The concept between life and death cannot simply exist without one another, where the topic is widely discussed throughout “When Breath Becomes Air” by Paul Kalanithi. This memoir explores Paul’s definition of death as he passes through the distinct “stages” of his life. As Paul progresses through each stage, he views death differently as he transformed from a student to a neurosurgeon, neurosurgeon to a patient, and eventually becoming a father, where he needed to take full responsibility as an adult.
Before Paul started his career as a neurosurgeon, he was extremely passionate about literature and was determined to become a writer. At a young age, his parents inspired him to develop his interest in literature. After graduating from high
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It begins with an introduction foreword written by Abraham Verghese, who helped Paul Kalanithi to publish this book. The first part and the second part of the main body is a memoir that Paul himself had written that describes his life before and after he was diagnosed with lung cancer. The last section of the book is an epilogue written after Paul’s death by his wife Lucy.
Throughout this book, Paul’s voice sounds more colloquial and chatty, where the tone is quite informal. This is shown with the use of a conversational and story-telling style of writing. First person pronouns are exceedingly common as part of his writing. By writing “When Breath Becomes Air” as a memoir, Paul allows the audience to see deep into his philosophies behind death and life. With a first-person narrative, it allows the reader to feel if they were in the same boat as Paul, carefully listening to his voice and opinion, which creates a strong connection between the reader and the
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Surprisingly, from such a high-ranked and honoured neurosurgeon to suddenly falling to a position of being someone who needed help rather than providing it is unbelievable. Paul’s emotions of regret, fear, frustration, and denial of his state resonated with me and got me questioning myself “where do my values lie at this very moment of my life?” This was a thought that constantly entered my mind. Similar to the writer, I am guilty of questioning why we have this concept of life and death, but as living in a fast-paced generation full of technological advances, we do not have time to think about what is most important to us. As a teenager born in this generation, my friends and I are incredibly oblivious to how fragile our lives can be. Living in the 21st century, we are given many privileges such as access to medical care, warm shelters, and nutritious food, yet we consistently get distracted by the appeal of our wants rather than our
In his first year of school, he is only interested in Megan Murray, the first girl Paul has ever lusted for. However in his second year, he meets Rosie. Rosie watches him practise in the Music Room during lunch. Initially, Paul feels intimidated by Rosie as he thinks that she is too much like himself. He is afraid that he now has competition as she is the other smart kid in the class, yet he still chooses to teach her some piano. Choosing to spring lines from Herr Keller’s teachings, he makes himself sound smarter and more accomplished at the piano than he actually is. The characters show the development of Paul through the way they act with Paul and the language and content used in conversation. This enables us to see Paul’s “plumage” being presented to the world as Paul develops through time to become the swan that he is at the end of the novel.
As a nursing student, I have had some exposure to death during patient care. My first encounter with direct death was witnessing a patient after attempted resuscitation efforts die in the emergency department. As I observed others reactions, I noticed I was the only one who seemed fazed by the preceding events and the end result, although I didn’t show it outwardly. During my Aging and End of life clinical rotation, I have been exposed to a near death experience with a family and I had the rewarding experience of forming a relationship with the patient’s wife during the short hour I was in their home. From reading the accounts in this book, it confirmed to me the importance of catering to the needs of the family and the dying as an important issue to address as they are critical to overall care.
The Dying of the Light is an article by Dr. Craig Bowron that captures the controversy surrounding the role of medication in prolonging life. The author describes that many medical advancements have become a burden to particularly elderly patients who in most instances are ready to embrace the reality of death. Dr. Bowron believes that dying in these modern times has become a tiring and unnatural process. “Everyone wants to grow old and die in his or her sleep, but the truth is most of us will die in pieces,” Bowron notes (Bowron). The article does not advocate for euthanasia or the management of health care costs due to terminal or chronic illness. Bowron faults humanity for not embracing life and death with dignity as it was in the past. He blames the emergence of modern medical advances and democracy as the sole reason why everyone is pursuing immortality or prolonging of life rather than embracing the natural course of things. The article is very articulate and comes out rather persuasive to its target audience that happens to be health-conscious. Craig Bowron uses effective rhetorical strategies such as logos, ethos, and pathos to pass on his message. The article’s credibility is impeccable due to the author’s authority in health matters as he is a hospital-based internist. A better placed individual to dissect this issue by analyzing his experiences in the healthcare profession. The article incorporates a passionate delivery that appeals to the readers’ hopes, opinions, and imagination.
Cather, Willa. “Paul’s Case.” The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter 6th ed. New York: Norton, 2000. 198-207.
In Paul’s true reality he has a lack of interest in school. His disinterest in school stems from the alienation and isolation he has in life. This disinterest in school reflects Paul’s alienation because of the unusual attention he receives there that he doesn’t get at home. In class one day he was at the chalkboard and “his English teacher had stepped to his side and attempted to guide his hand” (Cather 1). Paul, at the moment of being touched, stepped backwards suddenly and put his hands behind his back. In other classes he looks out the window during lectures and pays little attention to his teacher’s lessons. Paul, growing up without a mother figure in his life, is unaccustomed to any affection or care from his teachers that mothers tend to give. Therefore, his alienation is portrayed in his attitude toward school, and the fore...
In the beginning of the story, Paul seems to be a typical teenage boy: in trouble for causing problems in the classroom. As the story progresses, the reader can infer that Paul is rather withdrawn. He would rather live in his fantasy world than face reality. Paul dreaded returning home after the Carnegie Hall performances. He loathed his "ugly sleeping chamber with the yellow walls," but most of all, he feared his father. This is the first sign that he has a troubled homelife. Next, the reader learns that Paul has no mother, and that his father holds a neighbor boy up to Paul as "a model" . The lack of affection that Paul received at home caused him to look elsewhere for the attention that he craved.
The flow and organization of the topics are structured chronologically and easy for readers to have a clear depiction of the progression of the book. He explains and elaborates his ideas and assumptions on struggles with morality, through real voices of patients and his own personal encounter. The first few topics were lighthearted, more on procedural terms such as the demographics of care in the United States and India and the evolution of care. This heightens to themes that are close to one’s heart as he uncovers the relationship amongst medicine, patient, and the family. It also deliberates on the concerns after medicine becomes impotent and society is ill-equipped for the aging population, which highlight the decisions and conversations one should or might have pertaining to death. He makes
John L McIntosh. (2003) . Handbook of Death and Dying. Volume 1: The Presence of Death. Thousand Oaks, CA: Sage Reference.
“But it is not the fear, observe, but the contemplation of death; not the instinctive shudder and struggle of self-preservation, but the deliberate measurement of the doom, which are great or sublime in feeling” (John Ruskin). Human beings never stop making efforts to explaining, understanding and exploring the meaning of the death, and death became an important topic in human’s literature. According to the scientific definition “death is the state of a thermodynamic bio-system in which that thermodynamic system cannot obtain non-spontaneously energy from the environment and organize non-spontaneously the energy obtained from the environment” (Nasif Nahle). Which means that all human beings fundamental biological systems are stop working after
Death is an eternal mystery and the most controversial subject stemming from human inexperience. Its inescapability and uncertainty can give insights on the core principles and vulnerability of human nature. In Shakespeare’s tragedy Hamlet he skilfully makes use of death as a lashing force to explore the depths of his characters along the way illustrating man’s continual dilemma “To be or not to be”?
Life and death represent a dyad; their definitions inherently depend on one another. Simply defined, death is the cessation of life. Similarly, life can be defined as not death; however, not everything not alive is dead. Boniolo and Di Fiore explain this dyadic relationship well, and other authors have cited this interdependency to better define life and death.1-6 The academic literature contains multiple definitions for both terms depending on which discipline or interest group attempts the definition. Nair-Collins provides a thorough discourse on this diversity in terms of death, differentiating between “biological death, death of the person, death of the moral agent, death of the moral patient, legal death, and the commonsense notion of death.”2(p.667,668,675) Through the dyadic relationship, similar groupings could be arrived at for defining life. Whether or not one accepts Nair-Collins’ categories, at least some differentiation of this type is necessary given the complexity of these concepts. I propose a simplified categorization of the definitions of life and death: (1)scientific/biological, (2)medic...
‘Being Mortal’ was a fascinating read about a young man who grows in the understanding of death and dying and what matters most in the end. We all have constraints and no matter how well we take care of ourselves and live our life, death comes to us all; and how we meet that end can be very different depending on how we want to spend the last moments of our journey. Medical science has its power and pushes the boundaries of life and death, but it can’t always save you, it won’t always work out the way that you hope it does. Doctors like Atul Gawande struggle to fix everyone’s problem and cure the patients who come into the hospital; but as the book progresses Atul finds that there are ways to handle patients’ lives and it doesn’t always involve
From the outset of the story, the reader is shown Paul's thoughts. Through this the story tells us that Paul has a very active imagination. This is shown when Pauls says, "Then,
These two thought provoking stories take widely separate approaches on the idea of death. One being
I was very excited to take Death and Dying as a college level course. Firstly, because I have always had a huge interest in death, but it coincides with a fear surrounding it. I love the opportunity to write this paper because I can delve into my own experiences and beliefs around death and dying and perhaps really establish a clear personal perspective and how I can relate to others in a professional setting.