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Sundiata an epic of old mali analysis
Sundiata an epic of old mali analysis
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The great Machiavelli once said, "Whoever wishes to foresee the future must consult the past; for human events ever resemble those of preceding times." Indeed, the study of history is important as history does seem to repeat itself. Many people in today's society learn about the past from textbooks and other books, as these are of easy access. Is this really the best way to learn about the past? The people of ancient Africa did not think so, as they had special people called "griots"who passed the people's traditions and history down orally from generation to generation. One such griot, Mamadou Kouyate, recalls the story of the most famous ruler in African history, Sundiata, in D.T. Niane's book Sundiata: An Epic of Old Mali. This book has become an entertaining, yet scrutinized, source about the history of Mali and it's surrounding areas. Much scrutiny of this tale comes from those who question the validity of the griots, though Mamadou Kouyate is quick to point out that "[His] word is pure and free of all untruth; it is the word of [his] father...griots do not know what lying is" (Niane 1). If the context of the epic is true, then there are many valuable things to be learned from it including the traditions and customs of ancient Africa, and how Sundiata came to rule over such a large area. Based upon a reading of the text, it is easy to see that Sundiata's political power was not based soley on religion, as he used many conventional methods to gain and remain in power. One conventional method that Sundiata used to gain political power was alliances. Before he was even born, it was foretold that Sundiata would be a great king someday. The people of ancient Mali respected the "soothsayers" who foretold the future... ... middle of paper ... ...ral and written methods. The important part is what can be learned from these sources. Though Americans might not be accustomed to hearing great details of their history recited to them as their only means of learning it, it certainly does not mean that other means produce false information. The griots of ancient Africa are sincere in their efforts to consistently pass down their countries' histories, and much of what they say should at least be taken into consideration, this includes the words of Mamadou Kouyate, the griot who tells of Sundiata and ancient Mali. The things learned from his wisdom, including how Sundiata came to power, are important not only to the people of Mali, but also to the world as Sundiata proved to be one of the greatest rulers of the ancient world (Niane 1-84). Works Cited---Only used this one book, so find the info and cite it
Shortly after taking over, Sundiata and his mother are exiled from their homeland (Sundiata 27). While they are away, Sundiata’s mother gets sick and eventually passes away (Sundiata 47). After this Sundiata must go through a maturing stage, and with the assistance of Moussa Tounkara learns how to be a king. Moussa teaches him many things, and after a few years makes him his Viceroy (37). After Sundiata had fully grown, his mother said to him “do not deceive yourself. Your destiny lies not here but in Mali” (38). So it was obvious that at some points Sundiata would need to return to his homeland and face Soumaoro. When he returns to face Soumaoro, it says “Djata was strong enough now to face his enemies. At the age of eighteen he had the stateliness of the lion and the strength of the buffalo” (47). The most important aspect of Sundiata’s exile was that he needed time to grow up and prepare himself for his return. Another important aspect of his exile was the relationship he formed with Moussa. This relationship enabled him to return home with half of Moussa’s army to battle
Also I find it weird that Sundiata welcomes them back so easy. The public gave up on his destiny and mocked him but now all call him their king.
Before the arrival of European traders, Africa had successful in maintaining complex civilizations. The cities of Timbuktu and Mali demonstrate this with their qualities. A Moroccan traveler journeyed to Timbuktu and described it as a land of “many doctors, judges, priests and other learned men, that are well maintained at the king’s cost. Various manuscripts and written
Most of this documentary supports and clarifies my understanding of contemporary African culture. During the course I’ve learned that traditional African leadership structures undertook great changes under colonial rule and continue to progress today. Pre-colonial Africa had several different states characterized by different types of leadership; these involved small family groups of hunter and gatherers, bigger organized clan groups, and micro nations. Many African communities are still being governed by a council of elders, which is responsible for facilitating conflict and making almost all the important decisions within the public.
In summary, Davidson successful traces Africa’s earliest origins and demonstrates that this is a civilization far from having no arts, technology, sophistication and unique culture. Culture and civilization as we know it today can be traced back to Africa, and modern science has verified the early perceptions of Europeans to be wrong. He provides more than adequate evidence of Africa having a history complete with vast and rich civilization, including archaeological finds and specialized interviews with distinguished scholars and philosophers. Despite the fact that society possesses a more positive attitude towards African civilization today in terms of recognition, equality, and acceptance than in the past, negative stereotypes are still acknowledged and modern day racism unfortunately exists. I believe that the existence of Davidson’s work and videos such as Different but Equal are crucial to challenging these stereotypes and discrimination in order to create a more accurate image of Africa and its history. Overall, Davidson proves that the continent of Africa is home to a history that is just as meaningful, comprehensive, and progressive as that of any other civilization in the
Islam is presented in the Epic of Sundiata in a way that encourages listeners to embrace Islam over their indigenous belief systems. The epic accomplishes this by incorporating elements and practices of the indigenous beliefs into Islamic tradition; and by adapting certain Islamic mythology — such as the Jinn — to the existing West African culture. It also asserts the superior power and strength of those who derive their power from Allah and the Jinn, to those whose power is based in ancestral worship and fetishes. Through conflict, adaptation, and tolerance, the Epic of Sundiata presents an accessible version of Islam to the people of the Mali Empire; and promotes the acceptance of this new faith over the indigenous beliefs of the area.
Moroccan traveler, Ibn Battuta, is well-known for being one of the greatest travelers of his time. Battuta’s descriptive account of his travels to East and West Africa in the fourteenth century provides important insight into African Islamic life at that point in time. Although Battuta and the peoples in black Africa shared the same religion, he comes to realize that sharing a religion is not enough to completely relate to a different group of people. The story of Ibn Battuta in Black Africa illustrates the difficulties he faced in relating to these peoples due to the non-traditional role of women, different religious customs, and frequent misinterpretation of situations.
Throughout the 1400-1600 there were many different Empires. Today we still talk about them. The Mughal Empire and the Mali Empire have some similarities and differences between this time period. They all the culture, religion and government. They both had different governments and they both believed in different gods and worshiped different people. They both would pray multiple times a day. They Mughal Empire and the Mali empire both had leaders that they worshiped.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
The griot, Djeli Mamadou Kouyaté briefly introduces his ancestors and tells that the Kouyatés have always served the Keita princes of Mali. He describes their duties as harboring old secrets, memorializing the names and deeds of great kings, and preserving "the memory of mankind."(pg xxiv The words of the Griot Mamadou Kouyate) The griot’s role in this book is to serve the king. Griots are very important to African culture; they are the keepers of tradition and are responsible for making sure things are done according to the customs of their ancestors. This is a very painstaking task because these customs are not written down; they are passed down by word of mouth. Their father teaches each griot, the knowledge griots possess is remembered through song and story, and is passed on with amazing accuracy. (pg xxiv)This system would not work well if it were...
By the late nineteenth century, France terminated the slave trade in French Cameroon and abolished slavery in the French colony of Martinique. Although the French removed the physical chains on people of African descent living in French territories, the remnant of slavery and colonialism continues to manifest itself through the mental enslavement and exploitation of people of continental Africa and the African Diaspora. In Jean-Marie Téno’s unorthodox documentary about the history of Cameroon, Africa, I Will Fleece You, and Euzhan Palcy’s film set on the island of Martinique, Sugar Cane Alley, they shed light on the transferable nature of slavery and colonialism in postcolonial societies. Accordingly, Téno’s, Africa, I Will Fleece You, and Palcy’s, Sugar Cane Alley, manipulate
“Different but Equal” is a video in which Basil Davidson, the narrator, attempts to expand and heighten the understanding that Western civilization has about Africa. Often thought of as underdeveloped or uncivilized, Basil focuses mainly on the accomplishments of Africans throughout the years and uses them to contrast the surprisingly popular belief of African inferiority. Just a few of the main issues being brought up are how Europeans routinely discredited African accomplishments, the often disputed race of the Egyptians and their society, and why the thought that Africans are ‘uncivilized’ isn’t accurate. The video uses science, archaeology and history combined with the input of well-known researchers to give a more accurate depiction of
The Boli, or altar, figure from the Bamana peoples of Mali is a unique piece of art not based on what an individual knows about the figure, but rather what it doesn’t. The Boli has a secretive quality that harness energy from the community and peoples reactions to the Boli can fluctuate based on their interpretations on the object. The Boli is made of materials ranging from human bodily fluid to sticks and string. The figure is generally made to resemble an animal, typically a hippopotamus or cow, but over time with sacrificial material covering the figure it can become somewhat unclear. The Bamana peoples have an obscure relationship with the Boli for many reasons that could sprout from the materials it is made from, its uses in the society, and its extremely secretive nature.
Sundiata developed into a great leader of Mali through hardships, religion, and core/tributary/periphery relationships of states. The djeli who transmitted this information to the translators, is also a manifestation of an institution important in Sundiata’s epic, because without djelis these stories would be lost forever. Sundiata learned about the formation, running and maintenance of African states through interactions with the communities he was introduced to.
The Kingdom of Mali was an African hub of wealth, trade and education for over 225 years. Mali is an Arab version of the Mandinka word that means, “Where the king dwells”, and was vitally important in spreading trade, education, religion and culture along the Niger River. The rise of Mali into an Empire occurred in the early 13th century, when Sundiata defeated his enemies and won control of the West African gold mines. In 1312 Mansa Musa became ruler of Mali. During his reign which was known as Mali’s, “Golden Age”, he introduced Islamic beliefs to many communities along the Niger and enhanced education after his historic pilgrimage to Mecca. Mali’s rise was attributed to the Trans-Saharan Trade routes leading to and from Western and Eastern Africa. These trade routes contributed to the rise and fall of powerful African Kingdoms for hundreds of years, but for 250 years, Mali was the crown jewel of Africa.