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Literacy narrative about culture
Literacy and culture
Concept of cultural literacy
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There are specific curriculum standards that must be met for every marking period and across all learning subjects that classroom educators will develop for the I DO, WE DO and YOU DO portions of lessons. In addition, educators will tailor lessons that meet the numerous learning styles of students whether or not they have an IEP. However, an educator that is sensitive to the student’s cultural backgrounds will have postings of students that are in the classroom, and on the exterior classroom bulletin board, and the imagery of people, families and related artifacts in the classroom on display. This same educator will select grade level literature, read stories, view educational videos, visit nearby cultural museums, and even invite guest to …show more content…
share their stories with the students. All of these things can be done to enhance learning objectives that will further engage students and grow and develop their sense of self and be exposed to things that they did not know, have not seen before, and are curious to know about in a safe and comfortable learning atmosphere. It is the job of the classroom educator to create an atmosphere of learning that is lively, can take ownership of, and offers students far more than they can get at home. I have dressed up my classroom with a Yoruba statue, Liberian Dan masks, the actual photographs of classroom students engaged in learning activities and purchased and borrowed books that reflect not only how they look but their experiences as well.
I had a student that was biracial that was having some issues with fitting in according to his White parent. The book Mixed Me by the Rent actor Taye Diggs was purchased and read to the entire classroom. This story resonated with the student during the Read Aloud period so much that his parent told me how much he appreciated the story. My other example that was mentioned in an earlier discussion is the reformulated story of Afrotina and the Three Bears. I purchased this book, several times, for a character education lesson about responsibility and integrity. Afrotina is young Black girl that finally understood the meaning of “Pretty is as pretty does” from her parents. This was a favorite of all the students and it spun off in to a writing activity. “Pretty is as pretty does” became one of our many classroom mantras. More importantly, the little Black girls in this 1st grade classroom could identify with a character, albeit a fictional one, that they could relate to culturally and
visually. Now we are onto the males in the classroom. Since I have spoken about wearing cologne, going to the gym, riding my fold up bicycle, how I NEVER liked macaroni and cheese, my trip to the National Museum of African American History and Culture, and my take on Black Panther, the male students became comfortable with sharing how they work-out, as 1st graders, their take on the movie and them asking me about the fragrance they are wearing. As their teacher, I used myself and my experiences to connect with them in ways that no curriculum guide could ever provide. Some the best descriptive/narrative writing came from the boys about the Black Panther movie that included the rules of capitalization, punctuation, and the use of adjectives, verbs, conjunctions (FANBOYS), and prepositions to spice up their creations.
This scholarly article discusses a study done on biracial identity development in children. The article discusses “the similarities and differences between Black and White racial identity development in the United States and address special challenges for the biracial child.” I hope to use it as a source when discussing the struggle to form an specific identity
Colormute: Race Talk Dilemmas in an American School, which was her first published book, won the 2005 AERA Outstanding Book award. In 2008, Pollock wrote Because of Race: How Americans Debate Harm and Opportunities in Our Schools. Everyday Antiracism: Getting Real About Race in School, which is a compilation of short essays regarding race and opportunity written by supporting teachers, won the 2008 Outstanding Book Award from the Gustavus Myers Center. Mica Pollock relies on experiences of working in teaching and civil rights, as well as, 20 years of research to communicate how to support our very diverse learning
For this activity I chose to read the book “The Last stop on Market Street” by Matt de la Peña. The story is about a boy (CJ) and his grandmother (Nana) taking their daily Sunday bus trip across town. However, this Sunday CJ seems to be noticing the differences between himself and others on the bus. On the bus ride CJ’s Grandmother shows him how to respectfully interact with different races of people. As well his grandmother shows him to see and respect the beauty in the low-income neighbor that they are in. I believe this book is of good use when teaching a unit centered on living in communities. This book will provide students with a structure that will help them discuss their own communities and how to treat others of different races.
Smelcer, my high school history teacher. My teacher dedicated a whole month of class on the topic of “Black Lives Matter.” She loved to read books on opinions on black society. I think this book would fascinate her if she has not already read it. She always taught us about the struggles of African Americans, but never about the privilege that some of them had. Some African Americans were better off than most whites at the time. They were doctors and lawyers, most of the black elite were making salaries close to middle class Caucasians. The book shows how not only how whites look down on the African American racial background, but so did people of their own race. I think this simple fact would be intriguing to my teacher and maybe challenge her views on black society. It could also contribute to her lessons in class, teaching high schoolers about this exclusive society. Lastly, I would recommend this book to Mrs. Smelcer because it proves that while the members of the black elite had “privilege and plenty” they were still racial discriminated against by whites, even through they should have been
In conclusion, in Conley’s memoir he focuses on his experience of switching schools, while in the third grade, from a predominantly African American and Latino school to a predominantly caucasian elementary school. His memoir focuses on the differences in his experiences at each school and how race and class further separated the similarities between his two schools. Conley focuses equally on race and class and how they both influenced and shaped his life, but class was the primary influence on Conley’s
The Department of Education states that an Individualized Education Program (IEP) is an academic opportunity for parents, teachers, administrators and human services personnel to provide assistance to students with disabilities. Individualized Education Programs are written plans that state specific learning goals and designate educational services that are designed to meet a student’s individual needs.
Without details, the words on a page would just simply be words, instead of gateways to a different time or place. Details help promote these obstacles, but the use of tone helps pull in personal feelings to the text, further helping develop the point of view. Point of view is developed through the story through descriptive details and tone, giving the reader insight to the lives of each author and personal experiences they work through and overcome. Issa Rae’s “The Struggle” fully emplefies the theme of misplaced expectations placed on African Americans, but includes a far more contemporary analysis than Staples. Rae grapples as a young African-American woman that also struggles to prove her “blackness” and herself to society’s standards, “I feel obligated to write about race...I slip in and out of my black consciousness...sometimes I’m so deep in my anger….I can’t see anything outside of my lens of race” (Rae, 174). The delicate balance between conformity and non-conformity in society is a battle fought daily, yet Rae maintains an upbeat, empowering solution, to find the strength to accept yourself before looking for society’s approval and to be happy in your own skin. With a conversational, authoritative, humorous, confident and self-deprecating tone, Rae explains “For the majority of my life, I cared too much about my blackness was perceived, but now?... I couldn’t care less. Call it maturation or denial or self-hatred- I give no f%^&s.” (Rae 176), and taking the point of view that you need to stand up to racism, and be who you want to be not who others want you to be by accepting yourself for who you are. Rae discusses strength and empowerment in her point of view so the tone is centered around that. Her details all contribute to the perspectives as well as describing specific examples of racism she has encountered and how she has learned from those
Firstly, I plan to explore how race has influenced my life. My mother is of Hispanic, and Irish decent whereas my father is of African decent. One of my earliest experiences with racism came from my mother’s side of the family. My grandmother would often say awful things about my dad to my brother and me when we visited and my parents were not around. She never hid how she felt about my parent’s relationship from us. My grandmother was opposed to my mother’s relationship with my father solely because he was, according to her, a “nigger” and of a different ethnic background and was not good enough for her daughter and that my mother was bringing shame to the family. My grandmother never accepted us whole-heartedly as her grandchildren compared to how she treated our other cousins simply because of their race and their complexion because they looked more like her side of the family than we did.
When handling a controversial subject, it is important to recognize the opinion of everyone, not just of oneself. If an author does not recognize, at least to some degree, the opinion of everyone in their audience, they risk losing the interest of readers whose opinions are different. African American writers must consider how it feels to be an African American to their audience; they must understand that there is no such thing as one identity for an entire race.
Another example is the incident Cassie takes a trip to Strawberry to the market. There she is made to apologize to Lillian Jean Simms (a white girl) for bumping into her. Cassie does not like to get pushed around and she stands up for herself. She says, "I ain't nasty, and if you're so afraid of getting bumped, walk down there yourself" to Lillian Jean after she is told to "get down in the road". This example tells us how the whites can tell the black people to do whatever they want them to do. In return, the black person would do what they are told but Cassie is strong and stubborn, and she refuses until her Big Ma tells her to apologize.
Murphy expresses how justifying bad deeds for good is cruel by first stirring the reader’s emotions on the topic of bullying with pathos. In “White Lies,” Murphy shares a childhood memory that takes the readers into a pitiful classroom setting with Arpi, a Lebanese girl, and the arrival of Connie, the new girl. Murphy describes how Arpi was teased about how she spoke and her name “a Lebanese girl who pronounced ask as ax...had a name that sounded too close to Alpo, a brand of dog food...” (382). For Connie, being albino made her different and alone from everyone else around her “Connie was albino, exceptionally white even by the ultra-Caucasian standards... Connie by comparison, was alone in her difference” (382). Murphy tries to get the readers to relate and pity the girls, who were bullied for being different. The author also stirs the readers to dislike the bullies and their fifth grade teacher. Murphy shares a few of the hurtful comments Connie faced such as “Casper, chalk face, Q-Tip... What’d ya do take a bath in bleach? Who’s your boyfriend-Frosty the Snowman?” (382). Reading the cruel words can immediately help one to remember a personal memory of a hurtful comment said to them and conclude a negative opinion of the bullies. The same goes for the fifth grade teac...
To accurately determine what an educational institution should do with a book that contains some degree of cultural or moral shock is to analyze what the purpose of these institutions actually is. “Some parents brought the town’s segregated past and their dissatisfaction with the present into the discussion about the book” (Powell, 1). It is true that people from areas where slavery once ran rampant will be emotionally distressed with books like The Adventures of Huckleberry Finn. This may be understandable, but ultimately, schools are not purposed to dampen the discomfort of specific students and their families. Education Assistant Professor Jocelyn Chadwick states, “‘you have to remind them you are there to defend the text and not solve social issues’” (Powell, 1). Alleviating the cold reality from members of the community is neither a responsibility of educators nor a pedagogical concern. For the teachers and professors, the education of students, through whatever methods and textbooks, should far outweigh any of the culturally or morally shaky backlash that could follow. However, some disagree with this. “The CHMCA officially objected to The Adventures of Huckleberry Finn on the grounds that ‘the prejudicial effect of the racial characterizations outweigh any literary value that the book might have’...
There are many social identities to take into consideration. It is not just race, ethnicity, gender, sexual orientation, language and social class. There are also categories such as health, education level, and body type. With a surplus of social factors, it is easy to have a hidden prejudice toward certain social identities. It is critical to first acknowledge how institutional forms of prejudice will covertly affect a child’s educational experience. As you can imagine, overt prejudice, a term used to describe the explicit discrimination you see, is easier to spot and therefore avoid. But the covert/indirect prejudices are much easier to slip through the cracks of lessons and classroom materials. For example, having a selection of children’s books that showcase only white, slim, heterosexual family structure is an illustration of a way ...
For my research project I chose the topic of Racism in Children's Literature. I chose this area of study because it is something that bothers me and I know as a child in school I was very uncomfortable with assignments that dealt with racism. One day I would like to make a difference to all the people who are affected by racism. My hypothesis states that if educators are better trained to deal with the delicate subject of racism in children's literature, books would not be banned, yet actually teach the lesson the authors of these books intended for all of us to learn.
Previous notions for advancing language principles for African American children has faced great disputes throughout history. During the 1970s, many African American parents believed that academic textbooks should be written