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Synopsis of the book Thief
Literary analysis of the book thief pdf
Synopsis of the book Thief
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Recommended: Synopsis of the book Thief
"I am a result," claims Markus Zusak's Death in his novel The Book Thief (Zusak 8). This state of being for the persona commonly seen as malicious and destructive provides a good view of the unique image of Death presented in the novel. Far from the scythe toting, black hooded robe wearing Death of culture's common perception, the Death here is amiable, affable, and agreeable (1). He poses to the readers wishing to find out what he truly looks like to "find [themselves] a mirror" while he continues to narrate the tale. The being here hold much more of a resemblance to a beleaguered old man with an exhaustible deep supply of dry gallows humor. He is not taking joy in the deaths of humanity, or even causing them. He is the result of our dying. Someone (not just something) to clean up the mess we leave behind. And after millenia of witnessing humans at their best and worst, Death has developed a special love for them.
Death has feelings as much as any human, imagining, getting bored, distracted, and especially wondering (350, 243, 1, 375 respectively). Odd, one could say for an eternal metaphysical being. But then again, not that queer once having considered how Death spends his time. He is there at the dying of every light, that moment that the soul departs its physical shell, and sees the beauty or horror of that moment. Where to a human witnessing a death first hand (even on a much more detached level than our narrator) can easily be a life changing event, Death is forced to witness these passings for nearly every moment of his eternal life. Emotional overload or philosophical catalyst? Death gains his unique perspective on life through his many experiences with the slowly closing eyelids and muttered last words. Yet in this...
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...pproaching footsteps of him? The novel revolves around the premise of Death's contemplation of the worth of humanity and his inability to reconcile the remarkable cruelty and compassion humans are simultaneously capable of. This fact, this paradoxical, beautiful scenario, follows him always.
The Death the reader befriends in The Book Thief is far from the Death s/he previously feared to see standing over him or her in the twilight hours of life. We are haunted by him and him by us. As a group, we form the opposite ends of a spectrum: A species with the infinite ability to love and hate, create and destroy, burn and build, and the eternal metaphysical being who must witness the entire process, never truly being able to grasp what it means to live, but ever loving those who do.
Works Cited
Zusak, Markus. The Book Thief. 2005. New York: Knopf Publishing. Print.
Due to his brother’s death while fighting alongside him in the war, Michael becomes emotionally devastated, and as a result, experiences survivor’s guilt, leading to his suicide. Although this letter is not from Death’s perspective, it still highlights an example of how physical destruction caused by humans can lead to emotional devastation for other humans. Death himself becomes emotionally devastated when Rudy Steiner, Liesel’s best friend, dies from the bomb on Himmel Street. He confesses, “Oh crucified Christ, Rudy … He lay in bed with one of his sisters. She must have kicked him or muscled her way into the majority of the bed space because he was on the very edge with his arm around her … Where was Rudy’s comfort? Where was someone to alleviate this robbery of his life? … He does something to me, that boy. Every time. It’s his only detriment. He steps on my heart. He makes me cry.” (531) This quote shows that Death is emotionally affected by the aftermath of the bomb, because he loses someone that he admires. As a result, Death feels like crying, and leads readers to believe that humanity is destructive. As a result, numerous examples from the book, including Death’s own experience, demonstrate that humanity has the capability to harm the physical world, as well as other
True to his character, Death seems to be able to look right into the souls of the individuals in The Book Thief. After Hans examines The Shoulder Shrug, Death generalizes and predicts Hans reaction: “Like most humans in the grip of revelation, Hans Hubermann stood with a certain numbness. The next words would either be shouted or would not make it past his teeth” (126). This statement implies that Death is quite attuned to human nature. He has clearly witnessed this pattern in people before. In a similar way, as the group of thieves disperse after finishing off the contents of the stolen basket, Death uses human analysis and foreshadowing: “In years to come, [Rudy] would be a giver of bread, not a stealer- proof again of the contradictory human being. So much good, so much evil. Just add water” (164). Using Rudy’s situational irony, Death emphasizes the unpredictability and broad range of human behavior. It is the perplexing concept that people can go from one extreme to the other, altering their personalities and mindsets even just for one moment: the precarious balance of light and
I am not afraid, but the sensation is like being afraid. The same fluttering in the stomach, the same restlessness, the yawning. I keep on swallowing.” Lewis example of fear and not being able to swallow clearly helps us to understand that his reaction to death is that of feeling like dying himself. Chapters 1 and 2 of this book is a breakdown of the stages individuals go through when trying to deal with the loss of a close love one. We move from confusion, then to hurt and pain, all the while seeking clarity and prayerfully closure. But before closure Lewis cleverly paints the picture of not only dealing with his own pain but the pain that others might assume he is dealing with. Even more so, pain that others who loved H are going through. Lewis parallels this to awkwardness to embarrassment, “It isn’t only the boys either. An odd by-product of my loss is that I’m aware of being an embarrassment to everyone I meet”. This make you ponder the questions. Does death cause the grieved embarrassment? Does this unwanted feeling cause even more pain on those left behind? Interesting, as this thought never crossed my mind, nevertheless paints Lewis into a different perspective or adds another level to our
Death is a highly feared concept. It is viewed as the end, in many cases, bringing great sadness to those who have lost a loved one. The idea of death comes with images of pain and suffering, sickness and disaster, war and conflict. This causes death to be seen as the enemy. People try their best to escape the reality of death. However, humans are not immortal so at some point death does come. When this happens, death is blamed for all of the pain the family and friends feel due to the loss of a loved one. Death has a bad reputation because it is at the saddest and most awful moments in life and in history that death is most prevalent. In The Book Thief, death is viewed in a different manner. Through his use of irony, Markus Zusak redefines
... resonates throughout both short stories and it spurs the growths of the protagonists and antagonists, characters who reach new heights of understanding about themselves and others. These characters are also able to resolve the peace with death, the purgative process that transforms them. The secondary characters in these two stories are unfazed by death, thus uncovering their insensitivity towards the loss of others. Albeit tragic in many ways, “The Horse Dealer’s Daughter” and “The Garden Party” reveal glimmers of hope and humanity in the shadow of death.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
Even death has a heart” (Zusak 242). If this statement is true, then he is on the same footing as humans; susceptible to the same foibles; hence, creating a sense of proximity of Death to humans. Death’s sentient personality serves several functions in The Book Thief. Displaying a full spectrum of human emotions, from empathy to frustration, he is no longer the macabre foe the readers have been taught to dread, making him appear more trustworthy and likable as both a narrator and a character. In addition to shaping readers’ impressions of Death’s humanness, this characteristic also sheds light onto Death’s compassion for humans.
In conclusion, Markus Zusak uses Death as his narrator to prove that Death is similar and almost completely identical to humans. He uses the narration to establish the spectrum as a key description of the Book Thief. He uses his job as “soul gatherer” in the war to describe himself and explain how the events affected him as a “person”. Death uses human emotions to convey that he is just like regular, normal humans. Death is known to be cruel, disturbing and all things horrific However, in accordance to new evidence, his persona begs to differ. Death is inevitable but he is human too.
For each of us, death is a subject that not only fascinates, but creates fear in our hearts as well. Death is something we avoid in our minds with the hope that it will not touch us. As a society we all fear death; especially in violent cases, which occur naturally and arise through the unusual forces in our society. When such an event takes place we want revenge. In Dead Man Walking, the parents of the murdered girl are left with so much anger that they verbally attack Sister Helen Prejean, when they find out she is still on Matthew Poncelet’s side.
Neighbors, sons, daughters, parents, and grandparents all died as a result of the cruelty of WWII and this, along with Death’s cynical narrating, creates a dark and dangerous tone. A death in The Book Thief also changes a character’s entire life. For example, the death of Robert Holtzapfel proved to be too much for his brother Michael, and he committed suicide. This death then causes the death of their mother, Frau Holtzapfel, when her sadness over the loss of her only children consumes her. “He placed his hand on hers, as she fell back to the hard ground.
Death states that, “I’m always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both” (Zusak 491). This book shows us human doing things that weren’t even imaginable before this point. Many people give into ideas that were lies. But, we also watch a few people go out of their way and sacrifice everything for a man they barely even know. They do everything they can to keep him safe and alive. They work harder, the get another job, and they even steal. In Markus Zusak’s The Book Thief, death examines the ugliness and the beauty of humans.
In The Book Thief, by Markus Zusak, the narrator uses foreshadowing, irony, and symbolism. “Here’s a small fact, you are going to die” (3). As readers, we are engaged in the story because we are part of the story. The narrator, who is a personified death, is referring to the readers when he says “you”. Here, it is foreshadowed that many people, including the reader, will die in the near future. This is verbally ironic because death refers to this as a “small fact”, even though the subject of death is usually considered a significant and sensitive topic. This statement symbolizes the insignificance that narrator feels towards human life. In The Book Thief, death lets us know about crucial events that will happen later in the book to keep the readers interested. Literary devices such as foreshadowing, irony, and symbolism keep the reader engaged in the story and portray certain thematic ideas.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Death is depicted as an individual’s affair, in which, neither one’s closest friends or closest blood relatives can give a hand in. Upon receiving the tragic news Everyman first approaches his friend Fellowship. At first he is hesitant to reveal his sorrow to Fellowship for he considers it too tragic a plight. After cajoling and assurances by Fellowship to stand by him in whatever situation, Everyman finally pours out his sorrow to Fellowship. Upon realizing that Everyman has been summoned by death, fellowship turns his back on Everyman ...
Many people find it hard to imagine their death as there are so many questions to be answered-how will it happen, when, where and what comes next. The fact that our last days on Earth is unknown makes the topic of death a popular one for most poets who looks to seek out their own emotions. By them doing that it helps the reader make sense of their own emotions as well. In the two poems “Because I Could Not Stop for Death” by Emily Dickenson and “Do Not Go Gentle into That Good Night” by Dylan Thomas, the poets are both capturing their emotion about death and the way that they accepted it. In Dickenson’s poem her feelings towards death are more passionate whereas in Dylan’s poem the feelings