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A thousand splendid suns analysis
A thousand splendid suns summary essay
A thousand splendid suns analysis
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Women have always struggled in society to find a relationship where the husband and wife are equal in status and power. In many communities it is commonplace for the man to be the head of household and make all of the decisions. This power over the household often times gives the husband the authority to use whatever means necessary to make the wife submissive. The theme of spousal abuse is is present in both A Thousand Splendid Suns by Khaled Hosseini and “Sweat” by Zora Neale Hurston, the way it is viewed by society differs, as well as how it is dealt with.
In A Thousand Splendid Suns spousal abuse is an accepted part of their culture and it is written into their laws. Shortly after Mariam and Rasheed are married, they go shopping for the
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first time, and Rasheed requires Mariam to wear a burqa that covers her from head to toe. N. Tripathy (2018) says, “Though Uncomfortable, she accepts the Burqa which Mariam reveals her unwillingness to rebel against her husband and her understanding of Rasheed’s strict ideals and their effect on her lifestyle” (p. 56). In afghanistan, women like Mariam are subject to the wills of their husbands because society and their laws tell the man that she is his property and that he has every right to do with her as he pleases. These laws and social norms allowing abuse of women, whether in public or in private, deter Mariam from rebelling against Rasheed because she knows that if she does she will punished severely. Once the Taliban take control of the country the strict laws women are subject to increase tenfold as do the punishments for breaking them. Khaled Hosseini (2007) writes about the laws women are subject to: You will not laugh in public. If you do, you will be beaten. You will not paint your nails. If you do, you will lose a finger. … If you are found guilty of adultery, you will be stoned to death. Listen. Listen well. Obey (p. 278) Women are no longer just subject to abuse from their husband, they are to be publicly abused by any man who deems that they are breaking a law. The women have no defense for themselves. They must submit to the abuse or face an even more severe punishment of death. This submission of women, whether by force or choice, keeps the cycle of violence occuring because the women are too afraid to stand up for themselves and the men believe that it is right and just according to society and their laws. In contrast, in “Sweat” by Zora Neale Hurston, society knows that abusing one’s wife is wrong, but no one is willing to do anything about it. The community knows that Sykes is abusing Delia and having an affair with Bertha, but they refuse to do anything about it. Zora Neale Hurston (1997) writes, ‘We oughter take Syke an’ dat stray ‘oman uh his’n down in Lake Howell swamp and lay on de rawhide till they can’t say Lawd a’ mussy… But the heat was melting their civic virtue…’ Come on, Joe, git a melon outa dere an’ slice it up for yo’ customers. We're all suffering’ wid de heat’ (p. 4) The men of the community that are gathered threaten to beat Sykes and his “stray” until they can not call on the Lord, but they are quickly sidetracked, and any desire to help Delia fades away. As a society, they know that Sykes abuses Delia and their relationship, but they aren’t willing to do anything because they don’t want to get involved in someone else’s business. L. Champion (2006) writes, Her submission to Sykes results from social expectations that were prevalent… men were considered the head of families and wives were expected to obey their husbands.
However, Delia eventually confronts Sykes, an act that shows her ability to violate patriarchal social codes (para. 15)
The idea that “what happens behind closed doors, stays behind closed doors…” was very common in the time period that Hurston lived in. Societies were willing to turn a blind eye to what was happening to women because it was someone else’s problem, even though they knew that what was happening was wrong.
In A Thousand Splendid Suns, when a woman in the community finally gained the courage to stand up to her abuser, she was punished severly and in most cases her punishment was death. In Mariam’s case her sentence was death for killing Rasheed when he was killing Laila. Hosseini writes,
Something tells me you are not a wicked woman, hamshira. But you have done a wicked thing. And you must pay for this thing you have done. Shari’a is not vague on this matter. It says I must send you where I will soon join you myself (2007, p.
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366) The man delivering Mariam’s sentence does not necessarily want to punish her with death, but their laws deem that he must. If Mariam were a man she would not have faced the consequences that she did for killing someone else. The society created by the Taliban and Shari’a Law make it so women have absolutely no freedom or way out of an abusive situation, they were afraid to leave because of the abuse they would receive for trying and if they finally did decide to leave they are punished severely by law and the community. The harsh laws for women keep them from standing up for themselves and keep the men in power under the guise of religious values. So, for Mariam Rasheed’s death meant the end of her life as well. The death of her husband in “Sweat” has the opposite effect for Delia, with his death she is finally free to do as she pleases.
Hurston writes,
She lay there. ‘Delia. Delia!’ She could hear Sykes calling in a most despairing tone as one who expected no answer. The sun crept on up, and he called. Delia could not move--her legs were gone flabby. She never moved, he called, and the sun kept rising (1997, p. 9)
Upon Sykes being struck by the snake and resulting in his death, Delia goes weak with relief. She is so relieved that he is finally out of her life permanently that she collapses. She can not believe that she is finally free to live her life as she pleases and keep all of her hard earned money. Sykes used abuse and her lack of ability to go anywhere to keep her trapped in their marriage for fifteen years and finally his own mistake freed her. In her community, she is finally able to earn her money and keep it, she no longer has to give it to Sykes simply because he is the head of the household. Even though it is hard for a single female to earn a living during that time period, she has already been doing it for so many years, but now she gets to reap the benefits and keep all of her money. So, for Delia Sykes’ death meant complete
freedom. The differences in the communities present in A Thousand Splendid Suns and “Sweat” change the way spousal abuse is viewed by the citizens living there and as well as how the aftermath of the abusive relationships is dealt with. In one community, such as the one Delia lives in, the death of an abusive husband means absolute freedom for the wife. In another e community, such as the one that Mariam lives in, the death of an abusive husband means the death of the wife because they really have no other way to provide for themselves. In different communities, the end of an abusive relationship does not always mean a new beginning, it may signify the end.
The objectification and submission of Delia by Uncle Nathan is demonstrated when Uncle Nathan’s misconceptions lead him to wonder why Delia isn’t married when she introduces herself as “Delia Sykes” (6). He later continues to say that he “wonder[s] why she [didn’t] [introduce] herself as Mrs. Sykes” while in that time the “girls didn’t do that” (6). This example of objectification and submission highlights how women are seen as property in which they must allow
Mariam and Laila face a lot of social injustice yet they do not attempt to challenge the issues because they are told to endure all forms of pain and social injustice. From a very young age, Mariam was told by her mother that all she needed to do was to withstand any pain and suffering, it’s the one skill she needed.” Endure . . . Women like us. We endure. It’s all we have”(17). In addition, Laila also suffered the injustice of society since she was a single mother it was not safe for her to live on her own so she had no choice but to marry Rasheed. The society gave women no choice but to endure and that’s the main reason why Laila and Mariam were unable to take a stand. However, close to the end of the novel Mariam decides to take initiative and fights back. She finally takes action because she is driven by the love she has for Laila and her child since they are the only family she’s had that loved her. So when Rasheed her husband attempts to choke Laila to death, Mariam reflects on how much injustice she has faced and how unjust both her husband and the society have been towards her and other women. At this point, Mariam realizes that she must end her and Laila’s suffering once and for all. So she takes Rasheed’s life. Although Mariam is executed as a form of punishment, she is very successful at taking a stand to end the oppression and injustice. Mariam knew her actions were fatal yet she still did what she knew was right. Furthermore, she sacrificed herself and didn’t regret her action instead she was pleased that “she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother” ( 329). Her actions freed Laila and her child from Rasheed’s abuse and helped them build a better life. Thus Mariam was successful and did not want to endure the injustice or see Laila suffer, she did it by
The response to abuse has metamorphosed drastically from Janie’s time to present day. During the days of the early 20th century in which the novel was set, spousal abuse was accepted and even promoted in some cases. Astonishingly, when Tea talks with the men about beating Janie the men respect Tea Cake and admire the way Janie stays quiet during the ordeal saying, “wouldn’t Ah love tuh whip a tender woman lak Janie” (Hurston 148). They ignore the fact that Tea Cake beats her just to show other people that he is in charge; he beats her because of his own insecurities. In Alice Walker’s novel The Color Purple it is shown that the men as well as the women encouraged spousal abuse. When Harpo seeks advice on how to deal with Sophia it is Celie, another woman, who advises him to beat her. Although spousal abuse still occurs in many households today, it occurs in secrecy because there are laws that have been erected to protect against this type of abuse, and the punishment for this crime is harsh. Today, if a man hits a woman he is less of a man and a disgrace, not praised and admired as in the past.
Hurston describes Eatonville not in a negative way, but more as a place that is not beneficial to an independent woman like Janie. Janie Starks, the wife of the mayor, is sentenced to spend her days as a worker in the town store, hair tied up, and silent. She must deal with money and figures without being able to enjoy the “lying sessions” on the porch, or attending such impressive town events like the “muleogy.” To the reader, Eatonville represents all that is repressive in life. Janie’s nature is restricted not by the town itself, but by her status in the town.
I think both authors would agree with this view. Both stories involve a woman and how they are viewed as well as the struggles they face. Hurston’s story is about a power struggle between men and women. She states “see God and ast Him for a li’l mo’ strength so Ah kin whip dis ’oman and make her mind.”
Originally, Mairma would acquiesce to Rasheed’s demands: if he said “shut up,” she would (98). If she was beaten, she would take it. She felt no hope of freedom from his brutish acts so she endured through them. Wallowing in despair would only make her marital-situation worse. Later, out of routine, Rasheed’s abuse is prevented because of Laila. She pleads “please Rasheed, no beating!” over and over until he forfeits his attack against Mariam; feeling loved, it is a kindness that Mariam cannot forget (241). In Mariam’s final resistance to the churlish man, she shows her love for others. Aiming to kill, Rasheed acts violently upon Laila, and Mariam fights back. As he once beat her, she beat him back. The scene juxtaposes how she once accepted the abuse, and now she fights back because she does not want to lose the one who makes her feels that she “had been loved back”: Laila (224). After being controlled by Rasheed for the majority of Mariam’s marriage, she takes control of her own life for once by making he decision to kill him in order to protect Laila. Mariam’s fight back shows her willingness to sacrifice to prevent Rasheed’s cruelties further. Risking worse abuse, Mariam chooses to save Laila’s life in exchange for her own. Laila brought Mariam an unmistakable happiness: “[Mariam] was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. ... It was not so bad ... that she should die this way ... This was a legitimate end to a life of illegitimate beginnings” (224). Mariam gives Laila the opportunity to live a life sans of Rasheed’s barbarities to plague them after learning herself how inhumane he was. Moreover, the cruelties Mariam faced against Rasheed revealed her endurance as a woman. Mariam remained strong throughout her marriage and fought back against her husband, an act
Submission is a set of dominant behaviors involving the obedience of one person to another, which can be considered nowadays as an immoral intolerance. Submissiveness, generally directed towards women, has always existed throughout history. Even Sidonie-Gabrielle Colette’s short story “The Hand” brings out this oppressive notion at her times. Through the use of literary devices such as symbolism and characterization (which might also involve imagery), the author portrays this idea of women’s submissiveness to their husband’s dominance in a marriage.
Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong. Sykes, in the story, tormented Delia in many ways throughout the story. One incident was with the bull horn when he tried to scare Delia while she was sorting the white clothes. Sykes also kicks all the clothes she had sorted all over the floor. Through all the pain and torment she goes through with Sykes, she still goes to church on Sundays and pray and come home go back to working around the house.
Our society expects women to generally serve men, to please men with their beauty, to be that innocent mind that depends men tremendously depend on, to be the helpmate any men would wish to have, and to be the girly woman we men dream of having. That said, when looking at “Sweat” through the feminist and historical lens, Hurston explains the idea of a sexist society full of men exploiting and breaking down women until they dispose them.
In Charlotte Perkins Gilman’s bodies of work, Gilman highlights scenarios exploring traditional interrelations between man and woman while subtexting the necessity for a reevaluation of the paradigms governing these relations. In both of Gilman’s short stories, “The Yellow Wallpaper” and “Turned”, women are victimized, subjected and mistreated. Men controlled and enslaved their wives because they saw them as their property. A marriage was male-dominated and women’s lives were dedicated to welfare of home and family in perseverance of social stability. Women are expected to always be cheerful and good-humored. Respectively, the narrator and Mrs. Marroner are subjugated by their husbands in a society in which a relationship dominated by the male is expected.
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
Hurston does not concern herself with the actions of whites. Instead, she concerns herself with the self-perceptions and actions of blacks. Whites become almost irrelevant, certainly negative, but in no way absolute influences on her
The article “Spousal Abuse” discusses that Victorian perception of religion, domestic principles, and laws allows men to justify “wife-beating.” Domestic violence during Victorian times is mainly attributed to the idea that the man is the ruler in all worlds. The man’s responsibility of being a protector is the main idea in contributing to domestic violence.
Zora Neale Hurston’s short story Sweat is a visceral reminder of the acute oppression and sexism women have always faced in American society. The protagonist of the story, Delia, is married to a cruel and angry man named Sykes. Through a depiction of their married life this short story shows that despite patriarchal oppression, women have exercised their agency and resisted in a myriad of ways.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.