. Some of which were broken collar bone, fractures in her right leg, a crushed foot and a broken spinal column. The injuries left her in a full-body cast for months on end and was confined to her bed for this time. Kahlo also was left with fertility complications after handrail had pierced her uterus. The tragic event left Kahlo in a world of unbearable pain and also boredom. It was during her bed-ridden recovery where she took up the practice of painting, with herself as the subject. Her mother had made her an easel to paint in bed, where she developed her skills of painting. Her first self portrait, “Self Portrait in a Velvet Dress”, was her first serious piece which she painted in 1926. She painted it as a present to her boyfriend, Alejandro Gomez Arias. The artwork was fairly muted in colour and was quite a traditional European-style artwork. But, as Kahlo continued painting her works transitioned from the acade...
The aim of this essay is analyse women´s images in The Yellow Wallpaper and in The Awakening, since the two readings have become the focus of feminist controversy.
The contrasts between depth and surface, figure and landscape, promiscuity and modesty, beauty and vulgarity all present themselves in de Kooning’s Woman and Bicycle. Although the figure is a seemingly normal woman out for an afternoon with her bike, she becomes so much more through the artist’s use of color, contrast, and composition. The exotic nature of woman presents itself in her direct stare and slick buxom breasts in spite of a nearly indiscernible figure. It is understood that, on the whole, de Kooning did not paint with a purpose in mind, but rather as an opportunity to create an experience, however, that does not go to say that there isn’t some meaning that can come of this work. Even Willem de Kooning once said that art is not everything that is in it, but what you can take out of it (Hess p.144).
While a quick glance at the painting reveals a soft, gentle female form with a background of intriguing landscape, further study introduces an added layer of mystery. The way the woman glances slightly to the side as well as her small smile makes viewers feel that she knows some secret. Yet, at the same time, she appears to be a very kind, friendly and approachable.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.