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Sociological perspective of suicide
Suicide and psychology essay
Suicide and psychology essay
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A Barrier to Death
Dying is never lovely. Mary Roach, defines in her essay Don’t Jump, her craving to securely experience the sensations of dropping from a precipice, as if she wanted to end her life. Suggesting in the essay, “that jumping-off San Francisco’s Golden Gate Bridge would be a lovely way to go” (Roach, 2001). There are people that are desperate in life and choose this picturesque setting; the beauty of protruding boulders speckled within the grassy covered hills; the silhouette of San Francisco pasted against the horizon or the white capped blue Pacific waves to edge of Earth. If the scenery does not relax, the soothing repetition of the bay hammering the shore and the tower pylons has a hypnotic affect. Such beauty, yet there
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are individuals that travel to the bridge to end their misery. Conceivably selecting this landmark to make their last statement on Earth to always remember. Ms. Roach discusses how fencing could hinder some from jumping. The scenic bridge does not cause people to choose death over life; the bridge authority does not implement a method to reduce the casualties and tarnish the vista that is worth the expense. Mary’s perception to the thrill of the rapid descent was overcome by the harsh consequenses in the act of suicide.
Interviewing people that have experienced the results of people leaping off the span provided the sad reality of those that seek to leave their agony. Often using morbid humor to make her point, she quoted Sgt. Lopez, “A lot of times, we pull bodies out with crabs hanging off them, speculating that crabs consider people a delicacy as much as people consider crabs” (Roach, 2001). The physics of how people perish is described in graphic detail to vulgar extremes. The majority of her writing is devoted to the descriptive recovery and unattractive nature of the jumper’s condition. Explaining how there are systems in place on the bridge to spot possible attempts to dive off the bridge Sgt. Lopez feels, “if they can get there before people jump there is a ninety-nine percent chance to stop them.” The only solution noted in the article is to put up fencing to keep people from jumping; however, she does not expand on the safety issue only to summarize with humor. Comparing the Bridge District’s reluctance to spoil the view by incorporating a barrier, to the spoiled view of a decomposed corpse (Roach, …show more content…
2001). On a typical San Francisco day, the sky was dark blue with puffy white clouds scattered to the western horizon. On the Marin County side of the narrows, away from San Francisco I parked my car to begin the four thousand steps journey to reach the center of the orange monster. Thinking I was the only brave soul to trek across the bridge I was among the mass of gawkers crossing the span. From the center of the span, the deck pulsates and flexes from the speeding vehicles traveling from beginning to end. The orange steel is cold to the touch and feels weighty. Being of short stature and terrified of heights the distance between my feet, the four-foot railing grew inappropriate as the span rose higher over the bay. My hands began to perspire with the fear of an earthquake or an errant whale hitting the support to send me flying off the deck to my demise became an abstract reality. The tourists gather at the highest point, to look down at the ships moving against the strong currents, the sea gulls and pelicans diving as a body off the span, though not to die but to feed from the bay. The view makes you feel euphoric, the beauty at each position, the majesty of the structure that engulfs my small stature providing stability. The dizzying height provides a flashback to a sad moment in my life when I thought jumping was an escape from my own pain. I understood being alone on the walkway with no one caring or attempting to make it a little harder to swing my legs over the railing. They do not dive with a bungee cord; they leap with the hurt in their lives thinking that this is a certain method to end their desolation.
At one time, the city council considered a resolution to repel the jumpers, the installation of a net under the structure to capture the bodies before they could be broken. Approved in 1998, no financial resources were made available to further the protective apparatus. In 2008, a poll had half the surveyed reject a barrier feeling it would not prevent suicide and felt using tax money to prevent suicide was futile. However, to separate opposing lanes of traffic, the Authority spent $26.5 million for a center median to prevent head-on collisions. Since 1970, there were sixteen death cause by head-on collisions and 1129 known suicides (Gross, 2013), so the body pieces continue to be picked up. The cost of the first responders, medical examiners and the Coast Guard would seem to more than then the millions spent that would of help prevent sixteen head-on collision deaths. The distracted driver, the intoxicated driver appears to have more value than the suicidal
jumper. Life has many safety nets, as the bungee cord on Mary’s leg over the river. Unable to protect us always, we select the risks that comfort us when we fail. Others lose their path discovering the awe-inspiring elevation of the Golden Gate Bridge as the solution to their lack of security. Outsiders tend to distance themselves from preventing the tragic act of throwing oneself from a bridge, yet the cameras, crisis phones and suicide interlopers send an opposite message to those considering a leap. I once had reach the bottom, climbing 10 stories to sit on a ledge thinking all was worthless in life. I could hear the calls of people below, JUMP! I was tricked and saved by brave souls that cared and believed in me, it was not my time. If only the Board of Directors for the Golden Gate Highway and Transportation District could be as brave as the officers that saved my life seventeen years ago. The jumpers seek to eliminate the hurt; they escape the safety of the bridge deck to leap without a net or cord to save them. In reality, they only leave their loved ones with the horrid recollections of the method chosen and the results never to think of the beautiful scenery of the Golden Gate Bridge. Later, washing up onto the breakwaters or coastline awaiting the unknown hands that gather their fragmented and lifeless corpses.
On 5/6/18, at approximately 0709 hours, I responded to the area of Colorado Blvd. and St. John Avenue regarding an investigation of a subject who jumped from the Colorado Blvd. overpass. Pasadena Police Dispatch advised the victim was F/B wearing a blue sweatshirt and blue jeans and the RP could see her down on the freeway under the Colorado Blvd. overpass.
Stiff: The Curious Lives of Human Cadavers by Mary Roach is a fascinating and compelling novel that explores the lives of human bodies after we have left them. In Stiff, Mary Roach discusses the major biological concepts of human cadavers and reveals that there are more to human cadavers than just being “dead.” The author entices the reader throughout the novel from the beneficial but strange uses of human cadavers to the history of body snatching and crucifixion experiments.
Jumped in by Jorja Leap is an autobiographical book about the experiences of a UCLA professor’s struggle to understand the lifestyle of gangs, and to figure out a way to end gang violence. Jorja Leap is an outsider looking at these communities from an intellectual sociological point of view, but she also has her personal biases shown. She stated in the book she is similar to an anthropologist, committing research specifically on gangs to comprehend their motivations. Her research leads her to interact with individuals that were or are affected by gang violence, whether they were the culprit or the victim. A large amount of the individuals she interviewed also want to end gang violence. These people know the negative effects that it has had on their communities and the suffering that it causes. These
"An Occurence at Owl Creek Bridge." Classic Reader. 2009. BlackDog Media, Web. 2 Dec 2009. .
An Occurrence at Owl Creek Bridge is split into three sections. In the first section, Bierce describes in detail the situation, a youn...
The Jericho Covered Bridge in Kingsville, Maryland was built in 1865 and restored in 1982. The bridge is 100 feet long and cased in cedar planks and timber beams. Legend has it that after the Civil War many lynchings occurred on the bridge. Passersby were supposedly captured on the bridge and hung from the upper rafters. The bridge is very close to my house and I have driven over it several times. The storyteller, age 19, also lives a couple minutes away from the bridge. He has lived in Kingsville, Maryland his entire life. He recalled a dramatic story he had heard from his older brother involving the haunted bridge.
There are diseases in the world that we can touch and see and there are those which we cannot feel or see. Depression and suicide are one of the few that are not physical diseases but mental. Suicide is the 10th leading cause of deaths in America, and 20-25% of Americans eighteen and older have depression. The two poems ‘Summer Solstice, New York City’ by Sharon Olds, and ‘The Mill’ by Edwin Arlington Robinson are both discussing the different ways that suicide and depression can affect an individual. The first poem by Sharon Olds goes into details of suicide prevention whereas the poem by Edwin Arlington Robinson goes into the details of how suicide and death affect the loved ones of the deceased.
Death is an intriguing thing. From time immemorial we have feared it, used it, pondered it. Frequently, stories allow the reader into the minds of those immediatly surrounding the one who will die; but all of us "will die." Our morbid interest is in dying, the going, that threshold between death and life. What happens there? There are similiarities and differences in how death appears to the protagonist, written by Ambrose Bierce in An Occurance at Owl Creek Bridge, and Ernest Hemingway in The Snows of Kilimanjaro. Bierce offers An Occurance at Owl Creek Bridge to show the incredible fantasy that passes through the mind of a man as he dies. Hemingway's engrossing description lies in The Snows of Kilimanjaro. Here, on the African savannah, a man encounters death slowly and with excruciating lucidness. While the differences between the two stories are easy to enumerate, it is the simliarities that may offer the most insight into the minds of the authors and, perhaps, into the minds of us all. The setting for An Occurance at Owl Creek Bridge is northern Alabama during the Civil War. Peyton Farquhar (Peyton) is said to be a planter who is left behind by the Confederate Army due to circumstances "...of an imperious nature," but he longs for the "release of his energies, the larger life of the soldier, the opportunity for distinction." Immaturity seems the watchword for him; the eagerness with which he swallows the bait presented by a Union spy may give a glimpse of the lack of gravity in Peyton's character that leads to his capture and to the fantastic attempt at escape or denial that his mind fabricates just before his death. Peyton is not a realist. Harry is a realist. The protagonist in The Snows of Kilimanjaro faces his pending doom with distinct clarity and resignation. In fact, his insistance greatly distrubs his wife (naturally) who tries to cheer him up by telling him that help is only a day away, and all that is needed to make it is a positive attitude. Harry is positive. He is certain that he will die very soon. He knows the mistake that has sealed his fate. Although he would change the past if he could, he does not seem to lament his end except for the writing he will never do.
Death has feelings as much as any human, imagining, getting bored, distracted, and especially wondering (350, 243, 1, 375 respectively). Odd, one could say for an eternal metaphysical being. But then again, not that queer once having considered how Death spends his time. He is there at the dying of every light, that moment that the soul departs its physical shell, and sees the beauty or horror of that moment. Where to a human witnessing a death first hand (even on a much more detached level than our narrator) can easily be a life changing event, Death is forced to witness these passings for nearly every moment of his eternal life. Emotional overload or philosophical catalyst? Death gains his unique perspective on life through his many experiences with the slowly closing eyelids and muttered last words. Yet in this...
Poe continues to develop his point that no one escapes death through the setting. Not only does he use the exterior and how it was constructed to tell what precautions P...
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.
My sweat soaked shirt was clinging to my throbbing sunburn, and the salty droplets scalded my tender skin. “I need this water,” I reminded myself when my head started to fill with terrifying thoughts of me passing out on this ledge. I had never been so relieved to see this glistening, blissful water. As inviting as the water looked, the heat wasn't the only thing making my head spin anymore. Not only was the drop a horrifying thought, but I could see the rocks through the surface of the water and couldn't push aside the repeating notion of my body bouncing off them when I hit the bottom. I needed to make the decision to jump, and fast. Standing at the top of the cliff, it was as if I could reach out and poke the searing sun. Sweat dripped from my forehead, down my nose, and on its way to my dry, cracked lips which I licked to find a salty droplet. My shirt, soaked with perspiration, was now on the ground as I debated my
Throughout time, death has been viewed in a negative light. In general, it is an event to be mourned and is seen by some as the end to existence. People do not usually seek death as an answer to their problems. In various pieces of literature, however, suicide is contemplated by the characters as the only solution to the pain and grief that they experience.
For this bridge its fall was inflicted by an unknown patron. One who’s identity or existence we never see verified. The record of the fall is short in the story described as only being for a moment. Then the bridge was finally introduced to “the sharp rocks which had always gazed up at me so peacefully from the rushing water”. Rocks gazing peacefully? This is almost as absurd as a bridge turning around. An action that the bridge itself cannot seem to believe it is doing. This attempt by the bridge was his final effort before his fall. I cannot even picture how a bridge would turn around and attempt to look on his back. The question that comes to my mind is how can a bridge see what’s on his back? If this book is trying to make us believe that this bridge is a human, or has human like qualities. Then how flexible a person is this bridge? Because I know very few people who can see whats on their back. Especially without turning so much that anything on their back would fall off. So is this bridge so inflexible that it breaks itself by turning around or is it trying to buck off its attacker unintentionally? This answer is never answered due to the story ending shortly thereafter this scene. With the short fall of the bridge onto the sharp rocks it had stared at for the entirety of its life. The events before and during the fall of the bridge was the main issue I had with my thesis that the bridge was