In Confetti Girl by Diana Lopez and Tortilla Sun by Jennifer Cervantes, the authors create a point of view that can show tension. In Confetti Girl, Diana Lopez shows that this girl is supposed to be reading, but does not because she doesn’t like it. In Tortilla Sun by Jeniffer Cervantes, the author shows how this girl is going to have to move to her grandparents but does not want to. Both stories show points of view that create tension. In Confetti Girl, Diana Lopez creates a point of view that creates tension. For example, the author writes “He might say I matter, but when he goes on a scavenger hunt for a book, I realize that I really don’t” (26). This can explain how the kid thinks that her father does not care about her as much as his books. This point of view shows tension because it shows how she thinks she does not matter to her father as much as his books. Another example “I sigh, bored, but he doesn’t get the hint”. He just waits for my answer” (22). This evidence shows how the protagonist does …show more content…
One example is “I stormed off to my room and threw myself onto my bed”. I ached inside” (35). This shows how the protagonist does not want to move to her grandmothers and that creates tension between the mom and the daughter. The mother has to leave and the daughter is happy where she is. A second example “And what am I going to do for two whole months with someone I haven’t seen since I was six?” (24). This can show conflict because the daughter has not even seen her grandparents for a while and does not really know them, but her mom needs to take this opportunity. This could also show that she thinks her grandparents could be boring or strict and that she thinks she might not like them. To wrap it up, tension is created by showing how the protagonist does not want to move to her grandparents, but her mom is forcing her to do something she needs to
Conflict between the main characters in fictional stories can be so thick, you need a razor-sharp knife to cut it; that is definitely the case in the two literary texts I recently analyzed titled “Confetti Girl” by Diana Lopez and “Tortilla Sun” by Jennifer Cervantes. In the first text, tensions mount when a social butterfly of a teenage girl and her oblivious father lock horns over the subject of homework. In the second passage, drama runs high when a lonely child and her career-driven mother battle over the concept of spending the summer apart. Unfortunately, by the end of both excerpts, the relationships of these characters seem damaged beyond repair due to their differing points of view - the children end up locked behind their barrier-like
In the story "Confetti Girl" the narrators attitude is resentful of her father's efforts to impose his interests on her. This shows that the girl doesn't care about father's interests and now she thinks her father only cares about is books and vocabulary words. According to "Confetti Girl" paragraph 26 it states, "Nothing's more important than his books and vocabulary word. He might say I matter,
Both stories feature two teenage girls who have lost one of their parents. They both now face the daily struggle of agreeing and relating to their remaining parent. In Confetti Girl, the narrator is constantly overlooked and shadowed by her father’s favorite thing, books and literacy. Furthermore, in Tortilla Sun, the mother also overlooked her child's interests.
In “Confetti Girl”, the narrator disagrees with her father and questions how much he cares about her and in “Tortilla Girl”, the narrator questions if her mother was taking her into account of her new plans. Tension is shown to be caused in the stories “Confetti Girl” and “Tortilla Sun” due to the parent and narrator not having the same point of view. In this story, a young girl named Izzy lives alone with her mother. One day, the mother surprises her by explaining that she is going to Costa Rica to do some research, and that Izzy is going to her grandmother’s house while she is away.
In certain cases that may relate to the two passages; there may be tension between parent and child due to contrasting opinions. In “Tortilla Sun” the different points of view was how the mother and daughter would spend their summers. Izzy did not want to spend it at her grandmother’s, but her mother could not care for her and needed to finish her studies. This created conflict between the two. In “Confetti Girl” the narrator tries to overlook the flaws in her father and have a good time, but he messes it up by focusing on her homework. The narrator is upset at her father and this creates tension in the moment. Parents are still people in the end, so should they put their wants and needs first, or make sure their children are always
She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections. Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deeply disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
In Confetti Girl, the narrator and the father have different interests. The father has a great interest in the English Language, but his daughter does not. In Tortilla Sun, the narrator and her mother have have tension over Izzy’s mother going to Costa Rica. Parents and adolescents may not seem eye to eye on everything. Children and adolescents seem to have tension with their parents because they were born in different generations. Because they were born in different generations, parents may not have the same interests as their kids do. Children seem to argue a lot with their parents because they do not understand that their parents are doing what is best for
Tan shifts tones throughout the paper but ends with a straightforward tone saying “there are still plenty of other books on the shelf. Choose what you like” (Tan 4), she explains that as a reader an individual has the right to form their own opinion of her writing but if they do not like it they do not have to read it because she writes for her own pleasure and no one else’s. All of the women took separate approaches to dealing with their issues but all of these resolutions allowed them to see the positive side of the
Literature of the Americas has many stories and they all have comparisons, but they also have many differences. “Day of the Butterfly” by Alice Monro and “Crossroads: A Sad Vaudeville” by Carlos Solórzano have characters that share some traits and ways, but like all characters they have things that are different. The old woman from “A Sad Vaudeville” is a dynamic protagonist who finds herself meeting the perfect man for her, but has a dilemma when he is in denial because she is not the ideal girl of his dreams; she’s old. Myra from “Day of the Butterfly” is a static antagonist who does not have the same care free attitude as most of the children her own age. She is rather shy and does not fit in or socialize much with people her own age.
Through vivid yet subtle symbols, the author weaves a complex web with which to showcase the narrator's oppressive upbringing. Two literary critics whose methods/theories allow us to better comprehend Viramontes. message are Jonathan Culler and Stephen Greenblatt. Culler points out that we read literature differently than we read anything else. According to the intertextual theory of how people read literature, readers make assumptions (based on details) that they would not make in real life.
By doing this, the child would save her parent’s from years of heartache and regret but would ultimately lead to the end of her own existence. Although if she chooses not to tell her parent’s the whole family will face inevitable sadness, hatred and despair. One example of conflict shows the thought process and the strain the child is experiencing, “I want to go up to them and say Stop…but I don’t do it. I want to live.” (Olds). This is a strong example of internal conflict, which is described as “the psychological struggle within the mind of a literary or dramatic character, the resolution of which creates the plot 's suspense” ("Internal Conflict"). The poet chose to use internal conflict to show and emphasize the emotional distress and emotional fight she is experiencing with deciding her parent’s and her own
Effectively using these elements in a piece of literature enhances the reader’s curiosity. One prime example of such usage of these elements is seen in Kate Chopin's writing. Her use of foreshadowing and use of emotional conflicts put into few words in the short piece "The Storm" adds an element that is alluring, holding the reader's interest. In this short piece of literature, a father and son, Bobinot and Bibi, are forced to remain in a store where they were shopping before the storm, waiting for the storm to pass over them. In the meantime, the wife and mother, Calixta, whom is still at home, receives an unexpected visit from a former lover named Alicee. The two have an affair and the story starts to come together. The story shows us how we tend to want what we beli...
Both stories show feminism of the woman trying to become free of the male dominance. Unfortunately, the woman are not successful at becoming free. In the end, the two women’s lives are drastically
...Halevi-Wise, Yael (1997). Story-telling in Laura Esquivel's Como Agua Para Chocolate. The Other Mirror: Women’s Narrative in Mexico, 1980-1995. Ed. Kristine Ibsen. Westport, CT: Greenwood Press, 1997. 123-131.