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Diversity Of Culture
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In the video “A World Without Fathers or Husbands” is set in Lijiang, China, which is in Southwest China. Women in Lijiang is wear traditional clothing, which remind them of a time women were held to a very high status and were respected more than anyone else. This was a time when both women and men did not marry. Neither gender were forced to marry or be tied to one person, they both could have as many boyfriends or girlfriends they wanted, and this was something nobody complained about at all, they were actually quite pleased to do without the ritual of marriage. However, this did not last due to Prince Yung gaining the throne of China in 1723. When the Prince sent representatives out into the field to improve this land in any way possible, …show more content…
they were shocked to come across Lijiang and all the freedom that they had. To change this freedom of sexuality it was decided that the parents would decide who their child spends the rest of their life with. This decision was based on wealth and social status, not feeling or desire. If they did not agree to this arrangement, the only other alternative was death.
Because of this, many people snuck off to mountains to sing songs and committing suicide with someone they love, rather than spending the rest of their lives with someone they don’t. This became so well-known across China that Lijiang became known as the city of lover’s suicides. Today these stories are all a thing of the past, and getting married has become a traditional thing. Some even believe that women having multiple lovers and were held to such a high status is all just a made up theory. Years ago anthropologists traveled up the mountain from Lijiang to visit a group of people known as the Moso. The first thing noticed when arriving is the way women acting. Most Chinese women at this time are shy, and don’t speak much, while these women are vocal and open. Also, these women work all day, doing everything that their families require, while the men only work when there is something that needs to be done. When asked about it the women just say that it has always been this way, and actually prefer it, they have a big sense of pride for the work they do. The story this custom is said to originate from is there was one a boy that loved working around the house, but the women teased him for this making him feel weak and
insecure. So this boy stopped what he was doing, and from that day did not do any more house work and his family lived on happily. In this region they also discover that they do not have marriage and have several lovers like Lijiang once did. No matter what the number of lovers, the village did not disapprove. Many women have lovers that are the main lover and accepted by the family, while other lovers are to sneak around at night and none of the woman’s family are to have any knowledge of this. These men are to arrive after dark and leave before light, these occurrences are known as furtive visits. Women could have several men waiting for her, but once she chooses the one she wants, the rest go to another woman. They look at sexuality as something that you shouldn’t commit and give to one person and attaching feelings is looked down upon, so jealous people are made fun. The Moso believe that the woman is already carrying the fetus, a man just sprays it, so it doesn’t matter who that man is, and the child will grow up the same no matter what. It is almost like the fetus is a plant, it doesn’t matter what kind of water you pour on it or where the water has come from, and the plant will still grow the same flower. This is a custom that I personally wouldn’t like because I would want to live with all of my family including my father.
Power and Money do not Substitute Love and as it denotes, it is a deep feeling expressed by Feng Menglong who was in love with a public figure prostitute at his tender ages. Sadly, Feng Menglong was incapable to bear the expense of repossessing his lover. Eventually, a great merchant repossessed his lover, and that marked the end of their relationship. Feng Menglong was extremely affected through distress and desperation because of the separation and he ultimately, decided to express his desolation through poems. This incidence changed his perception and the way he represents women roles in his stories. In deed, Feng Menglong, is among a small number of writers who portrayed female as being strong and intelligent. We see a different picture build around women by many authors who profoundly tried to ignore the important role played by them in the society. Feng Menglong regards woman as being bright and brave and their value should never be weighed against
China was not only patriarchal, but also patrilineal. This means that family descent could only be counted through the men. Woman were not able to pass on lineage or surnames except under very rare circumstances. Ancestor worship was very important in this culture, and only the
In her book, The House of Lim, author Margery Wolf observes the Lims, a large Chinese family living in a small village in Taiwan in the early 1960s (Wolf iv). She utilizes her book to portray the Lim family through multiple generations. She provides audiences with a firsthand account of the family life and structure within this specific region and offers information on various customs that the Lims and other families participate in. She particularly mentions and explains the marriage customs that are the norm within the society. Through Wolf’s ethnography it can be argued that parents should not dec5pide whom their children marry. This argument is obvious through the decline in marriage to simpua, or little girls taken in and raised as future daughter-in-laws, and the influence parents have over their children (Freedman xi).
The united States Declaration of independence states that all men are equal, but aren’t all women as well? Nowadays, the numbers for the population are at an increase for the support in gender equality, with the capture of feminist labels. The seek for equality between men and women, and criticize the privileges that arouse by gender differences. However in Old China, males control almost everything due to a patriarchal society. At that time, not only men, but also women are influenced by male chauvinism. In the Jade Peony, written by Wayson Choy, female characters are affected by an unequal perspective despite their age group.
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
Firstly, the relationship expectations in Chinese customs and traditions were strongly held onto. The daughters of the Chinese family were considered as a shame for the family. The sons of the family were given more honour than the daughters. In addition, some daughters were even discriminated. “If you want a place in this world ... do not be born as a girl child” (Choy 27). The girls from the Chinese family were considered useless. They were always looked down upon in a family; they felt as if the girls cannot provide a family with wealth. Chinese society is throwing away its little girls at an astounding rate. For every 100 girls registered at birth, there are 118 little boys in other words, nearly one seventh of Chinese girl babies are going missing (Baldwin 40). The parents from Chinese family had a preference for boys as they thought; boys could work and provide the family income. Due to Chinese culture preference to having boys, girls often did not have the right to live. In the Chinese ethnicity, the family always obeyed the elder’s decision. When the family was trying to adapt to the new country and they were tryin...
In David Blankenhorn’s book written in 1995, he brings to light what he calls “America’s fundamental problem”: our culture of fatherlessness. Our modern day view of fathers is that they are unnecessary both in society and in the upbringing of a child. Blankenhorn argues the contrary: the only way to solve the multitude of social problems present in America is to address the common denominator, the decline of fathers and the shrinking importance of fatherhood. Blankenhorn’s book is split into three parts: Part I: Fatherlessness, Part II: The Cultural Script and Part III: Fatherhood. In Fatherlessness, he provides the history of fatherhood and includes statistics that help to illustrate the transition of the father from head of the household to being “almost entirely a Sunday institution” (pg. 15).
...c. 4). This is an example of one of the seven unequal relationships in Confucianism. Much of the social structure of classical China was based on Confucian ideals (Doc. 3). In Greece the relationship between a husband and wife also very unequal due to her young age and lack of education. Alone a woman had no political rights and limited legal powers therefore is was necessary for a husband to provide for his wife much like a father would (Doc. 6) A woman would learn house hold management and eventually produce heirs. These two similar systems of social roles was not a benevolent system. It did not take into account the welfare of individuals, particularly woman who had little power to leave in a bad marital situation. However by insuring that people know their place, which kept them in line, classical societies were more prosperous and able to run more smoothly.
In China if you were a "different kind of girl" your family would completely disown you. That 's what happened in Maxine Hong Kingston 's essay "No name Woman". Her aunt, whose name shall never be named violated the norm for women. The aunt 's husband was gone and when he was gone the aunt winded up pregnant and everyone in the village knew it wasn 't her husband 's child. The author believes that her aunt was forced to commit adultery because she writes, "My aunt could not have been the lone romantic who gave up everything for sex.Women in the old China did not choose. Some man had commanded her to lie with him and be his secret evil. I wonder whether he masked himself when he joined the raid on her family"(386). Women can be forced to have sex with a man but the women are still at fault. The women get the worse treatment in situations like this while men 's treatment subsides. Maxine Kingston quotes her mother, " Don 't let your father know that I told you. He denies her, Now that you have started to menstruate, what happened to her could happen to you. Don 't humiliate us. You wouldn 't like to be forgotten as if you had never been born. The villagers are watchful"(385). It sees as that the women are the only ones who have to carry this stress of "don’t humiliate the father by going against the standards for women" while men are free to do what they so choose and if they do anything wrong they are soon
In a village left behind as the rest of the China is progressing, the fate of women remains in the hands of men. Old customs and traditions reign supreme, not because it is believed such ways of life are best, but rather because they have worked for many years despite harsh conditions. In response to Brother Gu’s suggestion of joining communist South China’s progress, Cuiqiao’s widower father put it best: “Farmer’s have their own rules.”
...oist China.” Gender & History 18, No. 3 (November 2006): 574-593. EBSCOhost. Accessed October 4, 2015.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
Examples of cultural constructions can be seen throughout history in several forms such as gender, relationships, and marriage. “Cultural construction of gender emphasizes that different cultures have distinctive ideas about males and females and use these ideas to define manhood/masculinity and womanhood/femininity.” (Humanity, 239) In many cultures gender roles are a great way to gain an understanding of just how different the construction of gender can be amongst individual cultures. The video The Women’s Kingdom provides an example of an uncommon gender role, which is seen in the Wujiao Village where the Mosuo women are the last matriarchy in the country and have been around for over one thousand years. Unlike other rural Chinese villages where many girls are degraded and abandoned at birth, Mosuo woman are proud and run the households where the men simply assist in what they need. The view of gender as a cultural construct ...
Given the high sex ratio in recent China population report, the abnormally excessive male birth exemplifies the persistence of son preference on women’s fertility behavior. Son preference rooted in Chinese agriculture-based economy and historical feudalism, in consistence with the reliance on laborers and continuing the family line. Older people prefer to depend on their sons to get financial and physical support, while daughters are regarded as property of their husband’s family since the day of marriage.
The historical context of humanity in this film is the recurrence of forbidden love throughout storytelling. Since love is an emotion with the potential to be universally understood by all people, it is a human story. Forbidden love goes one step further to describe love which outside forces try to end, a trope in tragic love stories like Romeo and Juliet, Antony and Cleopatra, and Pyramus and Thisbe. The human story of forbidden love between Chen and Xiao Hong makes up part of the layered human experience, but the Chinese story comes in the form of the forces which prevent this love. During this time period the buying of young girls like Xiao Hong to raise as courtesans was still practiced in Shanghai. As discussed in class, part of the goal of this film was to raise issues about the tragic position Chinese women still found themselves in during the early 20th century. The audience is able to use the human story of forbidden love as a lens to examine the historical context of China surrounding this practice, and thus an understanding of women’s position in Chinese culture in the 1930s. Since forbidden love implies tragedy, and indeed the film does end with the tragedy of the death of Xiao Hong’s sister, this film argues through both the Chinese and human story that a