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Zora Neale Hurston’s short story Sweat is a visceral reminder of the acute oppression and sexism women have always faced in American society. The protagonist of the story, Delia, is married to a cruel and angry man named Sykes. Through a depiction of their married life this short story shows that despite patriarchal oppression, women have exercised their agency and resisted in a myriad of ways.
The story begins with Delia, a working Black woman in Florida, who is a wash woman. It is a warm spring day and she is sorting and soaking the clothing she washes for the white residents of her town. Her husband walks into the house and is immediately looking for a confrontation. It is throughout this confrontation that the exploitative and abusive nature of Delia and Syke’s relationship becomes clear.
Syke taunts her with his bullwhip, rolls around laughing in mirth at her fear, and continuously kicks the piles of clothing she is working on. Syke, overbearing and dominating, paints a startling portrait of sexist masculinity. He stands in clear contrast to the ways in which Delia is described in his presence: her “thin, stooped shoulders” sag deeper and deeper. In all his masculine, angry bravado, Delia is painted as his opposite, a portrait of meek servitude.
As he stoops over her as she attempts to do her work he yells, “You sho is one aggravatin’ nigger woman!” he declared and stepped into the room. She resumed her work and did not answer him at once. Ah done tole you time and again to keep them white folks’ clothes outa dis house. (Hurston, 1926)
Her work as a wash woman becomes a crucial point of the story. She is not willing to engage in this confrontation until Syke pushes her to snap. She stands up to him in an act of both agency...
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...troy her “insides,” her spirit. At his continued indifference she lashes out against him and tells him she hates him and everything he is. This striking display of female power illustrates the resistance against sexist oppression that Delia and women throughout the ages engage in.
Much like Delia’s earlier prophecy, Syke does indeed reap the seeds he sows. In the darkness of the night as he fumbles for a switch the hungry rattlesnake bites him. Afraid and in pain he calls out desperately to his wife. But Delia makes a choice, Delia, in a powerful display of female agency, does not answer his calls. By not acting, she makes the most important choice in the entire story, and lets Syke die.
Delia, in this short story, demonstrates the agency that women have in the face of oppression, and the way they resist sexism and all of its economic and social implications.
The two works of literature nudging at the idea of women and their roles as domestic laborers were the works of Zora Neale Hurston in her short story “Sweat”, and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”. Whatever the setting may be, whether it is the 1920’s with a woman putting her blood, sweat and tears into her job to provide for herself and her husband, or the 1890’s where a new mother is forced to stay at home and not express herself to her full potential, women have been forced into these boxes of what is and is not acceptable to do as a woman working or living at home. “Sweat” and “The Yellow Wallpaper” draw attention to suppressing a woman’s freedom to work along with suppressing a woman’s freedom to act upon her
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
Over the course of time, the roles of men and women have changed dramatically. As women have increasingly gained more social recognition, they have also earned more significant roles in society. This change is clearly reflected in many works of literature, one of the most representative of which is Plautus's 191 B.C. drama Pseudolus, in which we meet the prostitute Phoenicium. Although the motivation behind nearly every action in the play, she is glimpsed only briefly, never speaks directly, and earns little respect from the male characters surrounding her, a situation that roughly parallels a woman's role in Roman society of that period. Women of the time, in other words, were to be seen and not heard. Their sole purpose was to please or to benefit men. As time passed, though, women earned more responsibility, allowing them to become stronger and hold more influence. The women who inspired Lope de Vega's early seventeenth-century drama Fuente Ovejuna, for instance, rose up against not only the male officials of their tiny village, but the cruel (male) dictator busy oppressing so much of Spain as a whole. The roles women play in literature have evolved correspondingly, and, by comparing The Epic of Gilgamesh, Sir Gawain and the Green Knight, and The Wife of Bath's Prologue, we can see that fictional women have just as increasingly as their real-word counterparts used gender differences as weapons against men.
Zora Neale Hurston's writing style in Dust Tracks on a Road is one of her greatest advantages. She easily and humorously show cases southern African American dialect. Examples of this southern African American dialect is when she shares with her readers co...
Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong. Sykes, in the story, tormented Delia in many ways throughout the story. One incident was with the bull horn when he tried to scare Delia while she was sorting the white clothes. Sykes also kicks all the clothes she had sorted all over the floor. Through all the pain and torment she goes through with Sykes, she still goes to church on Sundays and pray and come home go back to working around the house.
“Sunday night after church, she sorted and put the white things to soak. It saved her almost a half-day’s start… She saw that Sykes had kicked all of the clothes together again… But she walked calmly around him and commenced to re-sort the things… He snorted scornfully. ‘Yeah, you just come from de church house on a Sunday night, but heah you is gone to work on them clothes. You ain’t nothing but a hypocrite. One of them amen-corner Christians – Sing, whoop, and shout, then come home and wash white folks’ clothes on the Sabbath.’” (Hurston 1-3).
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.
Sykes had a mistress named Bertha who he spoiled all the time, but the people in town always wondered why he never paid attention to Delia. Walter Thomas, one of the men from the store, said, “Ah 'd uh married huh mahself if he hadnter beat me to it.” (Hurston) All the men in town were jealous of Sykes because of Delia. But Sykes, on the other hand, didn 't see what he had right in front of him. The plotting of Delia 's death was all done by Sykes. He went out of his way to get a rattlesnake and place it in the clothes hamper with the lid on, hoping it would strike her while washing clothes. When Delia saw the snake, she scurried outside and hid in the barn until Sykes arrived home. Delia calmly stated, “Ah done de bes ' ah could. If things aint right, Gawd knows it aint mah fault.” (Hurston) After the freak accident of Sykes being struck by the rattlesnake and suffering a long and painful death, Delia, hearing all the screaming and moaning coming from inside her “broken” home, sat under a Chinaberry tree that was in the front yard. She felt a sense of relief after she heard Sykes crying for her help and her knowing that she could not do anything to help. Her fear of their relationship and of him that went on for 15 years, was finally over and she felt as if she achieved her
"Sweat" by Zora Neale Hurston is filled with symbolism ranging from images that are easily captured to things that require a little bit more insight. Religion has apparently played a major role in Hurston's life, readily seen in "Sweat" with the references to a snake and Gethsemane. Symbolism plays a big part of this story and after analyzing these, they give the story a deeper meaning and can enlighten the reader as to the full meaning of "Sweat".
Previously, there was an inequality between women and men, but during the strike we see many independent women, like N’Deye, join in the effort to defeat colonialism and protest separating people based on the color of their skin. Stereotypes are broken and women take initiative in fighting for their beliefs. The world in this novel represents an in-between world because the strike being depicted is fictional. The societal norms of gender inequality are commented on and the storyteller tries to examine a world in which women and men work together to enact a
In today’s society, women and man compete on somewhat of the same level. It’s hard to imagine not even one hundred years ago women lacked a voice not only in society but also in everyday life. Male dominance is consistently practiced throughout the world, some women choose to fight that which oppresses them while others are too timid to accept the challenge. With the dawn of a new century at hand, Kate Chopin proved to be an American author ahead of her time. In her short story entitled “The Awakening”, there is a strong theme of female rebellion against societal norms. While Adrienne Rich has developed a very serious poem through “Aunt Jennifer’s Tigers.” The protagonist in her poem lacks the strength that Edna Pontellier possesses to overcome her own oppression.