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Parent child relationships in literature poetry
Parent child relationships in literature poetry
Parent child relationships in literature poetry
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There are different types of parent and child relationships. There are relationships based on structure, rules, and family hierarchy. While others are based on understanding, communication, trust, and support. Both may be full of love and good intentions but, it is unmistakable to see the impact each distinct relationship plays in the transformation of a person. In Chang’s story, “The Unforgetting”, and Lagerkvist’s story, “Father and I”, two different father and son relationships are portrayed. “The Unforgetting” interprets Ming and Charles Hwangs’ exchange as very apathetic, detached, and a disinterested. In contrast, the relationship illustrated in the “Father and I” is one of trust, guidance, and security. In comparing and contrasting the two stories, there are distinct differences as well as similarities of their portrayal of a father and son relationship in addition to a tie that influences a child’s rebellion or path in life. …show more content…
In “The Unforgetting”, Ming Hwangs and his wife, Sansan, abandoned their life of misfortune in China by setting off to Iowa.
With the perception of a bright and new beginning they willingly forced themselves to forget about the “colors of the Beijing sky” and “what they no longer could bear hope for” (Chang 33, 29). Sacrificing their past life, they wanted to give their son Charles a life of fulfillment and opportunity in the land of dreams, America. Their Chinese culture and traditions were neglected in the corner of their basement and the American lifestyle was rapidly immersing the Hwangs family. With the pressure to learn and comprehend this new American culture, the relationship between father and son slowly became disconnected. Ming’s demand to forget his past and the pressure to absorb new cultural ways, took a toll on the relationship between him and his son causing it to drift and become almost non-
existent. However, in Lagerkvist’s story it is clear from the very beginning that the father and son have a strong bond. Starting the story with the fresh feel of “setting off briskly in the warm sunshine” the reader is left at ease, just as the boy feels in the presence of his father (Lagerkvist 49). Instantly, it’s made clear that there is an affectionate and strong bond between the man and his child. As they take on their adventure and roam the familiar woods, a very routine outing turns into one of uncertainty. This left the young boy, who once felt protected with the strong grip of his father’s hand, with a fear of a dark reality. Because the boy has the realization that “it was anguish that was to come, the unknowns” and “That was how the world, this life, would be for [him] me” it does not take away the fact that his father spent the time to build a relationship based on love, protection, and communication (Lagerkvist 52). In contrasting both Chang’s and Lagerkvist’s stories, it is clear that both fathers had very different relationships with their son. The father and son relationship was never truly structured or made a priority in the Hwangs household. There was never an effort to communicate and share parts of their lives with each other. This is evident on that one winter evening when Charles is helping his mother set the dinner table and Ming brings up Charles’ interest in history. They both begin sharing their own curiosity on particular topics. The reader finally gets a glimpse of hope for a bond to develop between the two. Until Charles asks why China is poor. This immediately causes Ming to detach and feel displeased. Realizing he has forced himself to forget an enormous part of his past life and culture. He begins to “envy the easy way Charles reached for the past. How could he explain to his son that the past was his enemy?”(Chang 33). Ming’s memories are holding him back from building not only a future for his boy, but a father/ son relationship. However, in “Father and I” the father has no problem sharing his past and memories with his son. In their adventure “they wanted to get to the river, for it was more beautiful there than anywhere else; there was something special about it, the farther upstream it flowed past where Father had lived as a child” (Lagerkvist 50). Because Father includes his son in the details of his childhood, this forms a strong sense of communication and closeness between the two. There is also a noticeable contrast between the affection shared in both relationships. In “The Unforgetting”, there’s much tension between Ming and Charles. They’re both very detached from each other. This disconnect is apparent when Ming “was surprised to find his son’s door closed. He stood dumbly for a moment and then without thinking, put his hand on the knob. The door was locked” (Chang 34). In the Chinese culture this is seen as disrespectful and this act truly disturbed Ming. He was shocked and could not understand why Charles’ door would be locked, “as if Charles had access to another world inside that room, as if he might disappear at will. (Chang 35). In analyzing this, it’s evident that the locked door is more than just a disrespectful act in Chinese culture, it symbolizes a barrier in the relationship between father and son. As for the father/son relationship in Lagerkvist’s story, they two are close, supportive and loving towards each other. “Father took me by the hand one Sunday afternoon, as we were to go out into the woods and listen to the birds” (Lagerkvist 49). The affection and relationship between them is so distinctly different from the one Ming and Charles have. While the father and young boy hang around the bank and are “both gay and cheerful by nature” Ming and Charles are living separate lives under the same roof. Just because one father and son relationship is more guided and supportive than the other doesn't mean there won’t be difficulties and obstacles to overcome. In comparing both sons, it is apparent that they both felt a lack of guidance and protection in the end. Even though the child in “Father and I” had a strong bond with his dad, fear and uncertainty made him realize that his father won’t always be there to protect him. As in “The Unforgetting” Charles never had any sort of guidance or connection with his father. He was left wanting to find his purpose and explore the uncertainty of life. In his life of loneliness, he found comfort through his studies and aspirations. He created the guidance and structure for himself that was lacking in his home. Both boys were forced to grasp the concept that life is never certain, there are parts of it that you must walk alone. With this comparison comes a tie of rebellion seen in both sons. While Charles decides to rebel against his family’s wishes and applies to universities away from home, the young boy in “Father and I” rebels against being a “copy” of his father. Both sons realize that they must find their own way in life. Charles by taking the opportunities that were given to him when he moved to America. The opportunities his parents were planning for. The plan they later regretted. And the child from “Father and I” understanding that all his life his father had served as a protector and calm force, but that security isn't always guaranteed. He is faced with the cold reality that life doesn't always stream easily as the river which flowed past where his father had one lived. “It wasn't a real world, a real life. It just hurtled, blazing, into the darkness that had no end” (Lagerkvist 52). Both the young boy and Charles would live a life undoubtedly different then the ones their fathers had lived. In conclusion, it is evident through comparing and contrasting both stories, that Chang’s and Lagerkvist’s portrayal of a father and son relationship differ, However, through these differences, similarities are weaved within the text. No matter if a relationship is built on communication and support or on rule and separation, both will impact the transformation of the child’s character and life.
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life. The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consists of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1. his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his family politics were always questioned, the mistake made by one of his family members would impact his entire family and it would be something they would have to suffer through, it was impossible for them to live down such a sin.... ...
Family became an important aspect in Mah’s life. In the Chinese culture family is typically a vital part of the way of life. Mah may have been ashamed the way her first marriage ended and did not want the same with this man she met named Leon. Leon is a Chinese immigrant and family is his priority. Mah and Leon marry and have two girls, Ona and Nina. They form a family like connection more than ever before. Leon was a fairly stable man and loved his family. Mah and Leon were b...
A parent may want to understand their child and connect to them, but they may not know how to do it. In Li-Young Lee’s poem “A Story”, the literary devices point of view, metaphors, and the structure of the poem are used to portray the complex relationship of the father and child and their inability to be able to connect with one another despite their wishes to do so.
Have you ever had one person who you have absolutely nothing in common with, but for some bizarre reason you “click” with them? It is astounding that two completely different people with two divergent personalities, morals, goals or lifestyles can compliment each other. In Loung Ung’s, First They Killed My Father, the dynamic duo, Loung and Chou are so completely different, yet their relationship works. At the start of the novel, Loung is the striking age of five years old and Chou is eight years old. Loung is very outgoing, loud, and obnoxious, while Chou is reserved, calm, and level headed. Both manage to survive the horrible genocide that struck their country in 1975 when Pol Pot, the communist leader of the Angker, turned their world upside down. The girls use two completely different ways of coping and accepting what happened. Through the use of symbolism and point of view, Loung and her sister Chou, although best friends, are complete antitheses in every way possible.
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before them get lost on. In this new age struggle for happiness within the Kao family a cultural barrier is constructed between the modern youth and the traditional adults with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself.
Technology weeds out the week families and leaves destruction in the eyes of the children who were exposed to family destruction. When a kid gets stuck in a bad family he acquires a different kind of family- not of blood relation but of respect and love relation, but the wounds are supposed to heal from previous experiences of a bad family, but if a ...
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
The novel “The Chrysalids” by John Wyndham is about a boy named David who grows up in the oppressive society of Waknuk where changes are not accepted. Through Uncle Axel and his father, Joseph Strorm, he learns about the ignorance of human nature. This helps to guide him through life and develop his maturity. Hence, the author conveys that a father figure is an essential part of development in a child’s life.
...a of what his life would have been had he been born and raised by an American Family. This shows that he has been trying to run away from the shadow of his own Culture in an effort to gain acceptance in the American Culture. However, his unruly behavior might have resulted due to the lack of support from his family especially his father. His father’s determination of trying to keep him bounded to the Korean tradition and values might have what actually pushed Henry away. For example, when Henry decides to take an American girl to the Spring Dance, his father justifies her interest in her son due his financial background. He says to Henry, “You real dummy, Henry. Don’t you know? You just free dance ticket. She just using you” (Pg. 74). This illustrates that Henry has been struggling to gain his father’s respect and approval in him but was never able to achieve that.
The father’s upbringing was such that financial stability was the priority. The child learned that dads are busy and do not have time to spend with their children. What a devastating realization for a child to conclude. Yet like most little boys, this one wanted to grow up to be like his role model, no matter the example. During the time from childhood to adolescent, parental influence can be either beneficial or detrimental. If the parents have a stable home, clear boundaries and open communications with their teens, the transition could flow easier. The perfect father does not guarantee the child will not rebel.
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.
The boy comprehends the severity of the situations he is faced with, such as lack of food or water, and treats his father with the same respect and equality that the man gives him. He insists on sharing his portions with his father when they are uneven, and he remains cautious at all times, even when his father is not. The boy’s fire is fueled by his love for his father, which is shown by the boy’s priority on caring for his father’s wellbeing, just as the man does for him. This love and responsibility, manifesting in the form of self-sacrifice and compassion, lies in direct juxtaposition to the rest of the world, where selfishness and indifference reigns
The author uses imagery, contrasting diction, tones, and symbols in the poem to show two very different sides of the parent-child relationship. The poem’s theme is that even though parents and teenagers may have their disagreements, there is still an underlying love that binds the family together and helps them bridge their gap that is between them.
The relationship between a father and his son can be articulated as without a doubt the most significant relationship that a man can have throughout the duration of his life. To a further extent the relationship between a father and a son can be more than just a simple companionship. Just like a clown fish and a sea anemone, both father and son will rely on each other in order to survive the struggles of their everyday lives. Cormac McCarthy’s The Road and Gabriele Muccino’s The Pursuit of Happyness both depict a story between a father and son using each other as a means of survival when faced with adversity. When placed in a tough situation father and son must create a symbiotic relationship in order to survive. Upon the duo of father and son can creating a symbiotic relationship, it will result in a mutual dependency on each other. This theme of paternal love is omnipresent given the bond between the two characters.
Write an Essay (900-1200 words) in which you analyze and comment on Amy Chua’s article “Why Chinese Parents Are Superior”. Part of your essay must focus on how the writer engages the reader and on possible consequences of adopting Amy Chua’s values and methods of upbringing.