The complexities of generational divides create intricate and strained relationships between parents and their children across every ethnicity. In Charles Yu’s insightful narrative, Interior Chinatown, the entangled web of familial dynamics is revealed and scrutinized as both the narrator, Willis Wu, and the reader, through Wu’s perspective, examine how societal pressures and internalized stereotypes affect bloodlines. Each generation in the novel is positioned and portrayed in a way that reflects the ever-changing and evolving position of Asian American citizens. Willis’s individual relationship with his father illuminates the tensions and challenges that are felt from intergenerational differences. The poignant commentary that Yu offers intently …show more content…
The challenges that arise depict how the clashing of cultural and personal values held by each character affects true understanding. Ming-Chen is content to feed into the system created to keep him in the predetermined caste of his race, while Willis rebels and advocates for change, neither able to discern the other’s motivations. Willis laments their lost relationship, “some distance that had crept in overnight. Some formal space you could no longer cross. He’d always be your Father, but somehow was no longer your dad” (17). He feels as if the connection they once shared has diminished slowly with age and his father will never return to the man that he once knew. As he aged, Ming-Chen morphed from the person Willis dreamed of being into a man that compels sympathy and sorrow from others. He is no longer the man who raised him, but the Old Asian Man who he shares genetic similarities with. The gap between them cannot be bridged, as the memories that held them together have been tainted. When Willis examines Ming-Chen during his time with Turner and Green, he notices, “this gap, always there. Somehow unbridgeable, whether it’s across a wide Pacific gulf of language and culture, or just a simple sentence, father to son, always distance” (90). The inability to truly understand the native language of his …show more content…
The father and son navigate Chinatown, a place where lives are defined by their adherence to social norms and stereotypes, with a shared sense of disillusionment and unfulfilled expectations. Ming-Chen has made peace with the web of systematic oppression he has become entangled in, but he hopes for more for Willis. Willis wants to leave behind the two-dimensional characters that Asian men are forced to play, but the only way to escape is to initially feed into the system. During Willis’ time as the interrogating Special Guest Star with accented language, “Old Asian Man looks at you, a look of disappointment flickering across his features with each accented word. You play this part, talking like a foreigner. The son who was born here, raised here, a stranger to his own dad for what” (91). Ming-Chen understands the compulsion to align himself to the typecast expected of Asian Americans, he has done it repeatedly: Generic Asian Man, Sifu, Kung Fu Guy, and Old Asian Man. But he wants his son to have a greater range of options. His son might not possess the same cultural values, language capacity, or hard-fought wisdom as him, but he has the privilege of being a born American citizen. To see him speaking with an accent to
This nation was relatively stable in the eyes of immigrants though under constant political and economic change. Immigration soon became an outlet by which this nation could thrive yet there was difficulty in the task on conformity. Ethnic groups including Mexicans and Chinese were judged by notions of race, cultural adaptations and neighborhood. Mary Lui’s “The Chinatown Trunk Mystery” and Michael Innis-Jimenez’s “Steel Barrio”, provides a basis by which one may trace the importance of a neighborhood in the immigrant experience explaining the way in which neighborhoods were created, how these lines were crossed and notions of race factored into separating these
Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
Imagine feeling and looking different from all those around you. Imagine if you weren’t understood the same way as the majority. In the book “American Born Chinese”, two characters, Jin and Monkey King who went through the same situations, but in different societies. The Monkey King insight into the impact of society on Jin as they both face social exclusion through experiencing internalized racism. Further as Monkey King transforms into another character, Chin-Kee, which Jin sees as an embarrassing Chinese culture.
With the perception of a bright and new beginning they willingly forced themselves to forget about the “colors of the Beijing sky” and “what they no longer could bear hope for” (Chang 33, 29). Sacrificing their past life, they wanted to give their son Charles a life of fulfillment and opportunity in the land of dreams, America. Their Chinese culture and traditions were neglected in the corner of their basement and the American lifestyle was rapidly immersing the Hwangs family. With the pressure to learn and comprehend this new American culture, the relationship between father and son slowly became disconnected. Ming’s demand to forget his past and the pressure to absorb new cultural ways, took a toll on the relationship between him and his son causing it to drift and become almost non-
In this article, Eric Liu presents his life as a native immigrant to an Asian American individual. He shares his experience through his reflection of ideas and emotions. Along with his story, it relates to the ideas of people’s journey from adolescence to adulthood. Eric’s inspirational experience is directed towards minority groups who try to adapt to the American culture and lifestyle. His parents emigrated from China to America, before he was born which he later became exposed to the freedom and diverse society. This results in beneficial effects for his individuality, career opportunities, and lifestyle. Although his parents have lived in a different culture than him, his life in America has made him assimilated into the American society
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of America, but instead as an alien, outsider, and the like. Therefore, Asian Americans and other immigrants feel the need to mask their true identity and imitate the native language as an attempt to fit into the mold that makes up what people would define how a native of America is like. Throughout the novel, Henry Park attempts to mask his Korean accent in hopes to blend in as an American native. Chang-Rae Lee suggests that a person who appears to have an accent is automatically marked as someone who is not native to America. Language directly reveals where a person is native of and people can immediately identify one as an alien, immigrant, or simply, one who is not American. Asian Americans as well as other immigrants feel the need to try and hide their cultural identity in order to be deemed as a native of America in the eyes of others. Since one’s language gives away the place where one is native to, immigrants feel the need to attempt to mask their accents in hopes that they sound fluent ...
Lin, J. (1998). Reconstructing Chinatown: Ethnic Enclave, Global Change. Minneapolis, MN: University of Minnesota Press.
Jin Wang, the main character in American Born Chinese transforms in order to deal with stereotypes and prejudice. After moving from Chinatown San Francisco to a new school, Jin realizes he is the only Asian other than Suzy Nakamura (31). Jin immediately faces racial stereotypes and slurs, such as “Chinese people eat dogs”, and arranged marriages (31). Even the teachers have preconceived ideas about Jin’s heritage. His third grade teacher Mrs. Greeder has little understanding of the pronunciation of Jin’s name and from where he moved, thinking he came “all the way from China” (30). In order to integrate in his new environment, he assimilates himself into American culture, transformed into a “regular” American. After stereotyped for eating dog, Jin is seen eating without chopsticks, part of his Asian tradition, and begins to eat “normal” American cuisine, such as sandwiches (37). When Wei Chen arrives, Jin tells him “(he’s) in America” and to “speak English” (37). Even though Jin is fully capable of communicating with Wei-Chen, he decides to abandon his previous culture. Jin chooses to fully transform into an American. He tries to completely dispose of his Asian identity and develop a new one. In order to do this he develops the n...
Similarly, Wong also grew up in America with a traditional Chinese mother. In contrast, Wong’s upbringing involves her mother forcing her into attending two different schools. After her American school day, Wong continues on with Chinese school to learn both cultures. Her mother felt it was her duty to “[. . .] learn the language of [her] heritage” (Wong 144). This puts a burden on Wong as she starts to despise the Chinese culture.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.