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Gothic modern day examples movies
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Tim Burton’s, “Corpse Bride” features many Gothic elements and is well known for its Gothic influence. Tim Burton has successfully used the gothic genre to explore central themes such as; marriage, life and death and the after-world. One of the themes of Gothic genre that has influenced the film, is marriage. In the beginning of “the corpse bride”, the marriage is planned by the protagonists, Victors and Victoria’s parents. Unintentionally, as we move further into the movie, a dead bride; of the name Emily, appears in the movie, who Victor accidentally becomes engaged to. Burton successfully uses the theme of marriage in a Gothic way with the portrayal that marriage in the Victorian era of this movie was scary because it was Arranged or
Not a single individual is able to watch a Burton film without noticing the lighting effects and how it significantly contributes to the tone and mood of the entire film. In the movie Edward Scissorhands, one might be overwhelmed with the burst of extravagant colors in the scenery. Indeed this cinematic technique, high key, wholly influences the viewers perception and impression of the town. One can conclude that even though flamboyancy pervades the town, iniquity lurks in all directions and hypocrisy governs the minds of its inhabitants. Irony is harnessed in this film. How can an effulgent town harbor wickedness and Edward with a chilling and gothic complexion radiate innocence and righteousness? Burton uses these opposing conceptions brought about by the contrast of lighting to convey the message that materialism has been ingrained in the mentality of society (at least in the neighborhood in which Burton lived in the past), thus yearning for th...
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Gothic Romance is represented in The Nightmare Before Christmas through a variety of supernatural and sinister beings. One example is Jack Skellington, the main protagonist of the movie, who is a hysterical and impulsive skeleton. Moreover, Gothic Romance is characterized by highly charged emotional states and supernatural creatures. Jack Skellington embodies both of these elements due to the fact that he was fervent as he attempted to understand Christmas and that he is also a living skeleton. Furthermore, another example is Sally, an animate rag doll who is held hostage and later, saved by Jack Skellington.
Tim Burton’s films depict his lashing back from a tortured childhood. Somehow, his movies tell his story. His first big budget movie, Batman, was a huge hit. He then chose to make Edward Scissorhands, his most personal film. Despite the fact that Batman was a hit, movie executives were reluctant to give Burton authorization. His use of cinematic techniques displays his unique style.
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the
...d traditions, but also blending two distant genres together. The blending of genres gives us ideas about common conventions in films that we do not usually pay attention to, and how they can be manipulated to change the way we think about individuals and groups. Edward Scissorhands dives deeper than just a “Beauty and the Beast” narrative, and influences audiences to explore topics of how the gentlest of souls can be misjudged by their appearance, a seemingly normal community can be the “bad guy” if it only has its personal intentions in mind and no one else’s, and that true love is not about what is on the outside, but rather, what is on the inside. Edward Scissorhands can be considered as one of the most appealing films of the 20th century as it keeps audiences guessing, surprises them at the most unexpected times and breaks conventional film boundaries.
... To push even further, Van Helsing knows that such characteristics and qualities in a woman have no place in the classical Victorian era, so he presumes to commit his murderous act despite her radiance and beauty. A woman that challenges the Victorian ideals is seen as a threat to society and is deemed unfit. This scene illuminates and magnifies upon addressing his strong character by nature, which in many ways contrasts upon Harkers character in the novel. Conclusively, while Bram Stokers novel Dracula is seen as a gothic and horror story, I argue that it is a novel that seeks to address female sexuality directly.
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
However, they have also put him in an artistic cage according to his viewers. They hear his name and they immediately associate his work with only the Gothic, only the creepy and dark. They see his twisted figures, his gloomy color schemes, his emphasis on death and then label him as an artist only able of applying the Gothic. In a way they are correct; he does employ dark and creepy details, however, he is a multifaceted artist capable of much more than the macabre. As he stresses the Gothic characteristics, he likewise applies modernistic techniques and an array of vivid colors. All of which contrasts sharply with features of the Gothic genre. Burton’s iconic dark palettes and color schemes allow him to give color meaning. In the Nightmare before Christmas he does this by creating a juxtaposition between the kaleidoscope colors of Christmas land and the Grayscale Halloween land. Both holiday realms, containing a leader and their own niche, embrace their own color palette. These contrasting hues coincide with the beliefs and tone of the holiday. Bright reds and greens highlight the joy of gift giving and being around those you love. In contrast murky blacks, cold dark colors, and the occasional orange emphasize the rapturous glee of fear and
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
The rose, the rose-color bridal chambers of Miss Emily, signify the little details that come full circle. In that moment, there comes a consciousness that death trumps all that. It is a reality that cannot be avoided. What once was a bridal chamber has now become that of death and decay, still with the same hint of rose-colored innocence it once had all over its
The difference between fairy tales and gothic writing has been debated throughout literature. In the Corpse Bride by Tim Burton and the “Dance of Death” by Johann Wolfgang von Goethe explore each. Both Tim Burton and Johann Wolfgang von Goethe use stylistic techniques in order to show the supernatural, to describe decay, to emphasize a gothic atmosphere.
in Italy. Victor destroyed the bride he was making for his creation because he was afraid that the two creations would wreak havoc together. In vengeful retaliation, the creation makes good on his threat that “I will be with you on your wedding night!” (Shelley, 116) and strangles Elizabeth, Victor’s new bride while he is looking for the creation, shattering any hope for happiness Victor might have had. The parallel of the loss of Mary’s husband and the brides in the book is significant because both losses are very painful and close to their hearts.
The gothic genre created both a lot of films and novels, some of which are debatable as to if they were categorized properly. The Films Emily Brontë's Wuthering Heights directed by Peter Kosminsky, and Mary Shelley's Frankenstein directed by Kenneth Branagh are both based on novels. Both films display many different ideas, and are structured differently, but Mary Shelley's Frankenstein is an archetype for the gothic genre. Although the two are very different films, through the use of gloom and horror, film techniques, and heroic traits, both films are able to prove themselves part of the gothic genre by displaying many gothic elements.