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War photographer analysis
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Filmed for nearly three years, Waste Land follows famed artist Vik Muniz as he journeys from his home in Brooklyn to his native Brazil and the world's largest landfill, Jardim Gramacho, situated on the outskirts of Rio de Janeiro. There he photographs an eccentric band of catadores, otherwise known as garbage pickers. The catadores are a definitive marginalized populace; jobless in any conventional sense, they turn to picking profitable recyclable materials from the junk discarded by those in Brazil luckier than themselves. Depicted in the documentary is a culture unlike any other that I have ever seen. The people within this isolated culture live in the most horrifying conditions imaginable. They are isolated from society along with the essence of life itself; their homes and lives revolve around a place filled with garbage, trash, and discarded and unwanted items. Therefore, it is impossible to fathom how the people that dwell here don't feel as …show more content…
He was able to remove the individuals who lived in the landfill out of their daily environments, which for them I feel was much needed. He helped the individuals to be able to escape their own realities, even if it was only for a few hours in the art studio. The artist also helped to give purpose and meaning to the individuals through letting them work and be closely involved with him on the art projects. Not that the individuals didn't already have purpose or meaning, but the artist was able to give them an even greater sense of each. Speaking of art' the fact that the artist wants to "paint" the catadores with the trash they spend their days dealing with and he chooses to incorporate several of the catadores and their stories into his art, shows what an impact these people had on him. At last, dynamic, complex, and substantially human representations rise, uncovering both nobility and hopelessness as the catadores start to reconsider their
“Waste Land” and “Emmanuel’s Gift”, After watching these films, I have been thinking about the happiness to be found by work that is honest and valuable. I also thought about how hard some people are prepared to work, and how inspiring it is to see the individuals in these films find ideas to demonstrate the power of art and media to bring curiosity and cultural awareness in the poorest, most underprivileged people. “Waste Land” follows an artist Vik Muniz as he works on his art project in Brazil and the world’s largest garbage dump, Jardim Gramacho in Rio de Janeiro. There he photographs catadors or garbage pickers as they pick recyclable materials from the garbage. And upon meeting the characters at the landfill, Vik decides to turn the project into collaboration with the catadors. In the end, this collaboration reveals both dignity and despair in the lives of the catadors. “Emmanuel’s Gift”, is about Emmanuel Ofosu, a man born in Ghana with a deformed right leg, he bikes around the country to help raise awareness and build relationships in a culture that ridicules those with disabilities.
It seems as though it’s a natural reaction when people, seeing other people in need of something, help those around them. That help may pertain to the people in the helper’s community, or the helper may be doing good deeds in another part of the world. In instances where the helper is not part of a relief organization, such as the Red Cross, their help can either be viewed as an intrusion or as being beneficial. In the film Wasteland, directed by Lucy Walker, Vik Muniz goes into Jardim Gramacho with the sole intention of photographing the catadores and using the images as his muse, but by the end of the film, it is easy to see that Muniz’s presence changed the catadores in ways no one could have imagined.
The author, Lars Eighner explains in his informative narrative, “On Dumpster Diving” the lifestyle of living out of a dumpster. Eighner describes the necessary steps to effectively scavenge through dumpsters based on his own anecdotes as he began dumpster diving a year before he became homeless. The lessons he learned from being a dumpster diver was in being complacent to only grab what he needs and not what he wants, because in the end all those things will go to waste. Eighner shares his ideas mainly towards two direct audiences. One of them is directed to people who are dumpster divers themselves, and the other, to individuals who are unaware of how much trash we throw away and waste. However, the author does more than direct how much trash
Although I have never been someone who has taken an interest in reading about nutrition and how it affects our bodies, I really enjoyed the book, Eat Dirt by Josh Axe. The author discusses how he took an interest into leaky gut after his mother was diagnosed with cancer a second time and he created a plan to help her eat healthier in order to improve her health. The plan worked wonders for his mother, although he claims the plan won’t cure her or anyone else in her case it was highly effective. Throughout the book, Axe continues to provide the reader with examples of what his patients have suffered from and how, through changing their eating habits, have improved their lives significantly. After each example of patients, the author informs the reader of what leads to leaky gut and ways to combat it. Each chapter expands on the five ways to combat leaky gut by providing examples on the topics such as, what to eat and what probiotics to take for certain conditions. Throughout his
Throughout one’s life, he or she will encounter an opportunity that will likely impact his or her perspective on a given situation. In Waste Land, Vik Muniz embraced the opportunity to travel to Jardim Gramacho in Brazil in hopes of making a difference with the pickers by incorporating the pickers as assistants for the art projects. While at the landfill in Rio de Janeiro, he experiences the life of the pickers which helps him to create the art that will transform the lives of the workers; these experiences allow Muniz to develop as a person (Walker). Vik Muniz’s perspective regarding the landfill and the pickers evolved from expressing pity to embracing the pickers as a group of friends.
In conclusion, the material in Garbage Land connects to my research problem in that, it explains how the garbage collected from households is handled. Even though there are no aseptic techniques involved by the people handling this trash, it is clear that most of the waste obtained is recycled for re-use. Accordissng to Royte, 28% of the remainder is buried, 17% incinerated, and 1% is “surface disposed” without processing (Royte,
These memories become his "key" to awken the rest of us who are still pretending. The reader is left with two choices at the end of the poem. S/he can either forget about the poem, and go back to living in a waste land, or s/he can stop repressing pain and feeling and leave the waste land. Eliot ends the poem with a man (maybe himself?) sitting on a shore, "[f]ishing, with the arid plain behind me" and asking, "Shall I at least set my lands in order?" (425-36) The man here, by facing his pain, has left the waste land, and is able to move ahead.
.... He uses his work as a form of therapy and puts his heart and soul into anything he touches. The pain from being unaccepted by his peers and family is put into his work. His nightmares from the past come out on paper. Without the judgment and pain thrown at him, he could have never been as great as he is today. Every aspect of his work has been affected by his life, whether it be relationships, being pushed down, or feeling alone. He has rose from the ashes of his past, taken all of the pain and turned it into something truly beautiful.
Eliot, T. S., and Christopher Ricks. The Waste Land. San Diego: Harcourt Brace, 1997. Print.
The reason of lack of opposition is due to the fact that these facilities can bring potential benefits to communities in jobs and revenues (Kevin 1997). In some cases, not only has there been a lack of local opposition to waste facilities sitting, but community leaders have actively sought out or welcomed such sittings (Kevin 1997). For example, the Campo Band of Mission Indians supported the construction of a solid waste landfill on reservation land in San Diego County, California (Austin 1991). The landfill brought great economic benefits to the Campo Band. Tribal sources estimated that “the landfill directly created at least fifty- five permanent jobs for at least thirty-five members of the Campo Band, almost eliminating tribal unemployment” (Austin 1991). This factor also explains why poor minority communities may be living near waste facilities at a disproportionate
Pablo Picasso had many hardships. All his life, he was a self-centered man who made fun of other people. The countless wives and mistresses he left him because they were unhappy. His dedication to art was too much for the people who had loved him. During his lifetime many people had passed away. Two of his good friends, mother, wife, and sister had all died. But many of those tragic events allowed him to create some of the most astounding artworks in history. Through the misfortunes in Picasso’s life, he was able to rise above and become one of the most significant artists of the 20th
Tufano, L. (2015, August 12). Landfills: The good, the bad, and the trashy. Retrieved November
with the Jamesian note, "I read, much of the night, and go south in the
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.
Ceremonies are prevalent throughout T.S. Eliot’s poem The Waste Land. Eliot relies on literary contrasts to illustrate the specific values of meaningful, effectual rituals of primitive society in contrast to the meaningless, broken, sham rituals of the modern day. These contrasts serve to show how ceremonies can become broken when they are missing vital components, or they are overloaded with too many. Even the way language is used in the poem furthers the point of ceremonies, both broken and not. In section V of The Waste Land, Eliot writes,