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Theory of structuralism by ferdinand de saussure
Literary Analysis
Literary Analysis
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Structuralism was developed by Ferdinand de Saussure in the mid-twentieth century (Cuddon and Preston 923). This creation was brought on, in part, by the French existentialism period and is often combined with the semiotic theory of literary criticism; both are the source of development for other literary criticisms from the formalist schools of thought. As the name suggests, structuralism examines the structure of the work, investigating the ramifications of the organizations of literatures (McManus, 1998). As an image to portray this idea is examining the structure of a building and comparing it to the structures of other buildings in its surroundings, and then subsequently comparing the common features of those buildings to buildings from other cultures and what those architectural discrepancies represent (Brizee and Tompkins, 2011).
Structuralism employs terms to help in the understanding of one of the most complex literary theories (McManus, 1998; Brizee and Tompkins, 2011). All words in any given language are either classified as parole or langue (McManus, 1998). Barbara McManus is an expert on literary criticism, has authored two books on the subject, is a retired professor of Classics Emerita, including the topics of Feminism and general literary criticism courses, from College of New Rochelle who defines the two terms as “any particular meaningful use of spoken or written language (also called ‘performance’)” and “the underlying system of sounds, forms, and rules of combination of a language which make meaningful communication possible (a speaker's implicit knowledge of this system is called ‘competence’),” respectively (McManus, 2003; McManus, 1998). McManus later states that “[Structuralists are] interested in langu...
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...ll D. Moyers. The Power of Myth. New York: Doubleday, 1988. Print.
"Cormac McCarthy on James Joyce and Punctuation." Interview by Oprah Winfrey.Oprah.com. OPRAH, 01 June 2008. Web. 05 Feb. 2014. .
Cuddon, J. A., and Claire Preston. The Penguin Dictionary of Literary Terms and Literary Theory. London: Penguin, 1999. Print.
McCarthy, Cormac. The Road. New York: Alfred A. Knopf, 2006. Print.
McManus, Barbara F. "Barbara McManus Home Page." CNR.com. College of New Rochelle, July 2003. Web. 4 Feb. 2014.
McManus, Barbara F. "Structuralist Approaches." Structuralist Approaches. The College of New Rochelle, Oct. 1998. Web. 16 Jan. 2014.
Murfin, Ross, and Supryia M. Ray. "VirtuaLit: Critical Approaches." VirtuaLit: Critical Approaches. Bedford/St. Martin's, n.d. Web. 04 Feb. 2014.
Lacan’s theory is a form of structuralism because it expansively talks about the tenets of human culture. As advanced by the structuralism theory, human culture is understood from the idea that, there is a larger relationship between structures of human existence. Lacan posits that human culture stems from its relationship with overarching systems. Lacan’s theory argues that human phenomena do not have value without the relationship that ensues with other structures. In other words, Lacan is candid that culture is a product of the systems of structure that build up to a larger structure. According to Lacan, human existence derives its understanding from its ability to develop interrelations. Indeed, Lacan’s psychoanalysis theory has a form of structuralism embedded in it by looking deeply into his ideas about human interactions. According to him, “the unconscious is the discourse of the other”. This implies that human desires are structured in relation to the feelings of others. Psychoanalysis, according to Lacan, is the idea that human culture results from social interaction. In this respect, desire is a social phenomenon that links humans with other structures that form human culture. It is the structural interaction of human desire with other components of human culture, which makes Lacan’s theory a form of structuralism. Linking the space between people in a social-psychoanalysis approach is a form of structuralism. In reference to this idea, it is worth noting that the ability to connect people in a cultural dimension calls for a structural comprehension between different tenets like language and economics. As advanced by Lacan, for instance, capitalism and economics are significant components of human culture that influe...
Lowe, Peter J. Texas Studies in Literature & Language; Spring2007, Vol. 49 Issue 1, p21-44, 24p Academic Search Complete Ebesco. Web. 23 July 2011
(9) David Michael Levin has an interesting, recent interpretation along these lines; see his "Liberating Experience from the Vice of Structuralism: The Methods of Merleau-Ponty and Nagarjuna," Philosophy Today, vol. 41, no. 1 (Spring 1997): 96-111.
Staton, Shirley F. Literary Theories In Praxis. Philadelphia: University of Pennsylvania Press, 1987. eBook Collection (EBSCOhost). Web. 10 Feb. 2014.
The first theory to be discussed is structuralism, this theory is composed of many different branches. The branches that this paper will be looking into is archetypes. The definition of of archetype is typical images, characters, narrative designs and themes and other literary phenomena. Archetypes have their own form of criticism that is called archetypal criticism. Archetypal criticism means the generic, recurring and conventional elements in literature that cannot be explained through historical influence or tradition.
“Form follows function.” Every great Modern architect thought, designed by and breathed these very words. Or at least, their design principles evolved from them. Modern architects Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Pierre Chareau, and Rudolf Schindler to name a few believed that the function determined the space whether the space was solely for a particular purpose or they overlapped to allow for multiple uses. Form didn’t just follow function, function defined the space. By focusing on the relationship between the architecture and the interior elements, Chareau’s Maison de Verre expanded the idea of functionalism to include not only the architecture but also the space it creates and how people function within that space.
Arp, Thomas R., Greg Johnson, and Laurence Perrine. Perrine's Literature: Structure, Sound, and Sense. Australia: Wadsworth Cengage Learning, 2012. Print.
Arp, Thomas R., and Greg Johnson. Perrine's Literature Structure, Sound, and Sense. 11th ed. Boston: Wadsworth, 2012. Print.
The first segment of this essay aims to define the main views of structuralism, one of these theoretical approaches. Structuralism, in particular the work of Ferdinand de Saussure, created controversy as it directly challenged some of the values of the everyday reader in the way it attempts to disregard the actual content of writings, and instead concentrates on form and diagrammatics. As the name suggests structuralism is concerned with the interrelationships between structures and the general laws by which they work.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
Charles Jencks in his book “The Language of Post-Modern Architecture “shows various similarities architecture shares with language, reflecting about the semiotic rules of architecture and wanting to communicate architecture to a broader public. The book differentiates post-modern architecture from architectural modernism in terms of cultural and architectural history by transferring the term post-modernism from the study of literature to architecture.
Correspondingly, Katie Llyod Thomas shares similar views on how modernity has increasingly concealed tectonics. She conceptualizes how materiality is secondary to form with hylomorphism in her Architecture and Material Practice. “Hylomorphism, which understands materials as a subset of matter, does not provide a way of positively distinguishing materials, and underscore the architectural tendency to use materials as mere finishes,” says Katie.6 Modernity has instigated materiality and tectonics to become inferior to the architectural form; therefore, concepts and spaces are given more importance and further worked on more attentively, leaving materiality till the end. As Katie mentions, materiality in the design process of a student is in fact consider in the later stages, where it is discussed as a technical issue rather than a conceptual one.6 Materiality and tectonics is a conceptual joint, it is the structure that forms an architectural expression, represents an emotion, and it is what creates a space. Considering all factors, materiality shall not be left to discuss at the end, but worked on as the design is developing, therefore working on form alongside materiality and
To understand the role of place in architecture, the author compares architecture to language. Language has patterns and arrangements, architecture relates directly to what humans do. It changes or evolves as
This idea led to two different types of neoclassicism: Structural and Romantic. Structural Classicism included buildings like prisons, hospitals, and railway stations. Those who followed this style believed that “the essence of architecture is construction. All stylistic transformations are merely the logical consequence of technical development.” In contrast, Romantic Classicism included museums and libraries. The style focused more on the landscape, symmetry, and balance (Frampton
Saussure insisted on the systematic nature of language; “Language is a structure, a functioning whole in which the different parts are determined by one another” (Course in General Linguistics p. 9). The combined elements of parole and langue form language. Language states Saussure, manifests itself as speech (parole), the actual performance of speakers when they speak or write, also language (langue), which represents the knowledge or competence that all speakers possess of their language (Course in General Linguistics p. 8- 9).