On August 25, 1958, Timothy Walter Burton was born (“Biography”). Burton had a painful childhood in which the relationship with his parents and brother was nonexistent (Morgenstern). Through his intense feeling of isolation, his visual talent began to develop. The comfort found in hobbies such as writing and drawing led him to attend the California Institute of the Arts which led him to his first job in any artistic field at the Disney Animation Studios (“Biography”). Burton has since been referred to as one of the most visually gifted writers, artists, and filmmakers that America has seen (Hanke). His short stories, poems, and film scripts are centered on an inner darkness which he has been slowly acquiring since his childhood. He throws himself into everything he writes and makes even the simplest characters have a deep, complex meaning. His famous darkness and symbolism is shown in his book The Melancholy Death of Oyster Boy and Other Stories. The book contains a collection of his short stories, poems, and illustrations about a variety of fictional characters that can be compared to Burton and his life. Tim Burton’s home life and previous hardships have made a significant impact on his work. In my paper, I will draw parallels to his life and work as well as prove that there is reasoning and beauty in the way he is.
Tim Burton was born in Burbank, California, to Jean and Bill Burton. His mother owns a small, cat themed gift shop in Burbank called Cats Plus and his father works for the Burbank Park and Recreation Department. He has one younger brother, Daniel, but they rarely talk. There is not much known about the relationship between Burton and his family. Upon being asked about his family, “he talks with great reluctance . . ...
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.... He uses his work as a form of therapy and puts his heart and soul into anything he touches. The pain from being unaccepted by his peers and family is put into his work. His nightmares from the past come out on paper. Without the judgment and pain thrown at him, he could have never been as great as he is today. Every aspect of his work has been affected by his life, whether it be relationships, being pushed down, or feeling alone. He has rose from the ashes of his past, taken all of the pain and turned it into something truly beautiful.
Works Cited
“Biography.” The Tim Burton Collective. Web. 15 March 2011.
Burton, Tim. The Melancholy Death of Oyster Boy and Other Stories. New York, NY:
HarperCollins Publisher Inc., 1997. Print.
Hanke, Ken. “Tim Burton.” Films in Review1992. Vol 43, 11-12. Print.
Wilner, Norman. “Tim Burton.” The Toronto Star 1991. Print.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
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Tim Burton’s films depict his lashing back from a tortured childhood. Somehow, his movies tell his story. His first big budget movie, Batman, was a huge hit. He then chose to make Edward Scissorhands, his most personal film. Despite the fact that Batman was a hit, movie executives were reluctant to give Burton authorization. His use of cinematic techniques displays his unique style.
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Social outcasts and misfits are often overlooked in society in daily life, however, there are some who rise to glory. Movie director Tim Burton is one of those outcasts. While many people like him are shunned for their strange, and in Burton’s case, disturbing views and ideas, Burton rose to distinction with his creative ideas and movies. In Edward Scissorhands and Charlie and the Chocolate Factory, some of the main characters have made strides to success, without standard social skills. In Edward Scissorhands and Charlie and the Chocolate Factory, Tim Burton uses high key lighting and long shots to show that while some people are affected by their isolation, some can emerge from it and become influential members of their
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