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Gender roles of women in literature
Gender roles of women in literature
Gender and its roles in literature
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In her book, The House of Lim, author Margery Wolf observes the Lims, a large Chinese family living in a small village in Taiwan in the early 1960s (Wolf iv). She utilizes her book to portray the Lim family through multiple generations. She provides audiences with a firsthand account of the family life and structure within this specific region and offers information on various customs that the Lims and other families participate in. She particularly mentions and explains the marriage customs that are the norm within the society. Through Wolf’s ethnography it can be argued that parents should not dec5pide whom their children marry. This argument is obvious through the decline in marriage to simpua, or little girls taken in and raised as future daughter-in-laws, and the influence parents have over their children (Freedman xi). The House of Lim exemplifies the fact that parents should not decide whom their children marry through the apparent deterioration of marrying simpua. This tradition was commonly practiced amongst Lim Han-ci’s generation. The custom allowed for little girls to be brought into different households and raised as potential …show more content…
However, as an adult Lim Hue-lieng removed himself from the Lim household and created his own life separate from his family. Then only to become part of his father’s house once again, he agreed to marry Lim A-pou (Wolf 50). They had two children together, but their relationship was formal at best. He hardly spent time with his wife (Wolf 51). Instead, he formed a relationship with his mistress and second wife, Lim So-lan. In Lim Hue-lieng’s instance, the tradition, although upheld, was not respected since he spent more time with Lim So-lan. His marriage to his foster sister hardly interested him and did not affect his life as much as his marriage to Lim his second
the Hmong culture the man has to pay a price for his wife. The man’s side of the family
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
Family became an important aspect in Mah’s life. In the Chinese culture family is typically a vital part of the way of life. Mah may have been ashamed the way her first marriage ended and did not want the same with this man she met named Leon. Leon is a Chinese immigrant and family is his priority. Mah and Leon marry and have two girls, Ona and Nina. They form a family like connection more than ever before. Leon was a fairly stable man and loved his family. Mah and Leon were b...
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before them get lost on. In this new age struggle for happiness within the Kao family a cultural barrier is constructed between the modern youth and the traditional adults with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The first Memoir of 1795 was addressed to the heir of her natal family and took the form of a public appeal in her effort to reestablish her family’s moral legitimacy and honorable family tradition. Before we explore her memoir, it is important to note that she felt responsible for her family’s downfall – believing that her marriage into the royal house had led to directly their suffering and decline. Beyond the scholarly merit of her stories, they are important in the view Lady Hyegyong provides of the court life and the strict Confucian beliefs that stress filial piety, loyalty and virtue. To being with, the move from
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
Examples of cultural constructions can be seen throughout history in several forms such as gender, relationships, and marriage. “Cultural construction of gender emphasizes that different cultures have distinctive ideas about males and females and use these ideas to define manhood/masculinity and womanhood/femininity.” (Humanity, 239) In many cultures gender roles are a great way to gain an understanding of just how different the construction of gender can be amongst individual cultures. The video The Women’s Kingdom provides an example of an uncommon gender role, which is seen in the Wujiao Village where the Mosuo women are the last matriarchy in the country and have been around for over one thousand years. Unlike other rural Chinese villages where many girls are degraded and abandoned at birth, Mosuo woman are proud and run the households where the men simply assist in what they need. The view of gender as a cultural construct ...
The story of Princess Huo’s daughter is a story about a man by the name of Li Yi. Li Yi was from a good family and showed brilliant promise. Even senior scholars admired him. At the age of twenty-one, he hoped for a beautiful and accomplished wife. In Chang’an Li asked a matchmaker by the name of Bao to find him a wife. Li gave her expensive gifts and she was very well inclined to him. One afternoon, some months after talking to Bao Li was sitting in the south pavilion of his lodgings when he heard continuous knocking. Bao entered and Li asked her “What brings you here so unexpectedly, madam”. Boa had found Li a perfect match for a wife, and with the good news Li was ecstatic and leaped for joy. Saying “I shall be your slave as long as I live!” Bao informed him that she was the youngest daughter of prince Huo. Her name is Jade, her mother was the prince’s favorite slave. When the prince died, his sons refused to keep the child, so they gave her a piece of wealth and made her leave. She changed her name, and the people do not know the prince was her father. She is the most beautiful...
Marriage is an important aspect in kinship. Marriage is normally understood as the linking of men and women, but this may not always be the case. An example of this is Nuer where marriages can occur between women. There are three different types of marriages; monogamy, where a man marries a woman; polygyny, where man can marry two or more women, and polyandry, where a woman can...
When it comes to the topic of marriage, different cultures have different customs. Some of these customs have changed over the years and some have stayed the same. One type of marriage that interests me is arranged marriage and why there are arranged marriages still going on today. That is why I have chosen to write about them in this paper and discuss why they were/are an important staple in certain cultures.
Years after their marriages fall apart through polygamy and feelings of betrayal, when Modou experiences an unexpected heart attack and is unable to be saved, Ramatoulaye decides to write letters to Aissatou who is now in the United States with her four sons. In these letters, she talks about their memories together before they were separated from one another as well as providing Aissatou with news about her current life. She first writes about Modou’s death and the forty day funeral of her late husband, but soon moves on to their lives as being married women. Keeping the main idea of the story in mind, Bâ has her talk about their marriages, starting with Aissatou. Ramatoulaye recalls how Mawdo and Aissatou were madly in love but their marriage was never accepted by the groom’s family as she was “a goldsmith’s daughter” while he was a nobleman (Bâ, 2008, p. 17). Therefore, Mawdo’s mother did everything in her power to separate the two, one of which included marrying him off to her brother’s daughter, Young Nabou, meaning that Aissatou would have “a co-wife” (Bâ, 2008, p. 31). This forced Aissatou to leave him as she did not want this lifestyle. Three years after this incident, Modou married Binetou, their daughter’s best friend without Ramatoulaye having any knowledge of it, yet choosing to stay with Modou as a