Throughout the story, Paul greatly struggles with the dissonance he feels between physically being alive and living a fantastical dream life, ultimately choosing to kill himself rather than end his fantasy. This dilemma is expressed throughout Paul’s Case with deep realizations and vivid language highlighting the extreme tone shifts. Willa Cather uses her mastery of the English language to explore the very feelings at Paul’s core, creating both a wonderful study of Paul’s character, and an examination of conflicting fantasy and reality.
Although Paul is physically alive for almost all of the story, he does not consider this really living. Paul moves through life with little to no interest in anything aside from art, something the text describes
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Paul’s fantasies are described in flowing detail, an example being when he examines the hotel, “up the steps, into the warm, lighted building, into an exotic, a tropical world of shiny, glistening surfaces and basking ease” (par 18). These gilded scenes are often directly followed by the dark contrast of reality. Immediately after the lavish description of the hotel, the narration switches focus to Paul’s depressing reality, “he was still outside in the slush of the gravel driveway; that his boots were letting in the water and his scanty overcoat was clinging wet about him” (par 18). This quick change makes both descriptions even stronger by comparing them. Flipping between extremes also adds a feeling of tension; the quick change makes it feel like the statements are fighting. This extreme contrast really sets the mood for Paul’s inner turmoil and ultimately his …show more content…
To understand why Paul choses this course of action, his inability to return home must be examined. We know from frequent mentions that he does not like the idea of returning to his house. Since he is no longer allowed in Carnegie Hall, and his dad would likely block him from all art forms possible, returning would mean the death of his dreams, and therefore, his only happiness. The narration describes this crushing suffocation of happiness as “worse than jail, even; the tepid waters of Cordelia Street were to close over him finally and forever,” reinforcing the stifling tone with imagery (par 59). Paul sees suicide as not only a way to avoid despair, but also as a means to achieve the never ending euphoria he desires with “no awakening, no figure at the top of the stairs” (par 47). Paul choses to commit suicide rather than continue without his fantasy. To him, returning home would cause something more horrible than death of his physical body, the death of his dream, and with any possibility of
Paul’s character relates to the central idea because he is an example of a person who was not accepted by others and fell down on a dark path of no
That had happened because of a traumatizing experience when he was in kindergarten. His brother, Erik, and Erik's friend, Vincent, had sprayed Paul's eyes with white paint. (Pg. 264) Before Paul had remembered that incident, Paul had always thought he was foolish. On page 35 it explains why he thought he was irrelevant. It says "I was the boy who had not listened and who was now paying the price." That shows that Paul had always thought low of himself because his parents never told him the truth. This decision made Paul feel weak and miserable because he had always thought it was his fault. On page 265 Paul gets his parents to admit what had actually happened to make him blind. They said they didn't tell him the truth because they didn't want him to hate his brother. What Paul mentions was quite sad. He said,"So you figured it would be better if I just hated myself". (265) In that scene, his mom and dad both broke down crying. All along, Paul had felt guilt in himself for something he hadn't done.
As previously stated, in the beginning of the book, Paul was super quiet, shy, and lonely. In fact, his only friend was his mom. Paul never tried to change anything, and never made his voice heard. He had terrible self esteem - mainly because he felt it was his fault he was blind, and had to
Paul suffered setbacks and dilemmas because he never knew his mother as she died around the time of his birth. Therefore he is lacking the maternal guidance of emotional stability that every child needs to grow mentally. Paul is withdrawn from society, and he resorts to the arts and music to feel comfortable and free from his disassociation and sense of loneliness. One should not be confused and believe that his father was not loving or caring of Paul because his father did what he could to support Paul and to do all he could to get Paul out of problem situations. He just was not very keen on Paul's needs, especially his manners or clothing. The narrator described Paul's clothes as being "a trifle outgrown, and the tan velvet on the collar of his open overcoat was frayed and worn" (67). Men are not the gender who is as observant and uptight about people's attires. Men tend to desire less than women do, and this was inflicted upon Paul since it was his father who was overseeing Paul's limits on material well-being. It takes more of a female's point of view to judge if something looks perfect, and Paul and his father did not have this type of direction around. A master of Paul's noticed "what a white, blue-veined face it was; drawn and wrinkled like an old man's around the eyes, and stiff with nervous tension . . ." (69). The wrinkles apparently came from the stresses that ruled Paul. HE was constantly dealing with the pain of no mother and his nervous tension was that he knew how he did not fit in with all the other boys his age. He lacked the maternal stability and reassurance that most children had in order to be string mentally and emotionally. This stood out when he was aro...
... Paul wanted to get out of the war. Maybe Paul died on the right day; he loves quiet, and he dies on possibly the quietest day of the whole war. Maybe he just wanted to end his misery. In any case, Paul cannot accept the philosophy of war and thus gives himself up for death.
In ‘Paul’s Case’ Paul has created a fantasy world in which he becomes entranced, even to the point of lying to classmates about the tales of grandeur and close friendships that he had made with the members of the stock company. This fantasy falls apart around him as “the principle went to Paul’s father, and Paul was taken out of school and put to work. The manager at Carnegie Hall was told to get another usher in his stead; the doorkeeper at the theater was warned not to admit him to the house” (Cather 8). The fantasy fell apart further when the stories he had told his classmates reached the ears of the women of the stock company, who unlike their lavish descriptions from Paul were actually hardworking women supporting their families. Unable to cope with the reality of working for Denny & Carson, he stole the money he was supposed to deposit in the bank to live the life of luxury in New York. Only a person who felt backed into a corner would attempt something so unsound. After his eight days in paradise, he is again backed into a corner by the reality of his middle class upbringing, and the dwindling time he has before his father reaches New York to find him. The final way out for Paul is his suicide, for which an explanation would be “In the end, he fails to find his security, for it was his grandiose “picture making mechanism” that made his life so deardful.” (Saari). With all the securities of his fantasy life finally gone, his mental instability fully comes to light as he jumps in front of the train to end his
On page 227 paragraph 13 it says, “I saw you face down Erik and those other guys, and I saw Arthur Bauer hit you with a blackjack.” This choice impacts Paul because Luis was someone that Paul cared about and to know that it was Erik and his friend Arthur that hit Luis that caused Luis’s death, will cause Paul a lot heartache and emotional pain. But this inevitably makes Paul stronger because now he has the drive to somehow get back Erik for all the horrible things that Erik has done. On page 245 Paul is very distraught because he finds out that Luis has died and knows the reason why. This bothers Paul an incredible amount that he even goes home early from school. This shows that Erik’s choice affected Paul because Paul will forever acknowledge himself as Erik’s little brother, the brother of the person that killed Luis Cruz and this is something that will take Paul a long time to get
Paul believes that he was tricked into joining the army and fighting in the war. This makes him very bitter towards the people who lied to him. This is why he lost his respect and trust towards the society. Teachers and parents were the big catalysts for the ki...
Paul believes that everyone around him is beneath him. He is convinced that he is superior to everyone else in his school and in his neighborhood. He is even condescending to his teachers, and shows an appalling amount of contempt for them, of which they are very aware.
Every encounter Paul has with someone he creates a new identity to bond and connect with them. Throughout the play Paul creates multiple personas for himself, he realizes that he is an empty vessel with no past and only memories of what he has done during his different personas. Paul loses control over his multiple personas which cause them to overlap with each other. Which causes him to feel lost and in search of help, when Ousia offers this help he gladly takes it which end up putting him in prison and never to be seen in New York.
Analysis of Paul's Case by Willa Cather. Willa Cather’s “Paul’s Case” is a story about a young 16 year-old man, Paul, who is motherless and alienated. Paul’s lack of maternal care has led to his alienation. He searches for the aesthetics in life that he doesn’t get from his yellow wallpaper in his house and his detached, overpowering father figure in his life. Paul doesn’t have any interests in school and his only happiness is in working at Carnegie Hall and dreams of one day living the luxurious life in New York City.
In the beginning of the story, Paul seems to be a typical teenage boy: in trouble for causing problems in the classroom. As the story progresses, the reader can infer that Paul is rather withdrawn. He would rather live in his fantasy world than face reality. Paul dreaded returning home after the Carnegie Hall performances. He loathed his "ugly sleeping chamber with the yellow walls," but most of all, he feared his father. This is the first sign that he has a troubled homelife. Next, the reader learns that Paul has no mother, and that his father holds a neighbor boy up to Paul as "a model" . The lack of affection that Paul received at home caused him to look elsewhere for the attention that he craved.
War destroys Paul and his friends. Those who physically survive the bombing, the bullets and bayonets are annihilated by physical attacks on their sanity.
He realizes that he has to lose feeling to survive, “That I have looked far as the only possibility of existence after this annihilation of a human emotion” (194). Paul loses all feeling, which may be one of the main factors keeping him alive in battle, so that he does not allow himself to process the violence and horror to which he is exposed. Even in the short time where he thinks about all that he has lost, he is immediately overwhelmed with feelings and there is no time for this on the battlefront. Paul has no empathy for the enemy and kills without even thinking, “We have lost all feeling for one another.
Throughout this book, Paul’s voice sounds more colloquial and chatty, where the tone is quite informal. This is shown with the use of a conversational and story-telling style of writing. First person pronouns are exceedingly common as part of his writing. By writing “When Breath Becomes Air” as a memoir, Paul allows the audience to see deep into his philosophies behind death and life. With a first-person narrative, it allows the reader to feel if they were in the same boat as Paul, carefully listening to his voice and opinion, which creates a strong connection between the reader and the