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Recommended: Essay on geisha
In particular places such as Kyoto's exclusive Pontocho district and Tokyo's Akasaka nightclub strip, the Western visitor can still see the traditional Japanese geisha and glimpse what seems to be an exotic relic from the remote past. The geisha, conspicuous by her costume, her walk, and even by her mode of transport (the rickshaw), has become for many a symbol or the old Japan. In one recent descriptive travel book on Japan, for example, the following picture is painted:
In the half darkness of twilight, the geisha--shimmering in her embroidered kimono, her tall headdress bearing a half circle of combs, her chignon raised to display above the kimono collar a tapering powered neck-- steps out of her cage with precaution and enters a small garden, skipping from stone to stone. The sliding door splits open to admit her.1
So familiar is the romantic image of the geisha that most Westerners assume that the ceremonial entertainment of the male guest is a common ritual for Japanese man, and that geishas perform a more elaborate form of the same rites of initiation that common prostitutes do in other countries.
The geisha is certainly an exotic creature even today, but the reality of the geisha's position in modern Japanese society is far different from what it was in the 19th and 18th centuries, when geishas numbered in the tens of thousands and played an integral role in Japanese culture. Today, true geishas are rare and the geisha experience is the privilege of a wealthy few, with the price of s dinner party ranging upwards of five hundred dollars for the evening. On the other hand, the geisha is not an "ancient" Japanese tradition at all, but a relatively late refinement of the licensed prostitution that developed in the Yoshiwara ...
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...o geisha take on the capacity of sisters to one another, but they call the women who run the teahouses "mother". Geisha are by no means the only Japanese who live and work in social groups defined by kin terms, but this phenomenon does appear most explicitly in the traditional occupations: carpenters, miners, sumo wrestlers, and gangsters, for example. 13
But as Dalby goes on to note, the geisha culture is marked by the "primacy of sisterhood", and represents a kind of counterpart to the bonds of brotherhood in such fraternal Japanese cultures as business corporations and company unions. The modern geisha's services are beyond the means of the average Japanese man today, but the geisha continues to represent a cultural ideal: the ideal of the witty, educated woman who can talk frankly with a man about life, sex, art, politics, or anything else his wife cannot.
In the novel Life of a Sensuous Woman, Ihara Saikaku depicts the journey of a woman who, due to voraciously indulging in the ever-seeking pleasure of the Ukiyo lifestyle, finds herself in an inexorable decline in social status and life fulfillment. Saikaku, utilizing characters, plot, and water imagery, transforms Life of a Sensuous Woman into a satirically critical commentary of the Ukiyo lifestyle: proposing that it creates a superficial, unequal, and hypocritical society.
Japantown, in San Francisco, is an ethnic enclave to the Japanese who migrated to the US and it is a space created by themselves for themselves to practice their old traditions and remind them of home. The Kinokuniya building in Japantown is home to many generations of Japanese and they would often celebrate traditional festivals and more than often there are many subculture groups within the Japanese here in San Francisco. One subculture that is evident is the Ikebana group located in Japancenter where they display flower arrangements called Ikebana. Being an outsider, the need to observe and research is very important to understand this art form flourishing in San Francisco. The empirical evidences I have gathered allowed me to dwell deeper into the history of Ikebana and the Ikebana group as well as the importance of this group to its fellow members.
Set in the “not-too-distant future,” GATTACA, directed by Andrew Niccol, shows us a society where DNA determines your status. The film explores the significant idea of discrimination which is shown through Vincent’s character. The director’s use of techniques helped influence my understanding of the consequences of discrimination within society. Society discriminates against “in-valids” because they believe invalids aren’t as good as valids.
In Yoshie's work, “Gender in Early Classical Japan: Marriage, Leadership, and Political Status in Village and Palace (2005),” she takes the example of Toji, women known to have played a m...
Throughout History, there have been many different groups or events that are still widely known today. Groups of people such as the Indians or Vikings are popular groups which are referenced constantly in today’s society. However, none of these groups is more known or referenced than the Japanese Samurai. Originating in 646 AD, these Japanese warriors developed from a loose organization of farmers to the dominant social class in Feudal Japan. Along with their dominant military and political standing, the samurai brought with them a unique code or moral belief that became the core of Samurai culture. Because of this, the Samurai and their principles still affect modern day Japanese society with social customs today deriving directly and indirectly from the beliefs of the Samurai.
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
Other research has devoted to unveiling the origins and the development of their stereotyping and put them among the historical contextual frameworks (e.g., Kawai, 2003, 2005; Prasso, 2005). Research has shown that those stereotypes are not all without merits. The China doll/geisha girl stereotype, to some degree, presents us with a romanticized woman who embodies many feminine characteristics that are/ were valued and praised. The evolving stereotype of the Asian martial arts mistress features women power, which might have the potentials to free women from the gendered binary of proper femininity and masculinity. Nevertheless, the Western media cultural industry adopts several gender and race policing strategies so as to preserve patriarchy and White supremacy, obscuring the Asian women and diminishing the positive associations those images can possibly imply. The following section critically analyzes two cases, The Memoirs of a Geisha and Nikita, that I consider to typify the stereotypical depictions of Asian women as either the submissive, feminine geisha girl or as a powerful yet threatening martial arts lady. I also seek to examine
While the western definition of “monster” is not entirely synonymous with Japanese yokai, they both do share what “Monsterologists” like Komatsu Kazuhiko and Susan Sontag note as a profound connection between their appearance and “times of crisis.” While perhaps this connection is more prominent in the relationship between Godzilla and Japan’s “nuclear dialectic,” there is evidence that folktales of yokai nevertheless emerged during different times of crisis in Japanese history. This essay will explore the appearance of yokai in Yanagita Kunio’s The Legends of Tono in relation to anxieties of protecting local society and identity in “pre-modern” Japan, as well as the connection between Japan’s struggle with modernity and an increased exposure
his Essay will analyse, introduce, and discuss the terms Hegemonic Masculinity and Emphasized femininity, if it still applies in modern times and the use of these concepts to comprehend the role of the man and female in Eastern Asia, in relation to post-war Japan. In order to present a clear and linear argument I will divide this essay into three parts: In the first part I will define the term hegemonic masculinity, the common traits and the influence that it has in society; the essay will continue then in explaining and outlining the term emphasized femininity. The second part will analyse the impact of the notions of hegemonic masculinity and emphasized femininity in relation to post war Japan has. The last part will briefly identify some
The geisha of Japan were more than entertainers they were a part of the bigger picture of the Japanese society from the early 1600s to today, their role as an entertainer for men was respected at a point in which man that had time with geisha were praised and they were even respected by the wives of the clients. One of the most significant historical contexts of geisha in Japanese society is the empowerment of women, they were the only women in the history to create a set of norms and social tradition for themselves, and the group of women to have control of men. Geisha are the representation of Japanese tradition and
There are many provisions that need to take place in order to prepare for the ceremony. In the week prior to the dance, the Sun Dance chief arrives early to set up his campsite and oversee the raising of the ceremonial tipi that the dancers dress and prepare in (McGaa 85). The Sun Dance chief is said to be the most respected holy man with in the tribe. The men of the tribe then join in the preparations for the dance by construct sweat lodges, which are used in the ceremony. They also collect other necessities, which are needed for the dance.
In Arthur Golden’s Memoirs of a Geisha, Sayuri demonstrates that when the forces of fate and free will come into collision, the lack of determination to grasp control of one’s life will lead to a
At one time men were expected to be loyal to their lord and women were supposed to be loyal to their husband and family. During this women were allowed to own property and even inherit family property. They were expected to control the household budget and household decisions to allow men to serve their lord. When World War II hit it marked a shift in thinking about gender roles. The Japanese society went into the past of loyalty and courage to promote war effort during this crucial time. This is when women’s duty became to only have children. Women were looked at as keepers of the nation’s household even though many women worked in factories. During this war many “unused” women were drafted to sexually service military men. Soldiers referred to these women as “hygienic public bathrooms” or even as “semen toilets.” Japan was influenced by China to take on the confucian ideals in society. Confucian society focuses on the family and the roles of the genders in the household. Men are the heads of the household; women are dependent on the men. Women were expected to marry the men their family set for them, produce kids, and oversee the house. Women became not able to own property and became “slaves” to men in every way possible. It is believed that women’s happiness in life is only to be found in marriage. In this society women were to be married between 22 through 27 and if this was not met you were considered
Munsterberg, H. (1985) The Arts of Japan An Illustrated History Charles E. Tuttle, Tokyo, Japan.
In addition, shortly thereafter, she and a small group of American business professionals left to Japan. The conflict between values became evident very early on when it was discovered that women in Japan were treated by locals as second-class citizens. The country values there were very different, and the women began almost immediately feeling alienated. The options ...