Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis on Tim Burton's cinematic style
Tim burton's style in film
Tim burton's style in film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Analysis of Sweeney Todd
Sweeney Todd: The Demon Barber on Fleet Street is a 2007 musical horror drama film directed by Tim Burton. I believe this film is the only musical Burton ever directed. Sweeney Todd is a dark film that explores the idea that evil is inextricably connected with the human condition. When the story begins, it is clear that the past overshadows the present in such a way that the characters live in permanent darkness. In a grim analogy with the victims consumed in Mrs. Lovett’s pies, Sweeney Todd is consumed by revenge. He starts out as a respectable and respected barber with a loving wife and a beautiful baby and ends as a murderous demon guilty of acts so abhorrent that he and the man he once was share on common ground.
…show more content…
Tim Burton said in an interview that when he was a kid he would watch all kind of monster movies. “My parents said I started watching those movies before I could even walk.”As a kid he loved horror movies and he liked drawing pictures. He said he did not care what people thought of his drawings and just drew them his own way. His drawings also show his love for horror because they are all unique and creepy looking. Some of his pictures are based on the movies he directed. He started directing at twenty years old. He was very interested in animation. One of his first films was Batman. Most of the films he directed have a gothic horror aspect. I believe since his childhood was all about horror movies, he gained an appreciation for those films and applied his passion in the films he directed. "Vincent Price, Edgar Allan Poe, those monster movies, those spoke to me. You see somebody going through that anguish and that torture –things you identify with –and it acts as a kind of therapy, a release. (Tim Burton 17).”Besides the fact that he watched horror movies, the place where he lived influenced him as well. The dark and light aspects of life have always fascinated Tim Burton, consistently arguing that one cannot exist without the other: ‘life is an incredible jumble of being funny and sad and dramatic and melodramatic and goofy and everything’. During his childhood in suburban Burbank, Burton found the …show more content…
Animation and horror films were an inspiration to him growing up and becoming a director. The films that I analyzed were Corpse Bride, Beetlejuice, Frankenweenie and Sweeny Todd: The Demon Barber of Fleet Street. As well as my research I was able to get different people’s look and opinion on Tim Burton’s gothic style. I was able to take their thoughts and incorporate them into what I mentioned about the films. The films that I analyzed have some gothic aspects but they all have a theme of death incorporated in some way. As was stated in a review by American critic Roger Ebert, “Burton uses special effects and visual tricks to create sites that have never been seen before. The movie takes place in an entirely artificial world, where a haunting gothic castle crouches on a mountain-top high above a storybook suburb, a goofy sitcom neighborhood where all of the houses are shades of pastels and all of the inhabitants seem to be emotional clones of the Jetsons.”So in what ways does Tim Burton 's use of the gothic genre affect the cinematic aspect in his films? He uses many ways, whether it is costumes, makeup, camera shots, setting, lighting and so on. However, I believe he always has at least a theme of death revolving each film. The main thing that shaped his films and his career is his influences. I noticed that in some films he portrays his childhood and his influences in his
The University of Georgia’s theatre adaptation of the penny dreadful story, Sweeney Todd: The Demon Barber of Fleet Street, was very similar, design wise, to Tim Burton’s 2007 film of the same name. While the two were very comparable, they did differ in many design elements which include, lighting, costumes, color, and key structural set-ups.
The differences between the movie doubt and the play have significant differences that would influence ones opinion about certain characters and situations in the story. Though the differences are few one would agree that at least one of these differences are game changers or at the very least they get you thinking and having doubts of your own.
Not a single individual is able to watch a Burton film without noticing the lighting effects and how it significantly contributes to the tone and mood of the entire film. In the movie Edward Scissorhands, one might be overwhelmed with the burst of extravagant colors in the scenery. Indeed this cinematic technique, high key, wholly influences the viewers perception and impression of the town. One can conclude that even though flamboyancy pervades the town, iniquity lurks in all directions and hypocrisy governs the minds of its inhabitants. Irony is harnessed in this film. How can an effulgent town harbor wickedness and Edward with a chilling and gothic complexion radiate innocence and righteousness? Burton uses these opposing conceptions brought about by the contrast of lighting to convey the message that materialism has been ingrained in the mentality of society (at least in the neighborhood in which Burton lived in the past), thus yearning for th...
Hugh Wheeler was one of the most unique playwrights of all time. He was innovative in his storytelling skills and could challenge the most prolific writer. In his life, he wrote numerous plays and over 30 mystery novels under three different pseudonyms. However, his award winning works included the play Sweeney Todd, Candide, and A Little Night Music. Take a look at Wheeler’s life and also, look at each of these works. See inside the man and the brilliant playwright.
Stuart Brown’s book Play describes noteworthy of play in the lives of animals and humans and how free play develops the social skills in children that are necessary for creative thinking later in life. He used his observations of animals in play to explain the role of play in brain development and social integration.
His experimental and unique perverse screenwriting has shocked and inspired numerous people. His aesthetics painted horror vividly and presented itself dramatically. His musical and cinematic vision was a healthy extension of his devilishly, clever, and demented mind. His modes of publication with music, film and print, had and still a tremendous fanbase. He has gained our attention in every media related forum and we can’t look away, even if we try. He has left us cheering, screaming and on the edge of our seats. We leave feeling bad about ourselves for watching his visual storytelling unfold. “You know, it’s like, I’m going to sit here for 90 minutes and watch these guys get fucked up with no hope. That’s what I love about these films, you walk out feeling bad about yourself, saying “Why did I enjoy that? What does this say about me as a person?” It is a cathartic experience that horror lovers can have again and again. Not acting on those horrific urges, but instead, becoming one of his characters that were just never really understood and that evil is real. Evil never dies and revenge always wins or at least in horror
The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an important feature to many gothic horror texts, and examining Edward and other various characters helps to bring about interesting ideas and concepts about this key role. Burton also draws on the relationship between the princess and the prince, commonly found in fairy tales. By using various features found in the gothic horror genre and the fairy tale genre, Edward Scissorhands is able to sway us to think about the consequences of judging people who are different, it influences us to question what true love is and changes the way we view who can be the prince and princess.
Everyone has experienced a situation in life where it's like a rug has been pulled out from under them. Well, T. Williams’ novel A Streetcar Named Desire portrays a similar situation of three unconventional characters whose reality is not the American Dream that they are striving for. Blanche, Stella, and Stanley approach life hoping for different outcomes in their lives. But what is the American Dream they were striving for? Simply put, by looking at the principles of America, the primary dream for everyone is to have a well-lived life. For some people this includes a family, success, happiness, independence, money, and love. If these are T. Williams’ constructs of the American Dream, then Stella and Stanley Kowalski may never find their
Although , what determines the roots of the horror genre, the explorations of the gothic genre has already been investigated therefore, to established the difference between the dying genre and the ...
However, they have also put him in an artistic cage according to his viewers. They hear his name and they immediately associate his work with only the Gothic, only the creepy and dark. They see his twisted figures, his gloomy color schemes, his emphasis on death and then label him as an artist only able of applying the Gothic. In a way they are correct; he does employ dark and creepy details, however, he is a multifaceted artist capable of much more than the macabre. As he stresses the Gothic characteristics, he likewise applies modernistic techniques and an array of vivid colors. All of which contrasts sharply with features of the Gothic genre. Burton’s iconic dark palettes and color schemes allow him to give color meaning. In the Nightmare before Christmas he does this by creating a juxtaposition between the kaleidoscope colors of Christmas land and the Grayscale Halloween land. Both holiday realms, containing a leader and their own niche, embrace their own color palette. These contrasting hues coincide with the beliefs and tone of the holiday. Bright reds and greens highlight the joy of gift giving and being around those you love. In contrast murky blacks, cold dark colors, and the occasional orange emphasize the rapturous glee of fear and
Tim Burton’s, “Corpse Bride” features many Gothic elements and is well known for its Gothic influence. Tim Burton has successfully used the gothic genre to explore central themes such as; marriage, life and death and the after-world.
William Shakespeare intended for Hamlet to be a tragic play of a hero: Hamlet. He does exactly that by allowing Hamlet to be exposed to suffering and being able to endure it without committing suicide. Although if one was to analyze the content of Hamlet’s “To be or not to be…” soliloquy once would realize that Hamlet is not really all that suicidal. However, there are moments throughout the play that arise the suspicion of Hamlet to no longer be able to endure the suffering and pain in his life. Hamlet’s judgment can be distorted when he does not act using reason but rather emotional impulse. His ability to accept and embrace suffering and pain, allows him to realize how valuable his life truly is.
Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone.
Director Tim Burton has directed many films. He started out working at Disney, but shortly after he decided to make his own films. He split away from Disney because they wouldn’t let him add the scariness and darkness he has in his films. After he left he created many great films and also developed his own style. He uses many cinematic techniques in his films for example he uses close-up camera angles on symbolic items, he uses music to show foreshadowing, and he uses lighting and color to show mood
Most people do not realize that the most quoted line in all of Shakespeare, “To be or not to be, that is the question,” is actually referring to Hamlet contemplating whether it is better to stay alive or to take his own life. In today’s English, he is, in the simplest of terms, asking himself if it’s better to put up with the crap life throws at you, or to just throw in the towel and end it all. Also at the same time Hamlet is giving this soliloquy, Claudius and Polonius are listening on to determine what has caused Hamlet’s madness, or almost stupidity. This soliloquy is almost Hamlet’s way of saying, “I’m not stupid, but I know myself quite well.” Because Claudius almost views Hamlet’s madness as he is stupidly oblivious to what is happening around him since Hamlet is so separate from everything. Hamlet is not stupid or mad, he knows himself and what he is doing, so much so that he ends up at this contemplation of suicide. Of all the sorrows he has seen and how everything seems to be a mess, he ultimately decides that that suicide is not what he will turn to, not because he is content with the cards he has been delt, but because he is scared of what comes after death. He describes it as, “Who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death” (Act 3, Scene 1, Lines 77-79). Since he is unsure