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Religion and Social Ethics
Religion In Society
Religion In Society
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An interesting aspect of reading Sunjata is that it allows the reader to get a glimpse into the past. An unmissable trait that the story brings up is the power and control that women hold within their marriages and families overall. Part of this power comes from the West African people carrying on their family through a matrilineal system. Familial ties are a significant motif in Sunjata with even the storyteller tracing his ancestry back to the strong women told about in the oral tale. The matrilineal system means that instead of children taking the name of their father, as seen in many European societies, they would take the name of their mother and hold closer to the ties of her ancestors. This system allows for a sense of feminism to sprinkle all over the story of Sunjata and, ultimately, on the …show more content…
Mande culture. Sunjata’s mother shows that all throughout the tale, strong women are a force to be reckoned with. A reason why the women are allowed to show their dominant personalities could be because they live in a hunter-gatherer society. Throughout history, hunter-gatherer societies have proved to exhibit more egalitarian gender relations. In Sunjata, the subject of gender roles stands out because the story is from so long ago, yet, the women are the stars of the story (besides Sunjata). Women taking the power is due in part to their ways of living in West Africa. Having a matrilineal system and a hunter-gatherer society is certainly used to the women’s advantage when obtaining equal treatment with the men in their lives. While many women show power in Sunjata, none shows more than Sogolon Wulen Condé, who is the mother of Sunjata. As she grew up with a severe deformity from being set on her sister’s “sorcery horse when she was too young,” she learned how to extract greatness from her misfortunes (Conrad, p. 43). When she marries Maghan Konfara, the resilience she gains from navigating her whole life as an outsider pushes her to lead in her marriage and her role as a mother. After Sunjata is born, Maghan’s other wives, “gathered together again under the Mande baobab tree. They said, “It is one thing to give birth to a son, and another thing for him to survive” (Conrad, p. 74). They used their dalilu to make Sunjata crippled for seven years. Since Sogolon had already had experience with being deformed and ridiculed herself, she decides to take her children into exile (Conrad, p. 88). Making a decision about family life such as that to leave a village where you grow up and live your whole life is something only an immensely strong and independent woman could do. The polygamous marriages seen in Sunjata provide a way for independence to be brought out of the women in the story.
One man having many wives may seem like something that would happen in a male-dominated society, but while the men are spending time and doing things for one wife, the other wives are left to fend for themselves and their children. When Sogolon Wulen Condé cannot conceive because she has been vexed by the other wives of her husband, Maghan Konfara, she convinces her husband to take on another wife to have a child with. He ends up giving into her demands and marries another woman. While Sunjata is not actually born from this tie, the reader can see that Maghan Konfara is willing to respect his wife and listen to her input on such an impactful topic. Women are seen in the story has having a profound effect on the world around them, instead of just being used as a wife and mother. In this culture, they have more of a say. While not downplaying this system, it is critical to note that the polygamous marriages put in practice in the story of Sunjata would possibly complicate a patrilineal system, which is why the Mande peoples follow a matrilineal way
instead. The matrilineal way of tracing ancestors shows the importance of females straight away in this particular version of Sunjata as an oral story tradition. The storyteller is named Djanka Tassey Condé and can trace his ancestors back to the women in the epic. Many societies use a patrilineal system to name newborns and keep track of family because most societies are patriarchal. The fact that Mande culture uses names differently suggests their willingness to show the importance of women. In the introduction to the story, the author writes, “In Manding epic tradition, the greatest heroes do not acquire their special powers from their fathers. It is the mothers who are perceived as the source of their sons’ greatness, and these women invariably suffer hardships before the hero is born” (Conrad, p. xxi). It is fascinating to think that hundreds of years ago, there is a culture who recognizes the significance of mothers on their children’s lives and how that could be connected to the grit the mother has gained while dealing with the sufferings in her life. The Mande culture has a systematic way of recording the spirit of the women’s brawn. While not downplaying this system, it is critical to note that the polygamous marriages put in practice in the story of Sunjata would possibly complicate a patrilineal system, which is why the Mande peoples do not follow that way of tracing their histories. Another reason why the Mande people are more of an egalitarian society are because they live in a hunter-gatherer community. A study published in Science, a scientific journal, says that early hunter-gatherer societies had more equal gender roles as an evolutionary advantage. It was an advantage because the places in which men and women chose to live and have their families would be less influenced by the husband or wife alone, which would increase the number of people from different familial lines that would be around each other, thus causing more genetic variation and less inbreeding (Devlin, n.p). While the men did usually do most of the manual labor and hunting and women do the gathering of crops and childrearing, the amount of their responsibilities were usually around the same. This would be true of the people in Sunjata and explains how the society allows women to be more a part of the community. To conclude, the gender roles in the part of West Africa where the story Sunjata is from is unlike older European societies in that there is feminism ingrained in the early culture. Throughout the reading, the main woman who exhibits traits of fierce strength, confidence, and power is Sogolon Wulen Condé, Sunjata’s mother. She makes life-altering decisions for herself and her family. This way of living for Mande women is backed up by a system that supports women. Having polygamous marriages, matrilineal ways of tracing ancestors, and a hunter-gatherer society made it easier for women to assert themselves and be equal to the men in their lives.
Valerie has successfully portrayed the picture of change in gender role within the ethnic community. She has cited an example of Sansei. In the book, it is said that the older generation was purely patri...
Ayiti, by Roxane Gay, is a collection of fifteen short narratives about Haiti and its people, which gives the readers insights into the complex Haitian diaspora experience. The novel seeks to offer a deeper view into Haitian society and covers an array of themes such as the politics of survival, resiliency, and feminist culture in Haiti. Throughout the novel, Gay is highly critical of mainstream media because of how they depict and silo Haiti as a poor and helpless country. Haiti’s historical stance on censorship is well documented, and as a Haitian writer living in America, Gay is successful in giving agency to the voiceless by chronicling the stories of the Haitian diaspora. Ayiti explores stories that explain what it is like to be a Haitian
All the way through Migdim's incident with arranged marriages, we can understand the old customs that has to do with marriage. It is obvious that, although women were believed to be obedient, they were capable to effectively convince men. Yet, today there seems to be a sign toward polygamous marriages that are eventu...
Dadi is a group of people in northern India, the village consist of five hundred families, people who are related by ties of marriage, blood, or social/ legal affirmation. These families live with an established residence of patrilocal, meaning the household consist of the husband’s parents, brothers and their brother’s wives and children. Dadi’s families have post-marital patterns and pros and cons for each of the family members. Mosuo on the other hand is an ethnic group from southwestern China who also live in a patrilocal community but have matrilineal ties meaning they help each others family but live with their own. In this society the women have different positions than in the Dadi society.
It is through this process that demonstrated the power relations within gender, cast and class. The ideologies and believes of the people in Mangaldihi came from the religion it self in which, through the nature of creation Brahman was considerate to be the high cast as they are the followers of Lord Brahma, who created the four varnas. This ideology of creation has not only dictated the norms of cast division, which separates the pure and impure, but also has played its roles on gender roles. Women were always seen to be lower than men, since they were considerate to be a part of the male bodies. This is shown in the notion of men encompassing the women body. Encompassment is also seen in the construction of family norms as children’s are considerate to be part of the their parents bodies. Therefore they must respect and take care of their parents when old, as they are considerate to be in a higher position. Looking at the everyday practices it could also be said that there is hegemony, as the ruling class manipulated and dictated the cultural, values, ideals, beliefs and perceptions. Within this power relation, women were subject to be part of a subaltern culture. Since they had no voice in a society and were often excluded from political structures. Although, as the women age there status changes to be almost equally to men, they were never totally considerate to be
In the novel “Homecoming” by Yaa Gyasi, the family tree of two half-sisters, Effia and Esi, is explored. Although they share blood, these half-sisters are sent down completely different paths. Each successive generation of the family tree is impacted as a result of the disparate experiences of these half-sisters. The novel begins with the story of Effia, known as “Effia the Beauty.” Effia grew up feeling ashamed and unloved because of the lack of affection she received from Baaba, the non-biological mother of Effia.
Indian society was patriarchal, centered on villages and extended families dominated by males (Connections, Pg. 4). The villages, in which most people lived, were admini...
The epic of Sundiata begins by a griot storytelling the story of ancestors of Mali and the tale of a man whose victory will create the Mali Empire. The griot then explains that the king of the city of Niani will create a great ruler by marrying an ugly woman, who is claimed to have magical powers . The king of the city of Niani is Sundiata’s father, Maghan Kon Fatta. Two hunters went for the hunt of looking for this ugly woman and so they did. Her name was Sologan, who was also known as the buffalo woman because she roaming around ruining the land of Do. After they got married, they conceived Sundiata, Mali’s greatest king. Even though he could not walk in the beginning, later on he overcomes this tragedy and gains strength to rule Mali, like
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Sundiata is an epic of a powerful king who expanded the Mali empire to a great territorial area and he did so because he was destined. My mother read me a more simplified story of Sundiata as a child and through reading this book, I remembered so many lessons and African cultural traditions that I learned as a child. There were several interesting aspects of this epic that reflected some of the material we have learned thus far in class as well as other interesting themes that are repeated throughout it. Sundiata is an epic that recounts a historical event while teaching various African ideologies.
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
A second point raised during the reading which exemplifies gender inequality tendencies of the society includes polygamy. In the story, after Modou and Binetou’s marriage, the guests go to Ramatoulaye’s house for a surprise visit. Tamsir, Modou’s older brother, tells Ramatoulaye that “God intended [Modou] to have a second wife” and that “there is nothing he can do about it” (Bâ, 2008, p. 38). He soon continued by saying that “a wife owes her husband [happiness]”
“Polygyny is the marriage of one man to more than one woman at the same time” (Powell 167). This structure of marriage is prevalent among the families of Okonkwo’s village, and Okonkwo himself has three wives. A man with many wives was looked upon in a better light than a man with only one wife or no wife at all. In the novel, Okonkwo is said to have had a hard start as a young man because “he neither inherited a barn, nor a title, nor even a young wife” (Achebe 18). Men view wives as a means to gain titles and respect as well as extra labor power for thier combines. Women bring a number of benefits to a man: sexual services, reproductive power, labor, farms for women’s crops, in-laws with goods, land, and livestock. Men typically have only one wife if they lacked wealth (Amadiume 30-31). This is a feminist issue because the people of the village treat women as property that can be inherited. A feminist critic sees how polygyny devalues women and treats them the same as animals. According to Nigerian law, a woman is categorized “as an object who is not quite human” (Bazza 176). In Nigeria, if a woman is involved in polygyny and her husband divorces her for whatever reason, she cannot remarry and often turns to prostitution or extreme poverty for herself and her children (Kunhiyop 44). There is no good that comes from polygyny for
Polygamy causes children to grow up faster than needed, experiencing adult like experiences. Becoming married as young as fourteen, and marrying a man that ages much older. Escaping a polygamous community clearly depicts a difficult task, as much as this idea appears to be emphasized and craved for, women are too afraid. Attempting to escape means risking the chance of them getting caught and taken away from their own children. They are deprived of their money and therefore, if they escape successfully, then they are already homeless. Competing for the attention and respect from the husband depicts a conflict many wives’ face. The social status of wives’ go down once the husband no longer longs for affection. Children are victims of both, physical and sexual abuse from father or other family members. Family members could also include step-family members. The abuse that these children face often cause them to have anxiety in the