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Importance of oral tradition as a source of history
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Sundiata: A Case for Oral Tradition
To recreate the past, historian use multiple kinds of sources to provide evidence for the events that occurred in the past. On such source, popularly used to recreate early African History, is Oral Tradition. Oral Tradition, as defined by Jan Vansina, is “verbal testimonies reported from the past: statements either spoken or sang.” For many years, the validity of Oral Tradition as a source was in question. In the recent years, the validity is no longer in question because it has been proven to be a reliable source. In this paper, Sundiata: An Epic of Old Mali will be used to examine the benefits of using Oral Tradition in reconstructing the social, political, and economic history. Throughout the paper, it will first create a comparison between the textbook’s account
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Then it will look at the benefits of oral tradition in depicting social, political, and economic history. To conclude, the paper will argue that although oral tradition has limitation, they are similar to the limitations that occur in other historical sources.
In using oral tradition as a source, readers learn more about the social, economic, and political history then they do in the book Africa’s description of the history of Mali. Textbook: overview of Ancient Mali. Sundiata focuses on the rise of Sundiata and his role in saving Mali. MORE!!!!!! Oral tradition as a source has many benefits; these benefits allow the audience a glimpse into events of the past. One of benefit is that the audience can learn about the social customs and relationships that make up the social history. In Sundiata, the reader learns of that Mali was a patriarchal society that practices polygamy, and objectifies women, depicting the social history of Mali. To start with, Mali had an extremely patriarchal society. In Sundiata, the male
An interesting aspect of reading Sunjata is that it allows the reader to get a glimpse into the past. An unmissable trait that the story brings up is the power and control that women hold within their marriages and families overall. Part of this power comes from the West African people carrying on their family through a matrilineal system. Familial ties are a significant motif in Sunjata with even the storyteller tracing his ancestry back to the strong women told about in the oral tale. The matrilineal system means that instead of children taking the name of their father, as seen in many European societies, they would take the name of their mother and hold closer to the ties of her ancestors. This system allows for a sense of feminism to sprinkle all over the story of Sunjata and, ultimately, on the
Oral History and Oral Tradition was incredibly important for both tribes. They passed legends and historical stories on through speech, each story holding its own important moral or message. For example,
Most of this documentary supports and clarifies my understanding of contemporary African culture. During the course I’ve learned that traditional African leadership structures undertook great changes under colonial rule and continue to progress today. Pre-colonial Africa had several different states characterized by different types of leadership; these involved small family groups of hunter and gatherers, bigger organized clan groups, and micro nations. Many African communities are still being governed by a council of elders, which is responsible for facilitating conflict and making almost all the important decisions within the public.
Mazrui, Ali A. "The Re-Invention of Africa: Edward Said, V. Y. Mudimbe, and Beyond." Research in African Literatures 36, no. 3 (Autumn 2005): 68-82.
It is explained with depth how the fates of each individual has led them to where they are presently in this section. The intertwined destinies of all characters involved were all necessary for the particular events that needed to unfold in the way that they did. While some were informed of the end results through prophecies, it was not even necessary for certain characters to be aware of these fates. The hunters were completely unaware of Sogolon’s significance to Sundiata but they still ended up offering her to Maghan as it was foretold. “It was only as an afterthought that the two hunters, Oulani and Oulamba, had the idea of giving her to the king of Mali.” (p.11) Regardless of whether they were aware of their own destinies or not, each individual ended up playing their role in the succession of events that comprised the birth of the epic’s main character. Even the slightest alteration in any of the events would likely have had a completely different end result, but the fact is that it inevitably unfolded exactly as it was
Islam is presented in the Epic of Sundiata in a way that encourages listeners to embrace Islam over their indigenous belief systems. The epic accomplishes this by incorporating elements and practices of the indigenous beliefs into Islamic tradition; and by adapting certain Islamic mythology — such as the Jinn — to the existing West African culture. It also asserts the superior power and strength of those who derive their power from Allah and the Jinn, to those whose power is based in ancestral worship and fetishes. Through conflict, adaptation, and tolerance, the Epic of Sundiata presents an accessible version of Islam to the people of the Mali Empire; and promotes the acceptance of this new faith over the indigenous beliefs of the area.
“Caravans of Gold”, a video by Basil Davison discovers and highlights numerous assets about gold and its prominent role in Africa. Additionally, the video examines some of the past and influential empires and their achievements. Davison discusses the history of Africa before the arrival of Europeans to demonstrate how Africa was already a well-flourished continent. “Caravans of Gold” also discusses many topics such as the Mali Empire, trading systems, and the use of gold which shows the audience of the video of how Africa was. In the long run, the aim of the video is to give the audience of the video an understanding of how the empires in Africa used its resource of gold to flourish.
“Segu is a garden where cunning grows. Segu is built on treachery. Speak of Segu outside Segu, but do not speak of Segu in Segu” (Conde 3). These are the symbolic opening words to the novel Segu by Maryse Conde. The kingdom of Segu in the eighteenth and nineteenth century represents the rise and fall of many kingdoms in the pre-colonial Africa. Therefore, Segu indirectly represents the enduring struggles, triumphs, and defeats of people who are of African decent in numerous countries around the world. There are three major historical concepts that are the focus of this book. One is the spread of the Islamic religion. Another is the slave trade, and the last is the new trade in the nineteenth century and the coming of new ideas from Europe (legitimate commerce). However, Segu does not simply explain these circumstances externally, but rather with a re-enactment that tells a story of the state of affairs on a personal level, along with the political one. By doing this, the book actually unfolds many deceitful explanations for the decline of West African countries in the eighteenth and nineteenth century.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
So many Americans today are in the dark about the true origin of the African descent. From my past experiences in history classes, the teacher of coarse job is to teach from the textbook. The problem with that is the whole truth does not lie between those pages of how African culture became about. I will discuss the first king of Egypt and how his story applies today.
...ral and written methods. The important part is what can be learned from these sources. Though Americans might not be accustomed to hearing great details of their history recited to them as their only means of learning it, it certainly does not mean that other means produce false information. The griots of ancient Africa are sincere in their efforts to consistently pass down their countries' histories, and much of what they say should at least be taken into consideration, this includes the words of Mamadou Kouyate, the griot who tells of Sundiata and ancient Mali. The things learned from his wisdom, including how Sundiata came to power, are important not only to the people of Mali, but also to the world as Sundiata proved to be one of the greatest rulers of the ancient world (Niane 1-84).
Sundiata developed into a great leader of Mali through hardships, religion, and core/tributary/periphery relationships of states. The djeli who transmitted this information to the translators, is also a manifestation of an institution important in Sundiata’s epic, because without djelis these stories would be lost forever. Sundiata learned about the formation, running and maintenance of African states through interactions with the communities he was introduced to.
In the Epic of Mali there are many stories to be told. We see this oral of history through the eyes of Sundiata. A young king whom was cast out from his kingdom at a very early age because he was not believed to be the actual ruler since he came from such different circumstances. Sundiata was born through the word of a prophecy. His father (Fatta) one day welcomed a griot into his court. This specific hunter came bearing news of a prophecy. The prophecy being that the great ruler of Mali must marry and bear a child with an ugly hunchbacked woman. She would in turn give him the proper heir to the Mali kingdom. No one took very well to the news that the griot brought. Even though he was very smooth talking and thought to be sent from God himself. The king paid no mind to the word of the hunter until one day an ugly woman with a hunchback comes through the court. The king
The Kingdom of Mali was an African hub of wealth, trade and education for over 225 years. Mali is an Arab version of the Mandinka word that means, “Where the king dwells”, and was vitally important in spreading trade, education, religion and culture along the Niger River. The rise of Mali into an Empire occurred in the early 13th century, when Sundiata defeated his enemies and won control of the West African gold mines. In 1312 Mansa Musa became ruler of Mali. During his reign which was known as Mali’s, “Golden Age”, he introduced Islamic beliefs to many communities along the Niger and enhanced education after his historic pilgrimage to Mecca. Mali’s rise was attributed to the Trans-Saharan Trade routes leading to and from Western and Eastern Africa. These trade routes contributed to the rise and fall of powerful African Kingdoms for hundreds of years, but for 250 years, Mali was the crown jewel of Africa.
The small African village located on the bank of the river Niger has a story of its own, that only the old and wise are able to des...