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Abstract of japanes culture
Japanese religion and culture
Abstract of japanes culture
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Introduction
Only in springtime will it grow. For less than a month, it stands in utter adoration atop a pedestal of growth and beauty. When its time reaches the end, it graciously falls back to the earth in a light flurry of rosy snowfall. The short-lived life of the Japanese cherry blossom, or sakura, has become a symbol of fleeting beauty to the Japanese, and its blossoming is an occurrence widely celebrated throughout the country of Japan. Hanami, or flower viewing, is a tradition of the Japanese culture created in the Nara Period (710-793 AD) where many convene together to celebrate the beauty of the flowers during cherry blossom festivals (Anonymous 24). This traditional custom in admiration of beauty still takes place to this day where young and old alike can gather in praise of the pure, perfected beauty unique to Japan.
When walking through a cherry blossom festival today, one would stand in astonishment when observing the younger generation. The prim, modest Japanese woman has been exchanged for a bold, energetic machine charging at maximum speed into the 21st century. Twenty years ago, Sumiko Iwao took note of a wide-spread stereotype in her book The Japanese Woman boldly claiming, “The Kimono-clad, bamboo parasol-toting, bowing female walking three paces behind her husband remains the image many Westerners hold” (Iwao 1). Today, this image no longer holds true. Japanese women are becoming increasingly more like the women of the West burying their kimonos and their shamisens deep within the vaults of their memories. In a Japanese hair dye advertisement by Palty, a young woman has dyed her hair blonde and wears blue colored contact lenses. Her appearance resembles that of an American starlet fully enveloped in a gla...
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... becoming characterless and bland. The rising female generation refuses to explore their personal individuality and instead caves to the pressure of society. Because of this overabundance of the West, there have been negative side effects among their mental and physical health. Like the geisha, the trend of crooked teeth, and the Lolita fashion, Japanese women must find their own originality. It is tolerable to look elsewhere for guidance into the future. However, Japan must recall their celebrated history as a protection and remembrance of their cultural history. Though the Japanese culture will never be what it was in ancient times, it is still grappling with old versus new. The influx of ideas of the West will continue to drown out the praised ideas of the East. Japan will escape from this battle as a country forever changed, forever marked, forever transformed.
During Japan’s hegemony over Korea, in expressing women’s desire for their emancipation and change in women’s status, women cut their hair into bobbed hair in a manner that hinted at a “subtle masculinity” with an air of sexual permissiveness, and raised skirts exposing their knees(Yoo, 74). Women strove to determine their “own ideals of beauty, sexuality, and identity and believed that only through a “subversive confusion of gender, could the notion of equality begin to take hold”(Yoo, 75). Throughout the film, instead of alternating the original look by cutting into short hair or raising up the skirt, like the “new women” in the 1920s, she most often dresses in men’s clothing, including dark coloured tops and trousers, since they were the most practical and comfortable to wear while working as a pilot, except when Park attends congratulations party event where she wears a bright red dress and the charity event. Not only in the 1920s, but also in the contemporary period, media rarely represent heroines dressed in men’s formal evening wear, such as a vest over a men blouse, while at a evening party. At the evening party where Park dances with Han ji hyeok, other women other than Park and Lee Jeong Heui are all wearing kimonos or western dresses.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
Japanese film serves as a lens through which one observe Japan’s shifting culture in the era of the post-war period; specifically one can trace the changing social perceptions and obligations of women. Departures is a prime film to examine the role of women within Japanese society due to the variety of women it offers up for analysis within and outside of the film. While Departures has a male director and is not overtly dealing with women, Daigo is consistently guided and influenced by the women in the film, who are featured much more prominently in both major and minor roles. This film speaks to large universal themes and questions such as death and family, however Takita uses specific Japanese customs and filial traditions to frame these
Known for her work as a historian and rather outspoken political activist, Yamakawa Kikue was also the author of her book titled Women of the Mito Domain (p. xix). At the time she was writing this work, Yamakawa was under the surveillance of the Japanese government as the result of her and her husband’s work for the socialist and feminist movements in Japan (p. xx-xxi). But despite the restrictions she was undoubtedly required to abide by in order to produce this book, her work contains an air of commentary on the past and present political, social, and economic issues that had been plaguing the nation (p. xxi). This work is a piece that comments on the significance of women’s roles in history through the example of Yamakawa’s own family and
This book, Japanamerica focuses on how the Japanese popular culture influencing the American culture. The author, Roland Kelts take a neutral prospective in order to create this book, which is done by interviewing many significant individual who took part in establishing the popular culture in both Japan and America. Kelts investigates why the phenomenon of Japanophilia, or the “outsider’s infatuation with Japan’s cultural character” (pg.5), is occurring especially in the United States. Even though Japanophilia phenomenon arose before the twentieth century, it is increasing in number because of the anime, manga, videogames, and other medium of popular culture.
Other research has devoted to unveiling the origins and the development of their stereotyping and put them among the historical contextual frameworks (e.g., Kawai, 2003, 2005; Prasso, 2005). Research has shown that those stereotypes are not all without merits. The China doll/geisha girl stereotype, to some degree, presents us with a romanticized woman who embodies many feminine characteristics that are/ were valued and praised. The evolving stereotype of the Asian martial arts mistress features women power, which might have the potentials to free women from the gendered binary of proper femininity and masculinity. Nevertheless, the Western media cultural industry adopts several gender and race policing strategies so as to preserve patriarchy and White supremacy, obscuring the Asian women and diminishing the positive associations those images can possibly imply. The following section critically analyzes two cases, The Memoirs of a Geisha and Nikita, that I consider to typify the stereotypical depictions of Asian women as either the submissive, feminine geisha girl or as a powerful yet threatening martial arts lady. I also seek to examine
Some were as young as fourteen while some were mothers who were forced to leave their child behind in Japan, but for these women the sacrifice will be worth it once they get to San Francisco. Yet, the women desired a better life separate from their past, but brought things that represent their culture desiring to continue the Buddha traditions in America; such as, their kimonos, calligraphy brushes, rice paper, tiny brass Buddha, fox god, dolls from their childhood, paper fans, and etc. (Otsuka, 2011, p. 9) A part of them wanted a better life full of respect, not only toward males but also toward them, and away from the fields, but wanted to continue the old traditions from their home land. These hopes of a grand new life was shattered when the boat arrived to America for none of the husbands were recognizable to any of the women. The pictures were false personas of a life that didn’t really exist for these men, and the men were twenty years older than their picture. All their hopes were destroyed that some wanted to go home even before getting off the boat, while others kept their chins up holding onto their hope that maybe something good will come from this marriage and walked off the boat (Otsuka, 2011, p.
But as Dalby goes on to note, the geisha culture is marked by the "primacy of sisterhood", and represents a kind of counterpart to the bonds of brotherhood in such fraternal Japanese cultures as business corporations and company unions. The modern geisha's services are beyond the means of the average Japanese man today, but the geisha continues to represent a cultural ideal: the ideal of the witty, educated woman who can talk frankly with a man about life, sex, art, politics, or anything else his wife cannot.
Western Washington University (2011). US / Japan culture comparison. Retrieved February 9, 2014, from www.wwu.edu/auap/english/gettinginvolved/CultureComparison.shtml
In addition, shortly thereafter, she and a small group of American business professionals left to Japan. The conflict between values became evident very early on when it was discovered that women in Japan were treated by locals as second-class citizens. The country values there were very different, and the women began almost immediately feeling alienated. The options ...
Western people influenced Japanese people to follow the American culture. The western culture had a huge impact in the Japanese people because American’s were in Japan’s territory so they decided to follow the western culture. ‘’After Japan surrendered in 1945, ending World War II, Allied forces led by the United States occupied the nation, bringing drastic changes. Japan was disarmed, its empire dissolved, its form of government changed to a democracy, and its
...sequently, the identity of Japanese women within popular culture would transform with the empowerment of Japanese women. They create a new type of identity ‘female masculinity’ which reinforces the reversal of gender roles and the alternative world that it achieves. In a patriarchal society, the characters should be able to influence and inspire the audience to gain confidence and challenge the status quo. From another viewpoint, gender is a type of social construction insofar as they needed the feminine side of masculinity to have a balanced world and to explain it. Although, there will always be a fine line between the ideal and reality because the films are supposed to represent the ideal alternative to the world to resolve the social issues that are not directly discussed. Reality is just supposed to be influenced by it and to understand the problems of society.
This year Washington D.C celebrated the Cherry Blossom’s 104th year from when the first set of 2,000 trees were sent over from the Japanese mayor in 1910, but unfortunately that set of 2,000 trees were diseased and died quickly. In 1921 the Japanese mayor sent over 3,000 more trees. He did not want the United States to think that he planned on sending us a bad set of trees and wanted to keep the peace and friendship that the United States and Japan had. ("National Cherry Blossom Festival").
Shan-Loong, M. L. (2000, March 14). Tradition & Change –. Gender Roles in Japan. Retrieved
Japan is a fascinating multifaceted culture, on one hand it is filled with many traditions dating back thousands of years and yet is a society with continually changing fads,